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Lucas Callahan, a man who gave up his law degree, fiancée, and small-town future for a shot at making it in the Big Apple. He snags an entry-level job at Empire Magazine, believing it’s only a matter of time before he becomes a famous writer. Then, late one night in a downtown bar, he meets a gorgeous brunette who takes him home.... Carmen Kelly wanted to be a hard-hitting journalist, only to find herself cast in the role of Empire's sex columnist thanks to the boys' club mentality of Manhattan magazines.

Rett Ward knows how to hide. But when Rett wakes up locked in a small depot with no memory of how he got there, he can't hide. Not from the stranger in the next room, nor from the fact there's someone else’s blood on his jumpsuit. Worse, every time he tries to escape, he wakes up right back where he started. Same day, same stranger, same bloodstained jumpsuit. As memories start to surface, Rett realizes the blood on his jumpsuit belongs to someone - or something - banging on the door to get in.

Consider this: Five of the most expensive hurricanes in history have made landfall since 2005: Katrina ($160 billion), Ike ($40 billion), Sandy ($72 billion), Harvey ($125 billion), and Maria ($90 billion). With more property than ever in harm’s way, and the planet and oceans warming dangerously, it won’t be long before we see a $250 billion hurricane. Why? Because Americans have built $3 trillion worth of property in some of the riskiest places on earth: barrier islands and coastal floodplains.

By 1979, we knew nearly everything we understand today about climate change—including how to stop it. Over the next decade, a handful of scientists, politicians, and strategists, led by two unlikely heroes, risked their careers in a desperate, escalating campaign to convince the world to act before it was too late. Losing Earth is their story, and ours.

Sixteen-year-old James and his little brother, Danny, live in Crystal Springs, Louisiana, with their grandmother, mother, and first cousin, Lila. The family is working class, proud, strict, and church-going. When a big, clumsy boy named Gabriel moves up the street with his minuscule and mysterious "auntie" James has a new friend who he loves and hates in equal measure.

What does healing mean to you? For many of us, to ‘heal’ is to solve a problem – to remove an illness, put a trauma behind us, or get rid of something we don’t like in our life. Yet does that idea of healing serve us … or does it cut us off from life’s gifts? With A Healing Space, Dr. Matt Licata extends an invitation to explore the endless richness of your life – without minimising or turning away from hardship, nor by seeking the shelter of comfort or certainty.

In recent years, nicotine has become as verboten as many hard drugs. The literary styles in this volume are as varied as the moral quandaries herein, and the authors have successfully unleashed their incandescent imaginations on the subject matter, fashioning an immensely addictive collection.

In this essential book written by a rural native and Silicon Valley veteran, Microsoft’s Chief technology officer tackles one of the most critical issues facing society today: the future of artificial intelligence, and how it can be realistically used to promote growth, even in a shifting employment landscape.

A comedic romance of mistaken identity, Twelfth Night begins with a shipwreck, splitting up Viola and her twin brother, Sebastian. Alone in a strange land, Viola disguises herself as a male servant, Cesario, in order to work for the Duke Orsino. Orsino is in love with Lady Olivia, but it is Cesario whom Olivia falls for. A farcical tale of misplaced love, confusion, gender-swapping and aspiration, Twelfth Night remains one of Shakespeare’s best-loved and inventive comedies....

After vowing to avoid women, the king and three of his friends have to host a princess and her three ladies. The four men fall in love and decide to court the women. In the end, the women must return to their kingdom for a year after which they will marry the king and his friends, providing they remain true to them.

Come Away From Her is a boldly written mystery-suspense novel set in the rural town of Black Walnut. The story revolves around the arrival of Tess, a deaf woman running from her past, who unwittingly sets into motion a chain of disturbing events as she is forced to share her secrets with the strangers around her. Her presence upsets the status quo for the townspeople, none more so than for Cap, the pastor of the local church whose life has been marred by substance abuse and tragedy. The morning that Cap discovers a dead body outside the church, life as the town knows it is forever changed.

Grandpa Joe takes his grandson Timmy back to the site of his family’s farm, where the old house and a ramshackle barn still stand. The visit stirs up memories for Grandpa Joe—in particular, the majesty of his own father's shiny red tractor, now rusting in the forgotten fields.

Grandma Ginny and Timmy take a trip to visit the site of the family farm, where the old house and some rickety buildings still stand. Timmy had visited with Grandpa before and learned all about his tractor, but Grandma has her own stories to tell of planting the fields, harvesting the crops, and feeding the animals. Guided by Grandma’s farm diary and her fond memories, Timmy and Grandma tour the land and talk about what life was like back then.

In his first memoir, Ander Monson guides listeners through a scene-by-scene exploration of the 1987 film Predator, which he has watched 146 times. Some fighters might not have time to bleed, but Monson has the patience to consider their adventure, one frame at a time. He turns his obsession into a lens through which he poignantly examines his own life, formed by mainstream white male American culture.

Following his divorce, down-and-out writer and Mississippi exile Lee Durkee holed himself up in a Vermont fishing shack and fell prey to a decades-long obsession with Shakespearian portraiture. It began with a simple premise: despite the prevalence of popular portraits, no one really knows what Shakespeare looked like. That the Bard of Avon has gotten progressively handsomer in modern depictions seems only to reinforce this point.

When an accidental killing leaves Cyrus with blood on his hands, the last thing he expects is to want to do it again. But that's exactly where he finds himself once again, at the edge of a blade ready to take a life. A darkness has begun to grow inside, consuming him and making him hunger for more. The town had become his until Detective Walter Hughes caught on to his trail. Now, he must escape the relentless pursuit of a detective hell-bent on catching him while balancing his family life and his new sadistic addiction.

Connor Bradley is dreading the first day of high school. Not just because he is new, or because he misses his best friends, but because he knows the other kids won't understand his barking and tics. Connor has Tourette Syndrome, and every day has been a challenge—from the mimicking to the laughing, the questions, and the stares. It turns out school isn't quite as bad as he expected. Connor forms a fast friendship with a girl who also has Tourette's and is welcomed into her accepting circle of friends.

Varg is getting to know this world, and he likes it more and more, despite the dangers lurking around every corner. But what if the gnomes make an incursion and take everything and anything away to their world, including humans, whom they consider fair game? This book will include new tasks and new worlds into which the System will throw him. For example, a world inhabited by abominable snakes, or an elven world in which Varg will receive a valuable prize. Also appearing in our world will be necromancers.

It is the beginning of 1918, the last year of the greatest war in human history, to date. All the belligerents stagger on their feet. Starvation is an ever present reality, while disease waits in the wings. In Russia, no longer a belligerent but, instead, rapidly descending into civil war and chaos, a lone family—Father, Mother, four beautiful young girls, and a brave but sickly boy—await their own fate, shivering and hungry in the dark, hoping and praying for salvation. Their relatives in England have turned their backs. The guards set over them do little but torment them.

Frank Wedekind is widely acknowledged as one of the pioneers of modern drama, whose works influenced later writers such as Brecht and Dürrenmatt. His best-known plays were Spring Awakening and Lulu, both of which transgressed the social norms of his time and still have the power to shock and provoke us today. They are included here, alongside his lesser-known tragicomedy The Marquis of Keith.