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Across two parallel narratives, Murakami draws listeners into a mind-bending universe in which Lauren Bacall, Bob Dylan, a split-brained data processor, a deranged scientist, his shockingly undemure granddaughter, and various thugs, librarians, and subterranean monsters collide to dazzling effect. What emerges is a novel that is at once hilariously funny and a deeply serious meditation on the nature and uses of the mind.

A 30-something painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist. When he discovers a strange painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home and an underworld haunted by Double Metaphors.

Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka’s Gregor Samsa, brought together to tell stories that speak to us all. In Men Without Women, Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.

Hear the Wind Sing is the first novel by Haruki Murakami. First published in the June 1979 issue of Gunzo, one of the most influential literary magazines in Japan, it was published one month later as a book. Hear the Wind Sing is the first book in the Trilogy of the Rat, a series of independent novels that include Pinball, 1973 and A Wild Sheep Chase, followed by the epilogue Dance Dance Dance.

In the spring of 1978, a young Haruki Murakami sat down at his kitchen table and began to write. The result: two remarkable short novels—Hear the Wind Sing and Pinball, 1973—that launched the career of one of the most acclaimed authors of our time. These powerful, at times surreal, works about two young men coming of age—the unnamed narrator and his friend the Rat—are stories of loneliness, obsession, and eroticism. They bear all the hallmarks of Murakami’s later books, and form the first two-thirds, with A Wild Sheep Chase, of the trilogy of the Rat.

It’s the summer of 2006 in Academy Award Winner Jamie Lee Curtis’ Letters From Camp, Season 2, and Mookie has reinvented herself from the "extremely annoying" and "overly personal"—their words—investigator who alienated the rest of the camp. Now she’s…well, she’s not sure yet, but it’s going to be cool beans.

In the summer of 2005, Mookie Hooper—think Diane Sawyer in a training bra—investigates a girl who went missing from Camp Cartwright, while confronting the budding anxieties of tweendom.

In Killing Commendatore, a 30-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna.

It’s the summer of 2007, and Mookie Hooper returns to Camp Cartwright with a huge secret: This is going to be her final summer at camp. So this has to be her best summer yet! Without anything to investigate, this is finally Mookie’s time to be a camper. She’s going to spend time with her buddy Carter Ruben-Rubens, finally make it into the inside of an inside joke with Fanny and her bunk, and possibly attempt a contact sport. The only thing that would put the summer over the top? Getting her first kiss. But that seems fairly unlikely since Squirrel Girl isn’t exactly anyone’s first crush.

Nine-year-old Tony loves ghosts and horror stories, but when he's left home alone one night, he gets quite the fright as Rudolph the little vampire flies in the window! After a rough start, Rudolph stops trying to bite Tony and the two become fast friends. Tony even visits the little vampire's family vault in the graveyard where he narrowly escapes the clutches of Rudolph's fearsome Great-Aunt Dorothy.

“The first of my father’s illusions was that bears could survive the life lived by human beings, and the second was that human beings could survive a life led in hotels.” So says John Berry, son of a hapless dreamer, brother to a cadre of eccentric siblings, and chronicler of the lives lived, the loves experienced, the deaths met, and the strange times encountered by the family Berry. Hoteliers, pet-bear owners, friends of Freud (the animal trainer and vaudevillian, that is), and playthings of mad fate, they “dream on” in a funny, sad, outrageous, and moving novel.

On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge.

Andy loves Jen. Jen loved Andy. And he can't work out why she stopped. Now he is. . . Without a home Waiting for his stand-up career to take off Wondering why everyone else around him seems to have grown up while he wasn't looking. Set adrift on the sea of heartbreak, Andy clings to the idea of solving the puzzle of his ruined relationship. Because if he can find the answer to that, then maybe Jen can find her way back to him. But Andy still has a lot to learn, not least his ex-girlfriend's side of the story…

Hear the Wind Sing and Pinball, 1973 are Haruki Murakami's earliest novels. They follow the fortunes of the narrator and his friend, known only by his nickname, the Rat. In Hear the Wind Sing the narrator is home from college on his summer break. He spends his time drinking beer and smoking in J's Bar with the Rat, listening to the radio, thinking about writing and the women he has slept with. Three years later, in Pinball, 1973, he has moved to Tokyo to work as a translator and live with indistinguishable twin girls.

Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite.... Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter....

Published in 1980 by Japanese author Haruki Murakami, Pinball, 1973 is the second book in the Trilogy of the Rat series. It is preceded by Hear the Wind Sing (1979) and followed by A Wild Sheep Chase (1982) and is the second novel written by Murakami.

Who are you? What have we done to each other? What will we do? Just how well can you ever know the person you love? These are the questions that Nick Dunne must ask himself on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police immediately suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they aren't his. And then there are the persistent calls on his mobile phone.

Four books...one groundbreaking author. This collection includes Mrs Dalloway (1925), To the Lighthouse (1927), A Room of One’s Own (1929), and The Waves (1931).

Jackson and his family have fallen on hard times. There's no more money for rent, and not much for food, either. His parents, his little sister, and their dog may have to live in their minivan. Again. Crenshaw is a cat. He's large, he's outspoken, and he's imaginary. He has come back into Jackson's life to help him. But is an imaginary friend enough to save this family from losing everything?

Rudolph the little vampire has been banished from his family's vault over his association with humans. He now lives in the basement of the apartment building where his human best friend Tony lives. The two struggle to keep Rudolph hidden from Tony's parents and nosy neighbors. When someone gets suspicious about activity in the basement, can the friends avoid discovery?