検索キーワード： ナレーター "Uncredited" すべてのカテゴリー

Roman de l’Abbé Prévost publié en 1731, Manon Lescaut raconte l’histoire tragique d’un amour passionné et tumultueux. Le chevalier Des Grieux, jeune homme noble et idéaliste, tombe éperdument amoureux de la belle et envoûtante Manon Lescaut. Malgré leur amour sincère, Manon est attirée par le luxe et les plaisirs mondains, ce qui conduit le couple à vivre des aventures marquées par la trahison, la pauvreté et le scandale.

Roman publié en 1867 par Émile Zola, Thérèse Raquin est une descente sombre et troublante dans les passions humaines. L’histoire suit Thérèse, mariée à son cousin Camille à la santé fragile, et étouffée par une existence monotone dans la boutique familiale. Sa vie bascule lorsqu’elle rencontre Laurent, un homme vigoureux avec qui elle entame une liaison amoureuse passionnée. Ensemble, ils complotent pour assassiner Camille et vivre leur amour librement.

For Jessie Shimmer, everything changed when she went to hell and back to save her lover, Cooper Marron. After tangling with supernatural forces and killing an untouchable spirit lord, Jessie finds herself gifted—or perhaps cursed—with dark powers. And when she and Cooper make love, her pleasure throes light the whole house on fire. What is a sorceress to do?

Chéri (1920) de Colette est un roman élégant et poignant qui explore les thèmes de l’amour, du temps et de la liberté. L’histoire se concentre sur la liaison entre Léa, une courtisane d’âge mûr, et Fred Peloux, surnommé Chéri, un jeune homme beau et insouciant. Leur relation, faite de passion et de tendresse, est mise à l’épreuve lorsque Chéri est contraint de se marier avec une jeune femme de son milieu social.

Bitches Brew is still one of the most astonishing albums ever made in either jazz or rock. Seeming to fuse the two, it actually does something entirely more revolutionary and open-ended: blending the most avant-garde aspects of Western music with deep grooves, the album rejects both jazz and rock for an entirely different idea of how music can be made.

The town of Paradiso, California, is abuzz during the lead-up to its annual Peach Blossom Festival. This year, the theme is the 1950s, so the locals are already calling the soon-to-be-named queen, “Peggy Sue” after the Buddy Holly song. The four finalists are all seniors at the high school, with an equal chance of winning the crown—or dying . . .

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall.

At the center of this struggle is Indigo, who is ripped from her tribe, the Sand Lizard people, by white soldiers who destroy her home and family. Placed in a government school to learn the ways of a white child, Indigo is rescued by the kind-hearted Hattie and her worldly husband, Edward, who undertake to transform this complex, spirited girl into a “proper” young lady.

Though Nevermind was Nirvana's most commercially successful album, and the record that broke them—and the grunge phenomenon—internationally, In Utero has increasingly become regarded as the band's best album, both by the critics and the band members themselves. Instead of sticking to the "grunge pop" formula that made Nevermind so palatable to the mainstream, Nirvana chose instead to challenge their audience, producing an album that the band's creative force, Kurt Cobain, said truly matched his vision of what he had always wanted his band to sound like.

"Le dernier jour d'un condamné" a été écrit par Victor Hugo en 1829. Indigné par la guillotine et le traitement de la société envers les condamnés, Victor Hugo décida de dénoncer cette aberration à travers son roman: conditions de vie déplorables des prisonniers, traitement inhumain des condamnés en décrivant les souffrances morales et physiques de ces derniers. Le roman est présenté comme un journal intime d'un condamné à mort. Il y écrit ses pensées.

Jonathan Lethem treats Fear of Music (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece—edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future.

Sound interesting? The author thinks so too! Listen to Homeland today.

We all know the Boxer. The fighter who remembers every glove but still remains. That grisly, bruised American allegory who somehow gets up more times than he’s knocked down. This is the fight that nearly broke The National. The one that allowed them to become champions.

With a suspect who has confessed to the murder of the Peach Blossom Queen behind bars, the cloud over Paradiso, California, has lifted. Along with everyone else, high school senior and part-time sleuth Hope Hubbard is relieved to move on from the tragedy and flurry of false accusations. When the new Peach Blossom Queen is announced, the longshot winner realizes that it’s no fun being celebrated by the town when someone you’ve known your whole life is behind bars.

On Saturday, June 28, 1986, George Michael picked up his tasseled leather jacket, walked out of London’s Wembley Stadium and cheerfully tore up five years of glittering pop history. He’d just disposed of Wham!, the band he’d formed with school friend Andrew Ridgeley when they were teenagers, and now, at 23, he knew he was all grown up. He just needed to convince everyone else.

This is an amazing story—and, by design, it is almost entirely unknown. As we begin to grapple with what the Afghan War meant—in books and in film AND in the ongoing governmental hearings regarding the evacuation—journalist and historian Paul Kix is setting out to write the book that begins to make sense of the war that was our country’s response to 9/11, the event that defined the lives of a generation.

In 1991, Metallica released their fifth studio album that would become known and beloved around the world as “The Black Album.” Since its release, it has sold 30 million copies, and become a towering monument in the pantheon of rock’s greatest records. Listeners will get unprecedented insight into the story behind an iconic album from one of the world’s most iconic bands through interviews with James Hetfield, Lars Ulrich, Kirk Hammett, Jason Newsted, and “Black Album” producer Bob Rock.

Sound interesting? The author thinks so too! Listen to The Guardians Cycle Collection today.

Felix Renn is a private investigator in a supernatural world, an alternate reality where a dark dimension called The Black Lands co-exists alongside our own. Travelling to and from The Black Lands is dangerous–and illegal–but that doesn’t stop some of the creatures that reside there from crossing over into our world from time to time.

With the killer of the Peach Blossom Queen still on the loose and the festival on hold, everyone is on edge in the small town of Paradiso, California. Amid all the horror and sorrow, one good thing has happened: the hunkiest guy in school likes Hope Hubbard. It’s a dream come true for the high school computer whiz (and sometimes bookie). But she’s not betting on everything getting back to normal soon. As a tornado of rumors swirls through town, a few suspects are cleared while others emerge.