検索キーワード： 著者 "Charlotte Gilman" すべてのカテゴリー

The American Classics Collection: Volume II is a century-spanning collection of 15 classic novels, short stories, essay, and poetry by American authors, read by a cast of incredible narrators including Adam Sims; Nathan Osgood; Robert G. Slade; Jonathan Keeble, Katherine Fenton; and more. Included here are stories by some of the greatest writers of all time, including Herman Melville; Upton Sinclair; Mark Twain; Walt Whitman; F. Scott Fitzgerald; Thornton Wilder; Edith Wharton; Jack London; amongst a host of others.

A woman and her husband rent a summer house, but what should be a restful getaway turns into a suffocating psychological battle. This chilling account of postpartum depression and a husband's controlling behaviour in the guise of treatment will leave you breathless.

An eclectic collection of many of the spookiest classic tales of horror, including Sir Arthur Conan Doyle's "The New Catacomb"; Edgar Allan Poe's "Masque of the Red Death", "Hop-Frog", and "The Cask of Amontillado"; W. W. Jacobs's "The Monkey's Paw"; Charlotte Perkins Gilman's "The Yellow Wallpaper"; and Algernon Backwood's "The Willows".

Charlotte Perkins Gilman, (1860 - 1935), gained much of her fame with lectures on women's issues, ethics, labor, human rights, and social reform. She often referred to these themes in her fiction. She is best remembered for her 1892 short story "The Yellow Wallpaper", which was based on her own bout with severe depression and misguided medical treatment.

What happens when a woman dares to imagine power in a world that denies her even autonomy? In this sharp, sly, and subversive tale, one of America's most original feminist voices turns the tables on society with cool precision and a dash of irony. Written at a time when women were expected to remain silent and self-sacrificing, this short work pulses with quiet rebellion and razor-edged wit.

Charlotte Perkins Gilman’s haunting chronicle of crippling depression, “The Yellow Wallpaper,” is a cornerstone of weird fiction. First published in 1892, it has now been given an unsettling yet empathetic treatment courtesy of Robert Hunter (original score) and Linda Jones (narration) who skillfully brings the listener into the tale’s interiority and demonstrates its timelessness.

The theme of this volume is Bad Therapy. In Volume 11, we explored the transformative and cathartic world of Good Therapy. But what happens when therapy goes bad? Let's find out together.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A decade of monumental change and slaughter. Many of society’s telling questions are cast aside in times of that speak of greater needs, greater priorities. For these talented authors their ideas and words keep these magnificent stories at the forefront of our literary lives.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.

Presented here are three of the most important feminist novels ever written: Mrs. Dalloway by Virginia Woolf, The Yellow Wallpaper by Charlotte Perkins Gilman, and The Awakening by Kate Chopin. Each of these works is an early groundbreaking piece of fiction from some of literature's finest female writers as they explore life, love, and the struggle of women to find their voices in a time where they were too often silenced and suppressed.

The Crux is the story of group of women who move from New England to Colorado in order to run a boardinghouse for men. One of these women, the young Vivian Lane, falls in love with a man who has both gonorrhea and syphilis. It then falls to Vivian, when she learns of his illnesses, to decide whether she should marry and have children with this man. She is torn between her own heart and the “duty” of motherhood, as one doctor in the novel puts it, to have children with a healthy father.

The Yellow Wallpaper is a short story of extraordinary power, exploring issues of mental health, the role of women in society, and the oppressive nature of the patriarchy. Told in the first person, the story follows the plight of a woman confined by her husband in a small room in an old mansion—ostensibly for her own good. As her boredom increases and her sanity deteriorates, she becomes fixated on the wallpaper in the room, the yellow design of which includes an image of a trapped woman.

Turned is a short story written by Charlotte Perkins Gilman in 1911. What would you do if you found out that your husband had cheated on you with the household help?

Charlotte Perkins Gilman (July 3, 1860-August 17, 1935) has been inducted into the National Women's Hall of Fame. Included in this collection of her works are "The Yellow Wallpaper", "If I Were a Man", "The Giant Wistaria", "Turned", and "When I Was a Witch". These texts were published in 1892, 1914, 1891, 1911, and 1909.

When I Was a Witch is a short story written by Charlotte Perkins Gilman in 1909. What would you do if you could right all the wrongs that annoy you in this world?

If I Were a Man is a short story by American writer Charlotte Perkins Gilman. This story, published in 1914, is a "fly on the wall" view of a man's inner landscape as witnessed by his wife, whose wish to inhabit a male consciousness comes true.

The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman. This semi-autobiographical story was first published in January 1892 in The New England Magazine. In this story, which was written after a severe bout of postpartum depression, Charlotte gives us a disturbing and surreal view of the deterioration of a woman's mental health and her descent into psychosis from her depression.

The Giant Wistaria, which was originally published in 1891, is a short story by American writer Charlotte Perkins Gilman. Let's join this well-to-do young couple and their friends as they look forward to a lovely summer in the haunted house they rent.

A woman is suffering from severe postpartum psychosis and her husband takes her to a colonial mansion where they can spend the summer. The woman is however closed and isolated in a single room where her nervous depression gets worse with the time. The only thing she sees all day long is a yellow wallpaper which she studies in so many details that she finally finds a creeping woman behind the pattern. The summer is over and the family is about to go home. The husband opens the door to his wife’s room.

The three friends Van, Terry and Jeff are about to embark on a mission which will change their lives forever. They have heard of a place where only women live but they are more skeptics than believers. However they really do find such a place. And all their assumptions and stereotypes are shattered. The society that women have created is working more than perfectly. There are no wars, no domination nor conflicts. The three self-invited guests are however not welcome and are held captive for a few months.