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Volume Four opens as the British abandoned Boston in March 1776. They moved their troops to Long Island and their fleet to New York Harbor. Washington, anticipating such a strategy, came out to face the Redcoats in Brooklyn, but was driven back to the city. More British troops arrived, forcing Washington to withdraw north. As the winter of 1777 approached with Redcoats occupying Philadelphia, Washington restricted the British army's supply line. But almost nobody believed the British could be defeated and few believed Washington's army could survive.

Volume Two opens in late 1754. Having resigned his commission in the Virginia militia, Washington pondered his future as a soldier. But by the spring of 1755, he had been made aide de camp to British general Edward Braddock. It was to prove a fateful event. Washington accompanied Braddock on his disastrous expedition to capture Fort DuQuesne (Pittsburgh), but the small army was ambushed and Braddock killed. Young Washington distinguished himself in the hopeless battle and subsequent retreat.

George Washington, a Biography by Douglas Southall Freeman was the second great historical masterpiece by him to win the Pulitzer Prize, awarded posthumously in 1958. Freeman completed six volumes of this magnificent biography, but died before finishing the seventh and final volume, concluded for him by his research associates in 1957. In Volume One, Young Washington, we follow the development of George from childhood to young manhood. It is an extraordinary tale of youthful vigor and determination.

Francis Marion was probably the most romantic figure to emerge from the American Revolutionary War. Of Huguenot ancestry, Marion was descended from a French family fleeing the religious persecutions of Louis XIV. Listen to this great history as you learn how Marion used guerrilla tactics to defeat one British force after another. It is a thrilling tale of patriotism, determination, and sacrifice.

Vanity Fair is a satirical novel of manners which takes place during, and in the decade after, the battle of Waterloo in 1815. The various scenes in the novel range across Europe and England. It was first published in serial form beginning in 1847. The work is by turns witty, scintillating, brutally realistic, tragic, humorous, and always fascinating. The title of the book stems from Bunyan’s “Pilgrim’s Progress”, where Vanity is a town along the pilgrim’s route, and which holds an eternal fair of the vanities. It is a place where people are ensnared by worldly things.

Don Quixote is widely considered to be the first modern novel. As a classic of Western literature, it is regarded by scholars worldwide to be one of the finest works of fiction ever written, and a magnificent product of the Spanish Golden Age of literature. Cervantes’ influence on the Spanish language has been so great that his work is often called “la lengua de Cervantes.” The work was written in two separate volumes, both of which are contained in this production. It introduces the character of Don Quixote de la Mancha, a hero who carries his enthusiasm and self-deception to unintentional and comic ends.

In volume two, we encounter the further adventures of Don Quixote and Sancho Panza, but without the long, rambling diversions contained in the earlier volume. Each chapter in part two is focused solely on the meandering travels of the famous pair as they make their way through one ridiculous situation after another.

Volume Two of Dio Cassius brings to a close his sweeping historical work, Roman History. This volume begins with book 50 and the struggle between Octavian and Mark Antony. Octavian's victory is the beginning of the Principate and a new direction in Roman history. Dio takes a prolonged look at the reign of Augustus.

If you had been a court poet during the reign of the Roman emperor Nero, irritating the megalomaniac ruler would not have been wise. And one of the things which would have really angered Nero would have been the effort to write an epic poem about the struggle between Pompey and Caesar in which the noble hero (portrayed by Pompey) was the man who fought to preserve the Republic, and the selfish villain (portrayed by Caesar), the man who destroyed it. Yet Lucan wrote just such a poem.

Book 5 of Mommsen's history of the Roman Republic brings to a conclusion this most magnificent of historical narratives. It begins with the death of Sulla and ends with the accession to power of the greatest and most fascinating Roman of them all, Gaius Julius Caesar.

By the middle of the second century BC, the city of Rome was spiraling toward bankruptcy and moral decay. The generation which had defeated Hannibal and brought the Mediterranean under Roman control had now passed away, even as gold poured in. Hardly a Roman name of any note appears for half a century. The noble Roman has disappeared. The once feared Roman army has become a mere shadow of its former self, and the public have come to accustom themselves to news of shattering defeats.

Book two of Theodore Mommsen's history begins in 509 BC, when the last Roman king was expelled and a republican form of government was formed. Starting here, we trace Rome's political and cultural development under an aristocracy whose puritan fanaticism is legendary. But security from surrounding hostile tribes was of uppermost concern, and the city was constantly at war with one tribe or another. During the fifth century BC, the Republic's energies were directed toward uniting or subduing her neighbors.

The legend of Robin Hood was based on the career of a real outlaw who lived in the forests near Nottingham, England, in the last half of the 12th century. His character has become world famous and is the subject of hundreds of plays, novels, stories, and films. As a man of the people who was a partisan for the lower classes, he also became strongly associated with an anticlerical yet pious Christian attitude, an animosity toward the sheriff of Nottingham, and a special regard toward women, children, and the infirm.

The 19th century witnessed some of the most far-reaching social and political changes in English history. In volume 4, we trace the arc of England's march to worldwide imperial dominance along with the nation's reckoning with her poorest citizens. It is a story of contrast and courage. The contrast is between those with titles, money, and power...and those lacking any or all of these.

In volume three of Cyril Robinson's famous history of England, we now enter a crucial phase in which political and economic power both change hands. Parliament now dominates the nation's political discourse, and, led by its brilliant Whig leader, Robert Walpole, this party maintains itself in power for a century. It is a stagnant century of corrupt politics and even more corrupt government magistrates and bureaucrats. But it is also the century that will usher in the greatest change humankind has ever seen.

Although best known as a lyrical poet, Mörike's brilliant novella about Mozart is one of the most penetrating and revealing studies of the great composer's personality ever written. The story is a work of fiction based on Mozart's actual journey in the fall of 1787 from Vienna to Prague, where he was to stage his new opera Don Giovanni. Mörike takes this historic event and has Mozart and his wife, Konstanze, spend some time during their journey in the company of the fictional family of a certain Count von Schinzberg.

Gregory of Tours was a Gallo-Roman aristocrat and Catholic prelate born in 538. He died 56 years later, in 591, a period in which the brutal Merovingian rulers of the Frankish nation consolidated their power over most of Gaul. Gregory experienced the transition from the dying world of Roman antiquity to the new culture of early medieval Europe. He lived on the border between the Frankish culture of the Merovingians to the north and the Gallo-Roman culture of the south of Gaul. He struggled through personal relations with four Frankish kings.

The Goths are the most enigmatic of all the ancient German tribes. Their name today is still widely in use for a variety of cultural and artistic movements. But unlike other famous German tribes whose names are still descriptive of nations they founded - the Franks, the Lombards, the Angles, the Saxons and the Alemanni - the Goths simply disappeared. The subject of Henry Bradley's splendid short history is tracing the rise, the migrations, and the impact of the Goths on European history along with their spectacular fall.

The Rider on the White Horse is one of the most beautiful stories to emerge from 19th century Germany, as well as being one of the most romantic and most tragic. In this short masterpiece, set in the middle of the 18th century in North Friesland, Theodor Storm exhibits a man's will in conflict with unintelligent conservatism among his fellow men on one side, and with the forces of nature on the other. The figure of dikemaster Hauke Haien emerges from this struggle in starkly outlined character.

Author Margaret Coit's Pulitzer Prize winning biography of John C. Calhoun is a towering accomplishment in the writing of American history, powerful in the fullest sense of the word. This is no bland recital of dates and events. It is a searing, blinding, cascading roller coaster of emotional, spiritual, intellectual, and above all, human, history.