検索キーワード： 制作 "HighBridge, a division of Recorded Books" アジア系アメリカ人・太平洋諸島系

In these buoyant and inventive stories, Karen Tei Yamashita transfers classic tales across boundaries and questions what an inheritance - familial, cultural, emotional, artistic - really means. In a California of the '60s and '70s, characters examine the contents of deceased relatives' freezers, tape-record high school locker-room chatter, or collect a community's gossip while cleaning the teeth of its inhabitants.

Seventeen-year-old Bucky Yi knows nothing about his birth country of South Korea or his bio-dad's disappearance; he can't even pronounce his Korean name correctly. Running through the woods of rural Washington State with a tire tied to his waist, his sights are set on one all-American goal: to become a college football player. So when a misadventure with his adoptive family leads the US government to deport him to South Korea, he's forced to navigate an entirely foreign version of his life.

In this staggering work of documentary and poetry, Mai Der Vang reopens a wrongdoing that deserves a new reckoning. As the US abandoned them at the end of the Vietnam War, many Hmong refugees recounted stories of a mysterious substance that fell from planes during their escape from Laos in the mid-1970s. This substance, known as "yellow rain," caused severe illnesses and thousands of deaths. These reports prompted an investigation into allegations that a chemical biological weapon had been used against the Hmong in breach of international treaties.

Radiant and tender, My Baby First Birthday is a collection that examines innocence, asking us who gets to be loved and who has to deplete themselves just to survive. It's about existence and nonexistence, about being born - without consent. Jenny Zhang writes about accepting pain, about the way we fetishize womanhood and motherhood, and reduce women to their violations, traumas, and body parts.

In a suburban LA neighborhood, neighbors keep wary distance and at times collide, propelled by desire, fury, and mischief. Precocious Korean-American sisters Mira and Rosemary find their world rocked by a suicide; a charismatic and creepy drama teacher grooms his students; an aging gay horror novelist fights loneliness; and a white mother and her adopted Vietnamese daughter deal with lifelong anger issues.

Maya's been able to get by in New York on her wits and a dead-end bookstore job for years, but when her husband leaves her and her favorite professor ends their affair, her barely-calibrated life descends into chaos, and she has to make some choices. Maya's struggle to be alone, to be a woman, and to be thoughtful and imperfect and alive in a world that doesn't really care what happens to her is rendered with dead-eyed clarity and unnerving charm. This book takes every tired trope about addiction and recovery, "likeable" characters, and redemption narratives and blows them to pieces.

Samrat Upadhyay's thrilling new collection brings stories of thieves, lovers, political prisoners, fractured families, and of Nepali-Americans attempting to navigate the strange customs of the United States. It reaffirms Upadhyay's brilliant contributions to the international literature of exile.

Lakshmi, called Lucky, is an unemployed millennial programmer. She likes to dance and have a drink or two, and she makes art on commission. Fifty bucks gets you high-resolution digital images of anything you want (orcs, mermaids, cos-playing couples in sexy boudoir scenes) and a nice frameable print. Lucky's husband, Krishna, is an editor for a greeting card company. Both are secretly gay.

One morning, Deming Guo's mother, an undocumented Chinese immigrant named Polly, goes to her job at the nail salon and never comes home. No one can find any trace of her. With his mother gone, 11-year-old Deming is left with no one to care for him. He is eventually adopted by two white college professors who move him from the Bronx to a small town upstate. They rename him Daniel Wilkinson in their efforts to make him over into their version of an "all-American boy".

Jeremy Jordan and Alexandra Chen hope to make a quiet home together but struggle to find a space safe from their personal secrets. For Jeremy, this means leaving behind his former life as an intelligence operative during The Troubles in Northern Ireland. For Alexandra, a high-powered job in image management for whole countries cannot prepare her for her missing brother's sudden reappearance. In a culture of limitless surveillance, Jeremy and Alexandra will go to great lengths to protect what is closest to them and answer the question of whether their love will be returned.

Phantoms is a fierce saga of American culpability. A Vietnam vet still reeling from war, John Frazier finds himself an unwitting witness to a confrontation, decades in the making, between two steely matriarchs: his aunt, Evelyn Wilson, and her former neighbor, Kimiko Takahashi. John comes to learn that in the onslaught of World War II, the Takahashis had been displaced as once-beloved tenants of the Wilson orchard and sent to an internment camp. What happened to the Takahashi son, Ray, when he returned from service and found that that nowhere was home for a Japanese American?

Irreverently juggling magical realism, film noir, hip hop, and chicanismo, Tropic of Orange takes place in a Los Angeles where the homeless, gangsters, infant organ entrepreneurs, and Hollywood collide on a stretch of the Harbor Freeway. Hemmed in by wildfires, it's a symphony conducted from an overpass, grandiose, comic, and as diverse as the city itself - from an author who has received the California Book Award and the Association for Asian American Studies Book Award, among other literary honors.

Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation, American soldiers created "a howling wilderness" of the surrounding countryside. Magsalin reads Chiara's film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator - one about a white photographer, the other about a Filipino schoolteacher.

Thomas Tessler, devastated by a tragedy, has cloistered himself in his bedroom and shut out the world for the past three years. His wife, Silke, lives in the next room, but Thomas no longer shares his life with her, leaving his hideout only in the wee hours of the night to buy food at the store around the corner from their Manhattan apartment. Isolated, withdrawn, damaged, Thomas is hikikomori. Desperate to salvage their life together, Silke hires Megumi, a young Japanese woman attuned to the hikikomori phenomenon.

Rosario, a Filipina novelist in New York City, has just learned of her mother's death in the Philippines. Instead of rushing home, she puts off her return by embarking on a remote investigation into her family's history and her mother's supposed inheritance, a place called La Tercera, which may or may not exist. Rosario catalogs generations of Delgado family bequests and detritus: maps of uncertain purpose, rusted chicken coops, a secret journal, the words to songs sung at the family home during visits from Imelda Marcos.

"Where are you from . . . ? No—where are you from from?" It's a question every Asian American gets asked as part of an incessant chorus saying you'll never belong here, you're a perpetual foreigner, you'll always be seen as an alien, an object, or a threat. Monica Youn's From From brilliantly evokes the conflicted consciousness of deracination. If you have no core of "authenticity," no experience of your so-called homeland, how do you piece together an Asian American identity out of Westerners' ideas about Asians? Your sense of yourself is part stereotype, part aspiration, part guilt.

In seventy-two hours, a blockbuster expose will reveal Victoria Stevens's multibillion-dollar startup as a massive fraud. And Victoria has gone missing. Has she faked her death, leaving her husband, Guy Sarvananthan, to face the fallout—and potential jail time? Should Guy flee to his native Sri Lanka, an outcast and a failure? Or embrace denial? Opting for the latter, he takes the corporate jet to a private Caribbean island, where the 0.0001% have gathered to decide which one of the world's biggest problems to "eradicate forever."