検索キーワード： ナレーター "Amanda" すべてのカテゴリー

Beautifully told through notes left on their kitchen fridge, this is an intimate portrait of the relationship between a hard-working mother and her teenage daughter. Stunningly sad but ultimately uplifting, it is about being a "good mother" or a "good daughter", and is a reminder of how much can be said in so few words, if only we made the time to say them.

Everyone expected Violet Sorrengail to die during her first year at Basgiath War College–Violet included. But Threshing was only the first impossible test meant to weed out the weak-willed, the unworthy, and the unlucky. Now the real training begins, and Violet’s already wondering how she’ll get through. It’s not just that it’s grueling and maliciously brutal, or even that it’s designed to stretch the riders’ capacity for pain beyond endurance. It’s the new vice commandant, who’s made it his personal mission to teach Violet exactly how powerless she is–unless she betrays the man she loves.

Feyre has undergone more trials than one human woman can carry in her heart. Though she’s now been granted the powers and lifespan of the High Fae, she is haunted by her time Under the Mountain and the terrible deeds she performed to save the lives of Tamlin and his people.

World-famous detective Hercule Poirot has retired to the English village of King's Abbot, determined to dedicate his little grey cells to the growing of vegetable marrows. But when Roger Ackroyd, a local businessman and former acquaintance, is stabbed to death, the man's niece begs Poirot to investigate. Poirot enlists the local doctor to be his assistant and scribe, and the two of them sift through clues to try to discern the ones that will lead them to the killer.

Surviving the battle was only the first test. Now, Ayna must break free from the gods’ latest punishment while the enemy regroups, striking where it hurts most. But steel and magic won’t be enough this time. To stand a chance, she must forge risky alliances and rise stronger than before—because the fate of two kingdoms rests on her shoulders.

Nahia faces a new challenge she never expected. She has been selected to become a Dragon Rider. She must go to Jadrakos and succeed. Failure means death. Meanwhile, her squad is sent to Tremia to fight alongside the entire Red Squadron and under the orders of their leader, the great dragon.

I’ve never felt more alone. With a single spell I can defeat the dark witch Alaria. Maybe even save the world. But I only get one chance; if I fail she’ll kill me and my friends will become her sacrifices. To make things worse, Alaria is cunning and manipulative. The longer I stay under her influence, pretending to be one of her disciples, the easier I find the role. And blood magic is as frightening as it is powerful.

Some women, with their perfect children and pricey athleisure, make motherhood look easy. But not Nicole. She never wanted to be a stay-at-home parent—losing her job left her no choice. Now, between her toddlers’ demands, husband’s distance, and father’s deteriorating health, she’s pulled in every direction except her own. Something has to give. Katrina’s in the same dissatisfied boat. After flirting with a handsome stranger at a bar, she’s ready to choose pleasure over responsibility.

Feyre has undergone more trials than one human woman can carry in her heart. Though she’s now been granted the powers and lifespan of the High Fae, she is haunted by her time Under the Mountain and the terrible deeds she performed to save the lives of Tamlin and his people.

The adopted human daughter of the Nightborn vampire king, Oraya carved her place in a world designed to kill her. Her only chance to become something more than prey is entering the Kejari: a legendary tournament held by the goddess of death herself. But winning won’t be easy amongst the most vicious warriors from all three vampire houses. To survive, Oraya is forced to make an alliance with a mysterious rival.

I have exactly 5 hours and 10 minutes to get from Boston to New York City or the professional opportunity of a lifetime disappears. My only travel option? The second to last seat on a discount bus. Across from the bathroom. Wearing last night’s clothes (don’t ask). All worth it if I can make it in time.

Feyre, Rhysand, and their friends are still busy rebuilding the Night Court and the vastly altered world beyond, recovering from the war that changed everything. But Winter Solstice is finally approaching, and with it, the joy of a hard-earned reprieve. Yet even the festive atmosphere can't keep the shadows of the past from looming. As Feyre navigates her first Winter Solstice as High Lady, her concern for those dearest to her deepens. They have more wounds than she anticipated-scars that will have a far-reaching impact on the future of their court.

Nesta Archeron has always been prickly—proud, swift to anger, and slow to forgive. And ever since being forced into the Cauldron and becoming High Fae against her will, she's struggled to find a place for herself within the strange, deadly world she inhabits. Worse, she can't seem to move past the horrors of the war with Hybern and all she lost in it.

In the wake of the Kejari, everything Oraya once thought to be true has been destroyed. A prisoner in her own kingdom, grieving the only family she ever had, and reeling from a gutting betrayal, she no longer even knows the truth of her own blood. She’s left only with one certainty: she cannot trust anyone, least of all Raihn. The House of Night, too, is surrounded by enemies. Raihn’s own nobles are none too eager to accept a Turned king, especially one who was once a slave. And the House of Blood digs its claws into the kingdom, threatening to tear it apart from the inside.

When Oberon, King of the Fairies, uses his magic upon four runaway lovers in a midsummer wood outside Athens, chaos ensues. Who really loves whom? Meanwhile, a band of well-meaning but bungling local actors have their rehearsal sabotaged by the mischievous Puck, who bewitches their leader, Bottom, and Titania, the Fairy Queen. The result is a lively and anarchic comedy that can only be resolved by an elaborate disentangling of spells.

After her disastrous coronation, Diem finds herself at the center of the conflict between the Descended and the Guardians. With her newfound friends and the man she's falling for on one side, and the mortals she has vowed to protect on the other, Diem must walk a careful line to save the people she loves…even from each other.

Feyre has returned to the Spring Court, determined to gather information on Tamlin's actions and learn what she can about the invading king threatening to bring her land to its knees. But to do so she must play a deadly game of deceit. One slip could bring doom not only for Feyre, but for everything-and everyone-she holds dear.

The threat of war has arrived at Diem's doorstep, along with a new discovery that could save her people. To use it, she must survive the next thirty days by forming a devil's bargain with the people she hates most: the royal family of House Corbois. As she dives into the world of the Descended elite, Diem quickly realizes good and evil aren't as simple as they seem. Old prejudices are challenged, and new loyalties blur the line between friend and foe.

Feyre has returned to the Spring Court, determined to gather information on Tamlin's actions and learn what she can about the invading king threatening to bring her land to its knees. But to do so she must play a deadly game of deceit. One slip could bring doom not only for Feyre, but for everything-and everyone-she holds dear.

High conflict is what happens when discord distills into a good-versus-evil kind of feud, the kind with an us and a them. In this state, the brain behaves differently. We feel increasingly certain of our own superiority, and everything we do to try to end the conflict, usually makes it worse. Eventually, we can start to mimic the behavior of our adversaries, harming what we hold most dear. In this book, New York Times bestselling author and award-winning journalist Amanda Ripley investigates how good people get captured by high conflict—and how they break free.