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Seamus Heaney had the idea to form a personal selection from across the entire arc of his poetry, small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this in his lifetime, and no edition exists which has such a broad range, drawing from first collection to last.

First published in 2017, Living Poetry is the second book by Chloe Gilholy and the second in her Life with Poetry series. The book contains 50 poems dedicated to the various themes of life.

Welcome to the small seaside town of Llareggub. Here you will find dreamers, workers, singers, sinners, the young, old, blue, bold and a mix of all in between. Here you will meet Captain Cat and Rosie Probert, Mr Organ Morgan and Mrs Ogmore-Pritchard, Nogood Boyo, Mog and Myfanwy. Here you will watch a day in their lives play out - from a dark, moonless night to a morning that is busy as bees; from a sunny, slow lulling afternoon to a deep, drifting dusk. So, to begin at the beginning.

Polarbear is one of the most influential poets of his generation. The work collected here is the work that made his name. These poems have racked up hundreds of thousands of views online, lodging themselves in the hearts and minds of readers and audiences alike. His particular gift is for the many kinds of music a line can contain. He marries the intricate, compulsive, rhyming strategies of rap with the shanachie's gift for telling a story and the saxophonist's flair for bending the possibilities of sound.

While attempting to discover the roots of Hamlet’s unhappiness, two courtiers go on a journey to plumb the depths of the universe’s mysteries. Tom Stoppard’s wildly inventive, Tony® Award-winning first play takes us through a tilted version of Shakespeare’s most famous tragedy while casting new light on questions of fate, mortality and the meaning of existence. Recorded at The Invisible Studios, West Hollywood in June 2022.

A brave Scottish general named Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of madness and death.

Romeo and Juliet is a tragedy written by William Shakespeare early in his career about two young Italian star-crossed lovers whose deaths ultimately reconcile their feuding families. It was among Shakespeare's most popular plays during his lifetime and, along with Hamlet, is one of his most frequently performed plays. Today, the title characters are regarded as archetypal young lovers.

Pygmalion is a play by George Bernard Shaw, named after the Greek mythological figure. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights. Shaw's play has been adapted numerous times, most notably as the 1938 film Pygmalion, the 1956 musical My Fair Lady and its 1964 film version.

Impassioned, insightful, electric, Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.

In Preface to Paradise Lost, the Christian apologist and revered scholar and professor of literature closely examines the style, content, structure, and themes of Milton’s masterpiece, a retelling of the biblical story of the Fall of Humankind, Satan’s temptation, and the expulsion of Adam and Eve from the Garden of Eden. Considering the story within the context of the Western literary tradition, Lewis offers invaluable insights into Paradise Lost and the nature of literature itself, unveiling the poem’s beauty and its wisdom.

Gillian Bickley was born and educated in the UK and has lived mainly in Hong Kong since 1970. The poems in Sightings are on Hong Kong, Europe, and personal subjects, accessible to many listeners, both young and old. An academic turned full-time writer, editor, and publisher, Gillian invites listeners to share her enjoyment of city and country, simple and complex ideas and events, and her empathy with the largely innocent people she has come across.

A sublime book of 31 poems written by Frater Achad. This edition has been fully and completely digitally remastered to be as close to the now out-of-print original. It is a loving work of art dedicated to the memory of the author. Frater Achad was an occultist and ceremonial magician. An early aspirant to AA (the 20th to be admitted as a Probationer in December 1909) who "claimed" the grade of Magister Templi as a Neophyte, he also became an OTO initiate. He worked under a variety of mottos and pseudonyms, but he is best known under his Neophyte motto Achad (Hebrew "unity", אחד).

This collection of poems was written during almost 30 years' residence in Hong Kong. Most are on explicitly Hong Kong topics, and reflect the writer's personal experience and knowledge of Hong Kong. Those who have emigrated or who have spent a period of time overseas will empathize with the expatriate experience described. Other poems narrate and reflect on personal events and concerns which will resonate with many.

Wie ein Sturm ist das Werk Emily Brontës in das Leben von Mithu Sanyal hineingefegt. Die erste Lektüre des Romans "Sturmhöhe: Wuthering Heights" hatte für die Autorin von "Identitti" lebensprägende, lebensverändernde Kraft. Mithu Sanyal hat ein mitreißendes Buch über das Leben und Schreiben der weltberühmten englischen Autorin geschrieben, der man zu Lebzeiten mangelnde Weiblichkeit vorwarf und deren Buch als gefährlich galt.

Un lieu, quatre siècles, une odyssée audacieuse et irrésistible au cœur de l'histoire de la civilisation occidentale. Entre permanence de la nature, rêve et folie des hommes. Comment une petite dizaine d'individus du monde entier se sont-ils retrouvés à l'intérieur d'un minibus aux confins du Mexique, sur des routes brinquebalantes et en compagnie d'un chaman ?

This charming collection of poems and blessings celebrating the Skellig islands will take the listener on a magnificent journey to the mysterious islands that have captivated the hearts and imaginations of pilgrims and visitors throughout the centuries. The beautiful poetry embraces the mystery and history of the ancient Skellig monastery and the monks who built it, the birds and marine life, the flora and fauna, and the powerful moods of the seasons surrounding these stunning islands at Europe’s western edge.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

It’s 1925. Hitler has published Mein Kampf and Mussolini has shut down the free press in Italy. Three friends meet on a Scottish estate for a weekend of salmon fishing and convivial conversation over brandy and cigars: Winston Churchill, future world leader; "Bendor", 2nd Duke of Westminster; and Coco Chanel, iconic fashion entrepreneur. The narrative develops into a visceral account interspersed with sharp and insightful humor, revealing two men whose deep friendship is divided by their profound political differences, as each of them tries to navigate an uncertain world.

Poetry can give voice to opinions and feelings which would otherwise not be shared. This writer, in no uncertain terms, expresses in verse the frustration, disappointment, and worries the last six years have provoked. Brexit, COVID, climate change, and geopolitical upheaval, including the Russian invasion of Ukraine, are all here, as are some more personal reflections. Occasionally funny, sometimes satirical, sometimes reflective, usually thought-provoking. With a historical perspective on a tumultuous few years through poetry, it is not hard to detect a point of view!

“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. A Guest at the Feast is both an intimate encounter with a creative artist and a glorious celebration of writing.