検索キーワード： 著者 "Alexandre Dumas" すべてのカテゴリー

La venganza era su unica diosa. Entre las novelas de aventuras de Alejandro Dumas, siempre ha ocupado lugar preferencial la historia de Edmundo Dantes, quien condenado injustamente a morir en la prision de If, logra escapar, encontrar un tesoro y bajo la personalidad ficticia de Conde de Montecristo, dedica el resto de su vida a vengarse implacablemente de quienes lo llevaron al encarcelamiento...

Marguerite Gautier, the greatest beauty in Paris, was known to all as “the Lady of the Camellias” because she was never seen without her favorite flowers. She was luxuriously kept by the richest men in France, who thronged to her boudoir to lay their fortunes at her feet. She lived violently, spending herself and her money in reckless abandon. She had many lovers, but she never really loved - until she met Armand Duval.

Il Robin Hood della moderna leggenda e del folklore, fu ripreso da Alexandre Dumas nel suo romanzo Robin Hood il proscritto, scritto nel 1863, ma pubblicato postumo. Dumas si ispirò alle numerose leggende che circondavano il famoso eroe popolare. Questa versione italiana, leggermente ridotta, è della casa editrice Bietti, del 1935. Cornice musicale di Kevin Mac Leod.

The tragic but doomed love of Marguerite and Armand became one of the great love stories from its first publication in 1848. In this sound dramatization of the consumptive heroine's ultimate sacrifice, the story of passion and conflict is fresh and compelling as when it was first written.

This is the hauntingly romantic story of Marguerite Gautier, a Parisian courtesan who falls in love with a young man of modest means. Set in the glittering mid-19th century of the French Empire, it evokes scenes of sumptuous feasts and riotous entertainments amid the swirling milieu of sophisticated Parisian society. The story begins when the narrator, Armand Duval, tells how he met the beautiful young temptress at a theatrical performance.

"La Tulipe noire" est un des romans les plus connus d'Alexandre Dumas. On y trouve tous les thèmes chers à l'auteur : l'aventure, le courage, la grande histoire qui se mêle à la petite... Pourtant ici, Cornélius van Baerle n'a pas d'ambition militaire ou sociale, il veut avant tout créer et faire pousser une tulipe noire. Hélas, ses projets seront contrariés car notre héros n'est autre que le neveu du chef de l'État hollandais, Corneille de Witt, qui vient d'être renversé.

Alexandre Dumas écrit La Route de Varennes dans un souci de vérité historique. Reprenant tour à tour les différents récits historiques pour en montrer les erreurs, l'auteur s’attache à reprendre la même route que Louis XVI et sa famille lors de leur fuite de Paris, pas à pas, pour trouver traces et témoignages de ce grand fait historique. Alexandre Dumas signe ici un un petit roman aussi instructif que réjouissant.

1660. Aramis est évêque de Vannes. Il est un des rares à connaître l'existence du frère jumeau de Louis XIV, retenu prisonnier sous un masque de fer. Il entend bien se servir de ce secret pour asseoir son pouvoir, placer ce mystérieux frère sur le trône et devenir son Premier ministre. Mais il se heurtera au fidèle d'Artagnan, bien décidé à tout faire pour défendre le véritable Roi.

Schon als er sie das erste Mal sieht, spürt Armand Duval, dass Marguerite Gautier eine wichtige Rolle in seinem Leben spielen wird. Der wohlhabende Bourgeois verliebt sich in die Kurtisane und auch ihre Liebe zu ihm ist entfacht. Doch als der Vater Armands von der unschicklichen Verbindung erfährt, drängt er Marguerite, sich zum Wohle seines Sohnes zurückzuziehen. Aus Liebe zu Armand gibt sie nach, stößt ihn von sich und kehrt gebrochen in ihr altes Leben als Kurtisane zurück.

Thirty years after their first adventures in The Three Musketeers, we find Athos, Porthos, Aramis, and D'Artagnan in very different situations. Athos has settled down at his own estate. Porthos married a rich widow, and is now a Baron. Aramis joined a monastery, and is now the Bishop of Vannes. D'Artagnan alone remains a Musketeer for the king, and is now captain of the very force he so longed to join all those years ago. In The Man in the Iron Mask, Dumas develops his Musketeers into probing, multifaceted characters.

Regal and dazzlingly beautiful, Mary Stuarts succumbed to the irresistible impulses of passion and gambled away her throne for love in a deadly game of power against her envious cousin, Elizabeth I. She not only lost her kingdom, but also her life. Betrayed by those she trusted most, pampered and adored even as she was led to her own beheading, she remained an enigma five centuries after her death.

One for all and all for one! Crossed swords, intrigue, romance, and swashbuckling adventure accompany literature's most famous swordsmen as they set off on an action-packed journey to save nothing less than the throne of France.

Edmond Dantès, an innocent young sailor, falls into despair when he is arrested on a false charge of treason and thrown into prison without a trial. He learns of his friends' betrayal from the Abbé Faria, an equally innocent prisoner, and plots his revenge following a daring, if nightmarish escape from the Chateau d'If. After becoming a wealthy man, he assumes the guise of the urbane Count of Monte-Cristo and begins to entrap his enemies one by one.

L'action du roman se déroule entre 1572, date du mariage de Marguerite de Valois avec Henri de Navarre, futur Henri IV, et la mort de Charles IX de France en 1574. Alexandre Dumas y met en scène les intrigues de cour, l'assassinat de l'amiral de Coligny, le massacre de la Saint-Barthélemy, l'idylle inventée entre la reine de Navarre et le comte de la Mole ainsi que la pratique de la torture judiciaire à la Renaissance. Il fait de Catherine de Médicis une figure inquiétante, se servant de son astrologue et parfumeur Côme Ruggieri pour faire assassiner ses ennemis. Le roman met aussi en scène la conspiration visant à rendre la Navarre à son roi.

The novel, a deceptively simple story, is set in Holland in 1672 during the amazing tulipmania of the 17th century that brought wealth to some and ruin to many. The story weaves the historical events surrounding the brutal murder of John de Witte and his brother Cornelius into a tale of romantic love. The novel is also a political allegory in which Dumas makes his case against tyranny and puts all his energies into creating a symbol of justice and tolerance: the fateful tulipa negra.

In this Holllywood Stage presentation we find Dantes still loyal to Napoleon in exile on Elba, he carries a message from him but is intercepted and imprisoned without trial. Whilst in prison his fiancé is told he has died and is forced to marry his arch enemy, Count Mondego. Dantes rots in prison for many years but is then helped by Abbe Faria, who leaves him the treasure of Monte Cristo and assists him in escaping prison.

In Celebrated Crimes [eight volumes: this version, 1895], Dumas the elder, recognised master of historical fiction (The Count of Monte Cristo, The Three Musketeers) turns to historical fact. In this volume: Joan of Naples. The much-married queen does what she must to survive ‘the violence and treachery of this barbarous age’. ‘An angel soiled by crime, she lied like Satan himself .’ The Man in The Iron Mask (an essay). How much of the well-known story is fact, and how much fiction?

Our lovable and headstrong hero D'Artagnan bounds from one brush with death to another, uncovering a plot orchestrated by Cardinal Richelieu that threatens the beautiful Queen Anne of Austria and the entire Kingdom of France. Together with his friends Athos, Porthos, and Aramis, he must stop at nothing to thwart the Cardinal's murderous schemes and rescue the love of his life in a quest that takes him to all corners of 17th Century France and beyond.

Dashing young Edmond Dantès has everything: a fine reputation, an appointment as captain of a ship, and the heart of a beautiful woman. But his perfect life is shattered when three jealous friends conspire to destroy him. Falsely accused of a political crime, Dantès is locked away for life in the infamous Chateau d'If prison. But it is there that Dantès learns of a vast hidden treasure.

The story of France from the Renaissance to the 19th century, as Dumas vibrantly retold it in his numerous enormously popular novels, has long been absent one vital, richly historical era: the Age of Napoleon. But no longer. Now dynamically, in a tale of family honor and undying vengeance, of high adventure and heroic derring-do, The Last Cavalier fills that gap.