検索キーワード： ナレーター "Cary Hite" すべてのカテゴリー

Millions of people became part of Michael Oher’s story when they watched a version of him on the big screen; read his memoir, I Beat the Odds; or cheered him on from the stands. After speaking to so many of them over the years, Oher knows that more than anything, people want to believe great things can happen, even when the situation looks bleak. His story of overcoming the toughest of odds serves as their hope.

Aaron Judge, the hulking superman who carried an easy aw-shucks demeanor from small-town California to stardom in the Big Apple, had long established his place as one of baseball’s most intimidating power hitters. Baseballs frequently rocketed off his bat like cannon fire, dispatching heat-seeking missiles toward the “Judge’s Chambers” seating area in right field, sending delirious fans scattering for souvenirs. But even in a high-tech universe where computers measure each swing to the nth degree, Roger Maris’s American League mark of sixty-one home runs seemed largely out of reach.

The 1980s were a transformative decade for the NBA. Since its founding in 1946, the league had evolved from a bruising, earthbound game of mostly nameless, underpaid players to one in which athletes became household names for their thrilling, physics-defying play. The 1987–88 season was the peak of that golden era, a year of incredible drama that featured a pantheon of superstars in their prime—the most future Hall of Famers competing at one time in any given season—battling for the title, and for their respective legacies.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world. For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth?

It’s no secret that our country has a serious problem when it comes to wealth inequality–and systemic racism and patriarchy have only exacerbated the advantages of wealthy white men. Over the past three decades, America’s richest white men have only become richer, while those suffering in poverty have only gotten poorer. The divide may seem too great to bridge, but Rich White Men exposes the hidden and insidious ways that white male elites inherit, increase, and preserve their status—and, in this book, we get clear on how to uproot their monopoly on power.

The world has finally reached its final hours with Yog-Sothoth devouring time itself. John Henry Booth is not content to die and seeks out an old enemy to provide him an escape from the dying Earth. This results in him being transported to a strange monster-filled city where millions of humans live in a bizarre hodgepodge of eras.

It’s early 1860, and war hero Captain Nathaniel Chambers, commander U.S. Army Fort Davis in the west Texas wilderness, has received shocking news–his father is dead. He must return home to Virginia and claim his inheritance before a maniacal neighbor can murder his widowed mother and seize the family plantation. But he’s torn by a terrible dilemma–to stay in the army and turn his back on his fortune, his mother and his beloved childhood home, or become the thing he despises; a slave master! Is there no other choice?

Damballah, Hiding Place, and Sent for You Yesterday provide a stunning introduction to the uncompromising work of John Edgar Wideman, whose literary achievements have inspired The New York Times to name him “one of America’s premier writers of fiction”. Damballah’s narratives examine the vexed history of Homewood, a Pittsburgh, Pennsylvania, neighborhood whose origins are rooted in a time when slavery was still legal in the United States of America.

“Imparting some piece of yourself—any part—is arduous and warrants some kind of commendation,” writes guest editor Wesley Morris in his introduction. Both personal and personable, the essayists in this volume use their own vulnerability to guide listeners on excursions that unfold on uncomfortable edges. From contemplating the nuances of memory to exploring the complexities of family, romance, gender identity, illness, and death, Morris’s selection of essays presents a roundup of the thinkers who masterfully grapple with the issues of our time.

“Food and travel are natural companions,” writes guest editor Padma Lakshmi. From this pairing comes “the possibility of seeing anew, of examining how we make and assign meaning.” The essays in this year’s Best American Food and Travel Writing circle the world—from Dakar in Senegal, to Michoacán in south-central Mexico, to the Camino de Santiago in Spain—and deepen our understanding of our place in it.

Humans have always been fascinated by darkness. Especially the darkness of a city at night, when the black sky is made ever more inky by the pools of illumination dropped under streetlights. Whether the mean streets be in an alternate past charmed with dark magic or the dirty alleyways of futuristic crowded space stations, the city—and its darkened streets—will always fascinate us. Here then, an anthology of all new stories of science fiction and fantasy with a hardboiled noir twist that acknowledge that the city is a living, breathing entity...and it isn’t always on our side.

Despite her unsavory upbringing, Loriana Simms vows not to let the fast, gritty lifestyle of the hood dismantle her innocence. With dreams of leaving what she calls home behind, Loriana's plans are abruptly placed on hold. While her circumstances have, in some measure, matured the bashful teen, they have also left her in an immense amount of distress. No longer meek to the world around her, Loriana comes into her own as a woman and finds herself caught up in the likes of the young hoodlum, Projex.

After the arrest of Chancellor King and the murder of his eldest son and heir, Ghost, the King family and the streets of New York City are thrown into chaos. Chancellor’s older brother, Chapman, takes the opportunity to usurp the crown, breaking the line of succession and stepping over his nephew Shadow. Chapman’s first act as the new king is to banish what remains of his broken family, branding them enemies of the crown. Stripped of all wealth and power, Maureen King places a seemingly impossible task on the shoulders of Shadow.