検索キーワード： 著者 "Lynn Messina" すべてのカテゴリー

It is hardly surprising Verity Lark can’t sleep at night with all the thoughts darting through her mind: her recent stay in Newgate, her debt to Colson Hardwicke, the horrible abuse suffered by the children at Fortescue’s that her reporting on the orphan asylum several years earlier had failed to uncover. And then of course there are the shooting lessons she has promised to give to the Duchess of Kesgrave. Verity has spent three months cruelly mocking the former spinster for her investigative pretensions, and now she is obligated to teach the woman how to fire a deadly weapon.

Beatrice Hyde-Clare est unique : sous la Régence anglaise, les jeunes filles de son âge sont rares à être encore célibataires... Et encore moins nombreuses à enquêter sur des meurtres. Beatrice a désespérément besoin de détourner ses pensées du séduisant mais inaccessible duc de Kesgrave. Miracle : monsieur Skeffington surgit du passé avec une demande peu orthodoxe. Il voudrait que ce soit Bea qui enquête sur la mort suspecte de l'amant de sa future belle-mère, plutôt que de faire appel aux autorités.

To be clear: Beatrice, Duchess of Kesgrave, does not think every dead person in London is the victim of a sinister plot. The city is large, after all, and some of its inhabitants had to have died from innocent causes. Like Peter Huzza, who was killed in a horrifying steam engine accident. It is shocking, yes, the way his body was torn apart by the explosion of his very own machine, but not entirely surprising. High-pressure steam is notoriously dangerous to harness. There is no reason to suspect foul play. Nope, none at all.

Beatrice Hyde-Clare, détective malgré elle au temps de la Régence anglaise, se retrouve à enquêter sur un nouveau meurtre... au côté du duc de Kesgrave ! Miss Beatrice Hyde-Clare est bien décidée à ne plus jamais se mêler de ce qui ne la regarde pas. Donc, quand un dandy s'écroule raide mort à ses pieds, elle ne ressent aucune envie d'enquêter. Vraiment aucune.

Entre Jane Austen et "Les Chroniques de Bridgerton", une enquête haute en couleurs au temps de la Régence anglaise menée tambour battant par une héroïne malicieuse et attachante. Rien ne gâche mieux une fête qu'un meurtre sanglant dans la bibliothèque... Beatrice Hyde-Clare détonne au sein de la noblesse anglaise : orpheline sans mari, elle dépend de la générosité de son oncle et de sa tante. Elle s'efforce donc de rester docile, respectueuse et à sa place.

Despite suffering a few initial setbacks, the former Beatrice Hyde-Clare has settled into her new position nicely. Thanks to Lady Abercrombie’s machinations, she has secured the admiration of society and finally earned the respect of her staff. Even the lessons in defending herself, which her husband, the Duke of Kesgrave, insists she take if she wants to continue in her dangerous avocation, are going well. But then she learns from a most unlikely source that Kesgrave’s malevolent uncle is scheming to destroy her happiness.

Since the new Duchess of Kesgrave cannot be swayed from her unfortunate interest in dead bodies, Lady Abercrombie decides to confront the matter head-on by hosting a murder mystery dinner party. Gathering together several of society’s most influential members, she concocts an amusing puzzle-play, assigns roles, and stands back to allow Bea to impress them all with her ingenuity.

Twenty-four-year-old Catherine Fellingham keeps a low profile - in society and in her family. A practical young woman, she leaves the spotlight to her beautiful younger sister and prefers quiet pursuits such as reading. But all that changes the moment she learns of her mother’s very excellent scheme to keep the family out of debtors’ prison. The scatter-brained Lady Fellingham has been selling commissions in the king’s army, and Catherine must shake off her indifference in order to save her family from a potentially ruinous scandal.

Finally, Flora Hyde-Clare has wrest the narrative from Beatrice by finding her own compelling murder mystery to solve. Well, it’s not entirely her own because the victim is her cousin’s former beau Mr. Theodore Davies, whose father cruelly separated the young lovers (though not so cruelly, for it left the door open for Bea to woo the duke of Kesgrave).

The former Beatrice Hyde-Clare is having a little trouble adjusting to her new situation. Now installed as the duchess of Kesgrave in elegant splendor in Berkeley Square, she is confounded by the stately residence’s seemingly endless array of rooms. And every time one of the maids addresses her as "your grace", she flinches.

Having inexplicably nabbed the duke of Kesgrave, 26-year-old spinster Beatrice Hyde-Clare is determined to marry him at once, and no amount of hand-wringing from anxious family members, worried friends, and well-meaning acquaintances will convince her to delay. Except, maybe, she is a little swayed by her uncle’s efforts to make amends for treating her with cold indifference during her childhood.

Having long abandoned any hope of making a match, 26-year-old Beatrice Hyde Clare finds herself a little overwhelmed by her engagement to the Duke of Kesgrave. Cloying society matrons clamor for her attention while her aunt reels off an endless list of servants she will have to oversee. Even the most intrepid female would quake at the prospect of managing eight footmen! Fortunately, Bea knows the perfect distraction - an intriguing mystery - and pays a call on the Countess of Abercrombie, who had promised her that very thing only the evening before.

Having solved the two murders that somehow fell in her path, Beatrice Hyde-Clare is on the lookout for a third. Through a absurd quirk of stupid fate, the shy spinster has fallen in love with the thoroughly unattainable Duke of Kesgrave and is desperate for something, anything, to occupy her mind. A dead body would do nicely.

As much as Beatrice Hyde-Clare relished the challenge of figuring out who murdered a fellow guest during a house party in the Lake District, she certainly does not consider herself an amateur investigator. So when a London dandy falls dead at her feet in the entryway of a London Daily Gazette, she feels no compulsion to investigate. It was a newspaper office, after all, and reporters are already on the case as are the authorities.

Twenty-six-year-old Beatrice Hyde-Clare is far too shy to investigate the suspicious death of a fellow guest in the Lake District. A spinster who lives on the sufferance of her relatives, she would certainly not presume to search the rooms of her host's son and his friend looking for evidence. Reared in the twin virtues of deference and docility, she would absolutely never think to question the imperious Duke of Kesgrave about anything, let alone how he chose to represent the incident to the local constable. And yet that's exactly what she does.

It's 2017, and a raging virus has drastically reduced the world's population of men, transforming all but a fraction into a race of putrid, brain-dead zombies. So what's single, ambitious 23-year-old Hattie Cross to do for fun, not to mention romance? In this hilarious marriage of post-apocalyptic fiction and super smart chick-lit with a wry twist, novelist Lynn Messina spoofs dating manuals, monsters, and the superficial media world, all the while creating a feisty, funny heroine with heart.

No, no, no! It doesn't matter how many times the Duchess of Trent (The Harlow Hoyden) requests her help with a delicate matter regarding a patent for her sister's invention, Tuppence Templeton will not lend a hand. She has a habit, yes, of coming up with ingenious plans to solve other people's problems, and it is true that she's clever and daring enough to pull off the proposed scheme. But there's no way she's going to confront the arrogant and dismissive Earl of Gage again.

Earning the nickname Lady Agony was no minor achievement for Lady Agatha Bolingbroke. It required a great deal of effort to make herself so disagreeable, but she did it for a good cause: The fewer invitations she received, the more time she had to paint. Her mother, refusing to accept an unpopular daughter - or, worse, a talented one - insists on dragging her to every event of the season. To thwart her parents and to vent her frustration, Agatha creates a wicked alter ego: a caricaturist whose mocking illustrations take ruthless aim at the ridiculousness of the ton.

A woman in the British Horticultural Society! The very idea horrifies everyone, including ardent horticulturalist Lavinia Harlow, whose own name has been put forth for membership by the provoking Marquess of Huntly. He does it as a joke, of course, to get back at her for an imagined slight - well, to be fair, she had insulted his writing -and Vinnie, older sister to the infamous Harlow Hoyden, is far too sensible to rise to his ridiculous challenge. Determined to head off further scandal, Vinnie dashes off a polite note refusing the honor - which she has every intention of sending.

Miss Emma Harlow hasn't earned the reputation as a hoyden for nothing, so when the duke of Trent discovers her in his conservatory stealing one of his orchids, he isn't surprised - charmed, delighted and puzzled, yes, but not surprised. It is Emma who is amazed. But her vexation doesn't last long. For Emma is a practical young lady with a mission: to end her dear sister Lavinia's engagement to the villainous (and dreadfully dull!) Sir Waldo Windbourne, and she thinks that the famous libertine is just the man for the job.