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Getting to Reparations makes a logical and necessary case for reparations for Black Americans. It lays out a path as to how we might achieve this, built on the frameworks used throughout U.S. history by the government to pay restitution. It is now time to do the same for America's Black population.

This challenging and inspiring collection of essays constructively frames the story of Black America—not as a tragedy involving helpless victims, but as a model for the nation. Scholars and grassroots leaders recount the history—the gritty, painful, but often triumphant account of what blacks accomplished after slavery was ended. Denied access to the institutions of white America, they built their own churches, schools, hotels, and a host of other successful enterprises. Their resilience produced amazing increases in literacy, family formation, and income.

“How can we build a truly inclusive multi-racial democracy?” For Atima Omara, the answer is The Instigators—a name she has given to a demographic of Black women between the ages of 18 and 45. These women are uniquely equipped to save American democracy. They didn’t ask for this ability, she argues. It was forced on them because racism and sexism have made them the most marginalized group in American politics. We can all benefit from their strategic know-how as we rebuild our society.

John Edgar Wideman, acclaimed since the early 1970s for his award-winning fiction and memoirs, has long been engaged in a project to redefine, from the perspective of an American of color, the wondrous and appalling power of his country’s literary culture and history. Now, curated by him, in this first-time collection from his extensive body of long-form journalism and biographical essays, listeners are offered a chance to see and judge for themselves how Wideman has proven himself to be a luminous witness of America’s history.

In this latest book in Beacon’s award-winning ReVisioning History series, Professors C. Riley Snorton and Darius Bost unearth the often overlooked history of the Black queer community in the United States. Arguing that both gender and sexual expression have been an intimate and intricate part of Black freedom struggle, Snorton and Bost present historical contributions of Black queer, trans, and gender non-conforming Americans from slavery to the present day to highlight how the fight against racial injustice has always been linked to that of sexual and gender justice.

A white man hosts a wedding party for his enslaved servant and finds himself charged with a criminal offense; an overseer ends up dead after getting drunk with a slave; a slaveholder courts a Black woman owned by his neighbor and starts a family with her. A Terrible Intimacy recounts six criminal cases in one Virginia county in the years preceding the Civil War. Witnesses of both races describe a startling range of relationships between white and Black.

Prioritize your peace of mind. Black women deal with devaluing challenges too often. Yet there can be a way to face them head-on while helping yourself heal and grow stronger. That is why I Came to Slay is a motivational book for black women you won't want to miss. Covering strategies on conquering boundaries, harmful labels, and more, you'll find many ways to take action and emerge victorious.

In February 1946, when twenty-year-old Malcolm Little was sentenced to eight to ten years in a maximum-security prison, he was a petty criminal and street hustler in Boston. By the time he was paroled in August 1952, he had transformed into a voracious reader, joined the Black Muslims, and was poised to become Malcolm X, one of the most prominent and important intellectuals of the civil rights era. While scholars and commentators have exhaustively detailed, analyzed, and debated Malcolm X's post-prison life, they have not explored these six and a half transformative years in any depth.

Slaves to Fashion is a cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art world. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

What if a former enslaved man in Galveston, Texas, witnessed the first Juneteenth and told a completely different story from what most of us know about that day? Why were slave ships most prone to rebellion, including those carrying the most African women? How has Islam found its way into R&B, soul, jazz, and other American popular music? Who was Benjamin Banneker, really? In A High Price for Freedom, historian Clyde W. Ford addresses these and other questions, amplifying little-known voices from the African American past.

Marcus Garvey (1887-1940) was a Black political activist, journalist, entrepreneur, and orator who founded the Universal Negro Improvement Association and African Communities League, which had a following of more than six million African descended people worldwide. Despite his massive popularity, this Jamaican born international leader was wrongfully sentenced to prison by the U.S. government on trumped-up mail-fraud charges.

Step into a world where your melanin becomes a source of power and enlightenment. Imagine embracing the Divine Feminine within you, connecting with ancient African practices, and reclaiming your true essence. In this captivating guide, you will embark on a transformative journey that celebrates the sacredness of being a Black Woman. Keep reading to discover your special bonus offer! Imagine you find yourself surrounded by the wisdom of the Yoruba religions, Ifá, Santería, and Vodun.

I'll Make Me a World has descriptive copy which is not yet available from the Publisher.

Written from both historical and cultural perspectives, Salvation takes an incisive look at the transformative power of love in the lives of African Americans. Whether talking about the legacy of slavery, relationships and marriage in Black life, the prose and poetry of Martin Luther King, Jr., James Baldwin, and Maya Angelou, the liberation movements of the 1950s, 60s, and 70s, or hip hop and gangsta rap culture, hooks lets us know what love’s got to do with it.

When the first Masonic lodges opened in Paris in the early 18th century their membership included traders, merchants, musketeers, clergymen, and women—both white and black. This was not the case in the United States where black Freemasons were not eligible for membership in existing lodges. For this reason the first official charter for an exclusively black lodge—the Prince Hall Grand Lodge of Massachusetts—was granted by the Grand Lodge of England rather than any American chapter.

For generations, the Black church has been a cornerstone of resilience, community, and empowerment, serving as a sanctuary for African Americans facing systemic oppression. Rooted in liberation theology and social activism, it has played a crucial role in social movements and cultural identity. However, while the Black church continues to be a source of strength, it also mirrors the complexities and contradictions of the communities it serves.

Dr. King was correct when he stated that Black political leaders are surrogates for White power. The destruction of Black leadership is the most damaging crisis affecting the Black community. Unless this problem is solved, nothing beneficial will develop out of the unholy alliance between African American politicians and White liberals. Black leadership is dead. They abandoned King’s philosophy of direct confrontation, which was responsible for the meager gains African Americans made in the 1960s. Real Black leadership was destroyed by White liberals and was replaced by what Dr.

In Nobody Can Give You Freedom, Kehinde Andrews draws on the speeches and writings of Malcolm X to upend the conventional understanding of Malcolm—from his alleged misogyny to his putative proclivity for violence. Instead, Andrews argues that Malcolm X embraced equality across genders and foresaw a more inclusive approach to Black liberation that relied on grassroots efforts and community building.

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light— the jazz, the blues, the field hollers, the spirituals— and creating something wholly new, wholly theirs, wholly ours.

The Five Blessings of Ifá explores how Black communities across the diaspora draw strength from ancestral wisdom, family, community care, and mutual aid, using the principles of Ifá—a West African spiritual tradition—as a guiding framework. Gabrielle Felder provides a blueprint for living a more fulfilled and abundant life through the blessings of Aiku (longevity), Aje (wealth), Aya and Oko (relationships), Omo (children), and Isegun (victory over negative forces), providing practical examples of how Black folks have built resilience and learned to thrive in the face of oppression.