検索キーワード： 演出・制作

Investigative journalist Sam Irvin's tell-all behind the making of FRANKENSTEIN: THE TRUE STORY (Universal / NBC-TV, 2-part miniseries, 1973) has many facets. It is an eye-opening exposé on the movie industry of the early 1970s with an emphasis on Universal Pictures and the horror genre. But the chronicle also reveals a hidden agenda – fueled by the astonishing courage of a revolutionary group of LGBTQ+ artists spearheaded by producer Hunt Stromberg Jr. and his screenwriters Christopher Isherwood (THE BERLIN STORIES – the basis for CABARET) and his lover, artist Don Bachardy.

This book is an invaluable and inspirational material for the film, television and theater professional. It helps directors, actors, writers, designers, producers and executives tap into their imagination and instincts, in turn helping them create the films they’ve always dreamed of creating.

The first major biography of one of Old Hollywood’s greatest directors. Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Howard Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks’s greatest creation may have been himself.

Making films about club kids, royalty, hustlers, and televangelists, and working with icons such as such as Britney Spears, Tammy Faye Bakker, and RuPaul, the book is packed with glorious insider gossip and amazing celebrity stories. These are the riotous tales behind the shows that would make screen-agers of us all.

What do you do when actors won't do what you tell them to? Remembering his own awkwardness and terror as a beginning director working with actors who always had their own ideas, director John Badham has a bookload of knowledge to pass along in this inspired and insightful must-listen for cinema fans as well as actors and directors at all levels of their craft.

Still Laughing features never-before-told stories from the creation of one of the most groundbreaking shows in television history.

A carefree memoir of growing up during the golden age of VHS and video rental stores in the 1980s. This humorous nostalgia trip rewinds to an era of chunky plastic tapes, horror movie sleepovers, and rewinding woes. Relive the magic of discovering cinema through the blurry analogue footage, cheesy effects, and garish cover art of the VHS generation.

Seasoned showrunner Jeffrey Melvoin shares his fascinating insider's perspective on how to call the shots and make the final decisions when choosing and writing scripts, hiring staff, casting, making the budget, and juggling schedules. Along with the managerial responsibilities that keep the show afloat, they are also the visionary for the series and the characters. Melvoin describes how to confidently communicate abstract ideas so they can become the show's reality.

Short Film Ideas: Compelling and Scalable Short Film Ideas are exactly that! It contains ideas for short films for all filmmakers and screenwriters who are experiencing writer's block, who are looking for ideas to get their juices flowing, or who need a storyline as soon as possible (i.e., for a film course). Your short screenplay should make the production of your film easy.

Finally, a book that tells the truth about the pitching process in Hollywood. This highly detailed guide is intended for writers, producers and directors, or anyone who wants to work in the intensely competitive, creative side of the entertainment industry. Written is simple, direct language, it is intended for beginners or established Hollywood pros.

Quels sont les éléments du langage cinématographique (mouvements de caméra, plans, montage, etc.) ? Comment les cinéastes les ont-ils utilisés et comment ont-ils évolués depuis le début du XXe siècle ? En répondant à ces questions, Jean-Claude Carrière, scénariste de Luis Bunuel et de Louis Malle, nous permet de décrypter les images et le son, d'en prendre une conscience nouvelle et de changer à jamais notre regard sur le cinéma.

David Wark Griffith, best known for directing the 1915 film "The Birth of a Nation," is considered one of the most influential figures in the history of the motion picture, pioneering many aspects of film editing and expanding the art of the narrative film. In 1919, together with Charlie Chaplin, Mary Pickford, and Douglas Fairbanks, Griffith founded the movie studio United Artists, with the goal of enabling actors and directors to make films on their own terms. In this 1930 recording, actor Walter Huston and director DW Griffith discuss Griffith's film "The Birth of a Nation."

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige.