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10 Tips for Increasing Your Chances of Getting Attention and Awards at Film Festivals describes how to get more attention and awards by using various strategies to increase attendance and press coverage. It suggests ways to make more connections when you are there or using a surrogate to represent you. It recommends different techniques you can use online and in creating flyers, posters, and other materials to promote your festival screening.

10 Tips for Promoting a Local Screening of Your Film describes some ways to promote a local screening. It suggests different promotional strategies for putting on your own event or helping an organization promote your screening. Then, the audiobook focuses on how to use Eventbrite and Meetup to sign-up attendees and receive advance payments. The audiobook is formatted like a journal, so listeners can write down their ideas for what to do after reading each tip.

The audiobook 10 Tips for Entering Your Film in Film Festivals describes how to choose which festivals to enter among the thousands of film festivals each year. It explains the advantages of entering and attending local festivals, discusses online festivals, and suggests ways to increase your chances of your film being selected in a festival competition. It also lists many of the most popular and coolest festivals to enter.  

10 Tips for Making a Final to Do List for Distributing Your Film summarizes the key tasks to do to successfully distribute your film. It features key marketing and promotion tasks, such as creating a poster, trailer, and press materials, setting up a website or page on your website for the film, making arrangements with a website, and more. The book is part of a series of short books, in which each book features tips and techniques for becoming more successful in the film industry. 

10 Tips for Making Your Own Distribution Arrangements for Your Film describes how you can distribute your film through various online video platforms including aggregators and your own website. It discusses the different types of video platforms, including third-party aggregators and video on demand (VOD) sales platforms.

Ken Webb, a seasoned veteran on-air promo writer/director and award-winning independent filmmaker, is here to take you behind the scenes and show you all the nuts and bolts of the independent filmmaking industry. From the pain-staking process of finding the right locations to feeding the crew – you will learn everything you need.

Finally, a book that confronts the challenges filmmakers of all types of films face when bringing their vision to the screen. Emmy-nominated director and multi-hyphenate filmmaker Christopher Folkens (www.mysticfilms.com) provides an in-depth look at the personal journey necessary for any filmmaker to take on their debut film (or really any creative project for that matter). 

10 Tips for Making the Arrangements for a Local Screening describes in detail how to set up a local screening. It explains how to choose a location, venue, and date, as well as determine costs and what to charge....

Alexandra Boylan has gone from a homeless struggling actor to an award winning film producer. Producing, writing, and staring in numerous films that have landed distribution deals with Netflix, Universal Home Studios Entertainment, Pure Flix Entertainment, Image Entertainment, and on the shelves of Walmart and Red Box. This compilation of true tales from the Hollywood trenches chronicles her journey. The tips and tricks contained in these accounts will guide you through the ever-changing landscape of the entertainment industry while maintaining your sanity and self-respect.  

10 Tips for Creating a Promotional Video from Your Screening describes how to work with a videographer and video editor to create a promotional video from your screening to further promote your film. It explains what you can expect to pay and what to film. It also suggests how to provide input for editing the video and how to use the video for promotion. 

10 Tips for Setting Up Local Screenings of Your Film describes how to set up a series of local screenings in your community and nearby cities if you are doing your own distribution. It describes how to determine your audience, select the best location for your screening, find a venue, and attract an audience. It also describes how to collect payments, run the program, and build on these showings to gain an even bigger audience at future showings.

Lessons from the Set is a comprehensive filmmaking guide that takes a cinephile’s do-it-yourself approach to low-budget indie film production and distribution. The book is peppered with filmmaking tips and tricks, as well as valuable, practical insight into the process of writing, directing, producing, and distributing commercial feature films on a low budget - whether you’re working with $1,000 or $1 million. 

 10 Tips for Setting Up Local Screenings for Your Film describes how to set up a series of local screenings in your community and nearby cities if you are doing your own distribution. It describes how to determine your audience and the best location for your screening, how to find a venue, and how attract an audience. It also describes how to collect payments, run the program, and build on these showings to gain even more of an audience for future showings. 

10 Keys for Doing Your Own Film Distribution describes the many advantages of doing your own distribution when you haven’t found a distributor, or to help you find a distributor. It also provides an overview of the many different platforms for distributing your film, from contacting retail channels, to setting up your own showings and selling off your website.

10 Tips for Arranging an Initial Theatrical Screening to Gain Press and Distributor Interest describes how to set up a screening. It indicates what you need to prepare, such as a press kit, trailer, and screener, and how to how arrange for a theater and attract an audience. It suggests ways to get the press and distributors to attend.

10 Tips for Setting Up Theatrical Screening for Your Film describes how to set up a series of screening after your initial premiere. It suggests doing these additional screenings to get more recognition for a film with broad appeal, and it describes how and where to select theaters in different cities. It indicates the kinds of costs to expect for showings in different types of theaters and recommends creating a marketing plan to guide you in doing these screenings to gain more recognition to help with the other types of distribution you do.

The YouTube money craze is on. Because of this wonderful innovation, ordinary individuals can now upload their own videos and monetize that through the number of viewers. But as more people join in the money tree, the competition has become very stiff. The explosion of videos taken by ordinary individuals has taken the world by storm and the formula for what would make the next YouTube viral video is on.

Gordy LaSure's passionate about film. He eats film, he drinks film, and sometimes he'll even watch a film. But most of all, he loves talking about film, and how they'd be a shit-ton better if only people would pull their asses out of their ears and listen to Gordy LaSure. Why are some films bad and some films terrible? How come just a handful of films (Titanic, Porky's, Dirty Harry) are any good at all? Gordy'll tell you How and Why, and he'll give you a shot of Wherefore on the side. And he doesn't shoot from the hip; he shoots from the gut.

10 Ways to Find a Distributor for Your Film describes how to best pitch your script to distributors, starting with having a good script, writing an effective query letter, creating a short treatment or synopsis, and taking steps to make your script stand out. The audiobook is part of a series of short books, in which each book features tips and techniques for becoming more successful in the film industry.

10 Legal Basics for Getting a Distribution Deal describes the different provisions that are commonly included in a contract for distributing a film. It details the rights you are licensing and the obligations you have in return for what the distributor will do in releasing your film. It lists the many documents you need to supply and suggestions on what you can’t or can negotiate, such as the cost of marketing fees, the term of the agreement, and the requirement for insurance on your film.