検索キーワード： 著者 "Katherine Mansfield" すべてのカテゴリー

The Garden Party and Other Stories was published in 1922. A collection of fifteen short stories, it explores themes including life and death, gender and family roles, relationships and duty.

Figura clave del modernismo anglosajón, Katherine Mansfield perdura como una de las grandes maestras del cuento moderno. El presente volumen incluye una cuidada selección de sus mejores relatos, desde las sátiras de juventud hasta las comedias de madurez, caracterizadas por la franqueza y la melancolía. En escenas de familia, historias de parejas, episodios intimistas o crónicas de viajes, la autora evoca tanto su infancia en Nueva Zelanda como la bohemia europea de principios del siglo XX, siempre en busca de momentos reveladores para sus personajes.

Skyboat Media presents The Best of Katherine Mansfield, an original compilation of stories from one of the defining writers of modernist fiction. Katherine Mansfield’s stories shine a light on the duality and the overpowering nature of psychology through her delicate, nuanced, and often stream-of-consciousness narration style. None of her stories seem to settle on just one theme; like life they encompass the intersectional nature of all moments, from the most minute and mundane to the most terrific and tragic.

Katherine Mansfield verlässt mit zwanzig Jahren ihre neuseeländische Heimat, um in London Schriftstellerin zu werden. Doch erst einmal landet sie schwanger in der Pension eines bayerischen Kurorts. Dort kann sie ihre Beobachtungsgabe literarisch ausleben, vor allem wenn sie auf Menschen trifft, die während der Kur das enge Korsett gesellschaftlicher Zwänge ablegen. Entstanden sind messerscharfe und sehr amüsante Erzählungen. Über scheinbare Banalitäten verdeutlichen sie tief verankerte Verhaltensmuster, Vorurteile und Klischees im beginnenden 20. Jahrhunderts. Nina Hoss leiht der Pionierin der modernen Short Story ihre Stimme.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

Katherine was born on the 14th October 1888 into a prominent family in Wellington, New Zealand, the middle child of five. At 19 Katherine left for England, where she met and befriended the modernist writers D.H. Lawrence and Virginia Woolf, amongst others. She then travelled to Europe before returning to New Zealand. There she began to write the short stories that she would later become so famous for. But there was another less-heralded side to Katherine’s writings; that of poetry. Her verse certainly reflects much of the themes of her life and interests.