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Molding a Jurassic Universe is a collection of essays exploring the space where nostalgia and geek culture collide, all through the lens of Jurassic Park and the Jurassic Park franchise. The 21 essays muse on traumatized heroes, dinosaur martyrdom, the ethical implications of having a theme park full of extinct creatures brought back to life, cynicism as form and function in filmmaking, a shaving cream can as a foundation to worldbuilding, and more.

Even as actresses become increasingly marginalized by Hollywood, French cinema is witnessing an explosion of female talent - a Golden Age unlike anything the world has seen since the days of Stanwyck, Hepburn, Davis, and Garbo. In France, the joy of acting is alive and well. Scores of French actresses are doing the best work of their lives in movies tailored to their star images and unique personalities. Yet virtually no one this side of the Atlantic even knows about them. Viewers who feel shortchanged by Hollywood will be thrilled to discover The Beauty of the Real.

Washington Post columnist Dana Milbank takes a fair and balanced look at the unsettling rise of the silly Fox News host Glenn Beck. Thomas Jefferson famously wrote that the tree of Liberty must be refreshed from time to time with the blood of patriots and tyrants. It is its natural manure. In America in 2010, Glenn Beck provides the very refreshment Jefferson had in mind: Whether he's the patriot or the tyrant, he's definitely full of manure.

This comprehensive biography draws from previously unreleased photographs and documents from the Grimaldi family archive and, for the first time, access to the letters between Kelly and Hitchcock. It is also based on interviews with Kelly’s companions and relatives, including an exclusive interview with Prince Albert II of Monaco.

Yunte Huang ingeniously traces Charlie Chan from his real beginnings as a bullwhip-wielding detective in territorial Hawaii to his reinvention as a literary sleuth and Hollywood film icon. Huang finally resurrects the "honorable detective" from the graveyard of detested postmodern symbols and reclaims him as the embodiment of America’s rich cultural diversity. The result is one of the most critically acclaimed books of the year and a "deeply personal...voyage into racial stereotyping and the humanizing force of storytelling" (Donna Seaman, Los Angeles Times).

Jewel thievery, car chases, and romance on the French Riviera. Alfred Hitchcock's Oscar-winning film To Catch a Thief brought together Hollywood's two most glamorous stars, Grace Kelly and Cary Grant, in the most glamorous place on Earth, the French Riviera. It is a tale of jewel thievery, intrigue, false identity, covert investigation, and, most of all, romance.

How do perceptions of the past - not just of particular events, but of the trajectory of history as a whole - shape our experience of the world? Sensing the Past tackles this question with an unlikely source of historical insight - the work of six major Hollywood stars: Clint Eastwood, Daniel Day-Lewis, Denzel Washington, Tom Hanks, Meryl Streep, and Jodie Foster. By focusing on the career choices made by these iconic actors, Cullen uncovers a discrete set of historical narratives, revealing the surprising ways historical forces shape our understanding of the world.

The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales.

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

To continue doing business in Germany, Hollywood studios agreed not to make films attacking Nazis or condemning persecution of Jews. Ben Urwand reveals this collaboration and the cast of characters it drew in, ranging from Goebbels to Louis B. Mayer. At the center was Hitler himself - obsessed with movies and their power to shape public opinion.

From exclusive interviews with director Ken Russell and new interviews with cast, crew, and historians, comes this examination of the beautifully blasphemous film The Devils. Based on historical fact, this controversial 1971 film is about an oversexed priest and a group of sexually repressed nuns in 17th-century France and the ensuing trials and exorcisms that followed. Detailing the production and the personalities of two of cinema’s great eccentrics, director Ken Russell and star Oliver Reed, Crouse delves deeper to explore the aftermath of the film.

Judy: A Legendary Film Career tells the story of Garland’s movie work in unprecedented detail. Hundreds of never-before-published photos, newly-assembled contemporary reviews, insight from her costars and coworkers, and production histories are provided for each film in which she appeared. Highlighting and complimenting the feature films is a definitive biography; an examination of Judy’s short subjects; details of the movies she did not complete; and an enthralling compendium of film projects for which she was considered or rumored.

Glenn Ford: A Life chronicles the volatile life, relationships, and career of the renowned actor, beginning with his move from Canada to California and his initial discovery of theater. It follows Ford’s career in diverse media - from film to television to radio - and shows how Ford shifted effortlessly between genres, playing major roles in dramas, noir, westerns, and romances. This biography by Glenn Ford’s son, Peter Ford, offers an intimate view of a star’s private and public life.

What would happen to international politics if the dead rose from the grave and started to eat the living? Daniel Drezner's groundbreaking book answers the question that other international relations scholars have been too scared to ask. Addressing timely issues with analytical bite, Drezner looks at how well-known theories from international relations might be applied to a war with zombies.

It was made like a television movie, and completed in less than three months. It killed off its star in 40 minutes. There was no happy ending. And it offered the most violent scene to that date in American film, punctuated by shrieking strings that seared the national consciousness. Nothing like Psycho had existed before, and the movie industry, even America itself, would never be the same.

From the sleek Aston Martin that spits out bullets, nails, and passengers at the push of a button to the microjet that makes hairpin turns to avoid a heat-seeking missile, the science and technology of James Bond films have kept millions of movie fans guessing for decades. Are these amazing feats and gadgets truly possible? The Science of James Bond takes you on a fascinating excursion through the true science that underlies Bond's most fantastic and off-the-wall accoutrements.

This audiobook, unlike any other about the team or series, was created with full access to Graham Chapman's private papers, scripts, and letters, thus allowing the author to explore some age-old myths, clear up some age-old debates, and give a rare insight into the making of a team and a series. This audiobook gives the reader knowledge about previously unknown information and trivia - much of which didn't appear in even Python's own book of the troupe - as well as the ability to hear actual unseen letters sent to the team by the BBC, and others.

This eBook contains two essays on film: "On Viewing Hans Richter's Rhythmus 21": the search for cinematic meaning in one of the most famous early German avant-garde films. "The Perfect Filmic Appositiveness of Jack Smith": impressions of the films of one of cinema's most eccentric auteurs.

For five decades, no American filmmaker has been as prolific or as paradoxical as Woody Allen. From Play It Again, Sam (1972) to Midnight in Paris (2011) and Blue Jasmine (2013), Allen has produced an average of one film a year; yet in many of these movies Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists.

Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their inter-relationships.