検索キーワード： ナレーター "Elena" すべてのカテゴリー

Trauma nurse Aly Cappellucci doesn’t need any more kinks. She likes the one she’s landed on just fine. To her, nothing could top the masked men she follows online. Unless one of those men was shirtless, heavily tattooed, and waiting for her in her bedroom. She dreams about being hunted by one in particular, of him chasing her down and doing deliciously dark things to her willing body. She never could have guessed that by sending one drunken text, those dreams would become her new reality.

Was erzählen uns Handabdrücke auf frühen Höhlenmalereien über die Rolle der Frau bei der Jagd? Und die parfümierten Handschuhe der Katharina von Medici über Prostitution im 16. Jahrhundert? Was hat ein Mobiltelefon mit Femiziden zu tun? Oder Kim Kardashians Brillantring mit Elena Ferrante? Eine Kulturgeschichte der Frau erzählt entlang an 100 Objekten, gelesen von berühmten weiblichen Stimmen unserer Zeit. 100 bemerkenswerte Frauen aus dem öffentlichen Leben haben die Texte eingelesen, darunter Schriftstellerinnen und Künstlerinnen, Unternehmerinnen und Politikerinnen, Wissenschaftlerinnen und Aktivistinnen.

Jeder Kampf gegen die künstliche Intelligenz ist aussichtslos. Die Matrix, ein virtuelles Wesen mit selbstlernender künstlicher Intelligenz wird von Gabriel als Machtinstrument eingesetzt. Das Netzwerk der Matrix kann zunehmend die Gehirne der Menschen erreichen und verwandelt sie in willfähige Robotersklaven. Das deutsche Cyber-Abwehrzentrum im Kraken bleibt zunächst unentdeckt. Verzweifelt bemühen sich die Wissenschaftler um Gerald in das Netzwerk der Matrix einzudringen, um sie zu zerstören.

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

She might not have a famous name, funding, or her family’s support, but Katarina Shaw has always known that she was destined to become an Olympic skater. When she meets Heath Rocha, a lonely kid stuck in the foster care system, their instant connection makes them a formidable duo on the ice. Clinging to skating—and each other—to escape their turbulent lives, Kat and Heath go from childhood sweethearts to champion ice dancers, captivating the world with their scorching chemistry, rebellious style, and roller-coaster relationship.

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

THIRTY DAYS. That’s all Adam Steinbeck demands of his wife. Thirty days in a remote cottage, doing everything he demands, then he’ll sign her divorce papers, give her his half of their company, and walk away. He has 30 days to rediscover the man he once was. The Dominant Master he hid when he fell in love with the woman who would leave him five years later. Diana wants the company they built badly enough to go to the cottage with him. She’ll give him her body, but her heart will never yield. She thinks this is his pathetic attempt to repair their marriage. She’s wrong.

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

Trauma nurse Aly escapes her hard-working days by thirsting after masked men online. To her, nothing could top the fantasy of her favorite tattooed and masked man hunting her down. But she never could have guessed that one drunken text would turn those dreams into reality . . .Josh has spent his life avoiding the limelight, but his online persona is another story. At night, he posts masked thirst traps for his millions of fans, until one follower catches his eye: Aly.

Maud Demille is a daughter of Innkeepers—a special group who provide ‘lodging’ to other-planetary visitors—so she knows that a simple life isn't in the cards. But even Maud could never have anticipated what Fate would throw at her. Once a wife to a powerful vampire knight, Maud and her young daughter, Helen, were exiled with him for his treachery to the desolate, savage planet of Karhari. Karhari killed her husband, and Maud—completely abandoned by his family—has spent over a year avenging his debts. Rescued by her sister Dina, she's sworn off all things vampire.

I hate Dante Moretti. He is cold, calculating, and vicious. It’s no secret that he wiped out his former fiancée and her entire family on the eve of their wedding. He’s the kind of evil that makes even devils cry. But that’s not why I hate him.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

When I met Donovan Kincaid, I knew he was rich. I didn't know he was filthy. Truth be told, I was only trying to get his best friend to notice me. I knew poor scholarship girls like me didn't stand a chance against guys like Weston King and Donovan Kincaid, but I was in love with his world, their world, of parties and sex and power. I knew what I wanted - I knew who I wanted - until one night, their world tried to bite me back and Donovan saved me. He saved me, and then Weston finally noticed me, and I finally learned what it was to be in their world.

Some of the most common human experiences are self-criticism, self-doubt, and self-recrimination. We often are far harsher on ourselves than on others, and many of us suffer constantly for it. Research shows that when we truly accept ourselves, it changes everything. We become less reactive and more resilient. Our physical health improves. We are capable of deeper and more satisfying relationships. In The Self-Acceptance Summit: Volume Three, you’ll find a collection of insights, encouraging voices, and on-the-spot tools to help you transform your relationship with yourself.

Esta colección de 12 cuentos cortos arrastra al lector a cada una de sus historias... ya sea "Viejo amor", la historia de dos estudiantes de grado en el Oxford de los años 30 y una rivalidad que acabará convertida en una memorable historia de amor... o bien "Rutina rota", que nos presenta a un asesor de reclamaciones de seguros y el sorprendente encuentro que vive en un tren de camino a su casa en Sevenoaks... o "El desliz de Henry", la historia de un Gran Bajá y de cómo la perfecta luna de miel acaba yéndose al traste.

Gargoyle incaricati di proteggere l'umanità, demoni ribelli e una ragazza con un segreto esplosivo. Il primo romanzo di una nuova trilogia, collegato alla serie "Dark Elements". Anche se sta diventando cieca, Trinity Marrow può vedere fantasmi e spiriti e comunicare con loro. Il suo dono, però, è parte di un segreto così pericoloso che è costretta a vivere nascosta in un luogo isolato, sorvegliata a vista dai Guardiani, gargoyle mutaforma incaricati di proteggerla. Perché se le creature degli Inferi scoprissero la verità sul suo conto la divorerebbero.

Este es un libro sobre la historia de los libros. Un recorrido por la vida de ese fascinante artefacto que inventamos para que las palabras pudieran viajar en el espacio y en el tiempo. La historia de su fabricación, de todos los tipos que hemos ensayado a lo largo de casi treinta siglos: libros de humo, de piedra, de arcilla, de juncos, de seda, de piel, de árboles y, los últimos llegados, de plástico y luz.

This is Under Milk Wood as you've never heard it before. The last completely original audio-only production of Thomas' masterpiece, Under Milk Wood, was in 1954 (two months after Thomas's death). It has been reprised countless times since then for stage, TV, and in book form, but this wholly new version, headed by Iwan Rheon as First Voice, keeps Thomas' original script but brings a bold, modern soundscape and authentic Welsh voices to his vivid storytelling.

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?