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The Bazaar has fallen, Zaire is gone, and Adelaide is alive. But Hazel Blackthorn has never felt more alone. With her sister sick from the lotus flower, and haunted by powers she doesn't understand, Hazel struggles to come to terms with who she is. When she and Cassian learn of strange, cataclysmic events across the world, it is clear their time has run out. The gods are rising.

Joe Bonomo strikes a three-chord essay on the power of adolescence, the durability of rock & roll fandom, and the transformative properties of memory. Why does Highway To Hell matter to anyone beyond non-ironic teenagers? Blending interviews, analysis, and memoir with a fan's perspective, Highway To Hell dramatizes and celebrates a timeless album that one critic said makes "disaster sound like the best fun in the world."

Everyone wanted Madonna’s 1992 album Erotica to be a scandal. In the midst of a culture war, conservatives wanted it to be proof of the decline of family values. The target of conservative loathing, gay men reeling from the AIDS epidemic wanted it to be a celebration of a sexual culture that had rapidly slipped away. And Madonna herself wanted to sell scandal, which is why she released Erotica in the same season as her erotic thriller Body of Evidence and her pornographic coffee-table book simply titled Sex.

Sound interesting? The author thinks so too! Listen to Purgatory: Hollywood today.

Seemingly granted ‘classic album’ status within days of its release in 1997, OK Computer transformed Radiohead from a highly promising rock act into The Most Important Band in the World – a label the band has been burdened by (and has fooled around with) ever since. Through close musical analysis of each song, Dai Griffiths explores the themes and ideas that have made this album resonate so deeply with its audience, and argues that OK Computer is one of the most successfully realized CD albums so far created.

By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart.

Of all the recordings to emerge from the Athens-via-Denver collective called Elephant 6, Neutral Milk Hotel’s second album is the one that has worked its way under the most skins. Magnet magazine named it the best album of the 1990s, and Creative Loafing recently devoted a cover story to one fan’s quest to understand why band leader Jeff Mangum dropped out of sight soon after Aeroplane’s release.

This is a fascinating and thoroughly researched exploration of the best-selling gospel album of all time. For two days in January 1972, Aretha Franklin sang at the New Temple Missionary Baptist Church in Los Angeles while tape recorders and film cameras rolled. Everyone there knew the event had the potential to be historic: five years after ascending to soul royalty and commercial success, Franklin was publicly returning to her religious roots.

Stephen Catanzarite takes a close look at what many consider to be U2's most fully formed album through the prisms of religion, politics, spirituality, and culture, illuminating its previously unexplored depths, arguing that it's a concept album about love and the fall of man.

La Petite Roque (1885) de Guy de Maupassant est une nouvelle captivante où se mêlent tragédie et analyse psychologique. L’histoire débute avec la découverte du corps de Louise Roque, une jeune fille assassinée dans un paisible village normand. Ce crime bouleverse la communauté et déclenche une enquête qui fait émerger les secrets et les tensions cachés. Le récit suit notamment Monsieur Renardet, le maire du village, un homme influent, mais rongé par une culpabilité oppressante liée à ce drame.

When Jessie Shimmer traveled to a nightmare underworld to save her lover, Cooper Marron, she gained magical powers . . . which soon seemed more like curses. Her beloved familiar, the ferret Pal, became a monster. Her enemies multiplied like demons. Worst of all, she hasn’t found a moment of peace to be with the man she adores.

Like a killer returning to the scene of the crime, Elvis came back home to Memphis, where it had all begun. Eschewing the fancier studios of Nashville and Hollywood, he set up shop at the ramshackle American Sound Studio, run by a maverick named Chips Moman with an in-house backing band now known as "The Memphis Boys,"" and made the music of his life. The resulting work, From Elvis in Memphis, would be the finest studio album of his career, an explosion of mature confidence and fiery inspiration.

White Limozeen (1989) was a commercial recovery after Dolly Parton's first major failure two years previously with the release of Rainbow. This book is a case study in how an album is sold and a persona constructed. The album had a complex relationship to the country music genre at a time when the genre was in the middle of major sonic and cultural shifts, and it represents how country music saw itself. This question of identity was especially relevant since White Limozeen was produced by Ricky Skaggs, the bluegrass prodigy who was in the middle of his own genre-widening experiments.

Breaking the global record for streams in a single day, nearly 10 million people around the world tuned in to hear Kendrick Lamar’s sophomore album in the hours after its release. To Pimp a Butterfly was widely hailed as an instant classic, garnering laudatory album reviews, many awards, and even a canonized place in Harvard’s W. E. B. Du Bois archive. Why did this strangely compelling record stimulate the emotions and imaginations of listeners?

James Ryder just learned that his girlfriend, Chelsea, has turned into a vampire, and now she’s out for blood—his. Thought missing, she returns home claiming she has amnesia. Being dead shouldn’t interfere with her social life, so she heads back to school. Now James’s only hope to stay human is to hook up with Rina Cargiale, the new girl, who’s also a two-hundred-year-old vampire.

Vs. is the sound of a band on fire. The same confluence of talent, passion, timing, and fate that made “grunge” the world’s soundtrack also lit a short fuse beneath Pearl Jam. The band combusted between late 1992 and mid-1994, the span during which they planned, recorded, and supported their sophomore record. The spotlight, the pressure, the pace—it all nearly turned the thriving act to ash.

Swallowing the chaos wrought by his public persona and digesting it as a grandiose allegory of self-redemption, Kanye sublimates his narcissism to paint masterstroke after masterstroke on MBDTF, a 69-minute hymn to egotistical excess. Sampling and ventriloquizing the pop music past to tell the story of its future – very much a tale of our culture's wish for unfettered digital ubiquity – MBDTF is the album of its era, an aesthetic self-acquittal and spiritual autobiography of our era’s most dynamic artist.

Hazel Blackthorn is an outcast, the bastard daughter of a nameless sailor and a disgraced mother. She will do anything to marry her secret fiancé and escape her oppressive life. When her fiancé announces he must marry her cousin in order to save his family’s crumbling business, Hazel is heartbroken and her hope for the future crushed. But a kind old man offers her salvation: Travel to the mythical Bazaar that visits the island once every thirty years and return before the end of the festival with medicine he needs, and she will have all the riches in the world. Gripped by hope, Hazel accepts.

BACKPACK, BOY, BERLIN is about Don Heath, Jr., the 11-year-old boy who secretly carried information between his American diplomat father and the anti-Nazi resistance group leader Mildred Harnack. Kip's books are meticulously researched, and written in verse--a great way to bring history to younger listeners.

This book charts the emergence of Kate Bush in the early-to-mid-1980s as a courageous experimentalist, a singularly expressive recording artist and a visionary music producer. Track-by-track commentaries focus on the experience of the album from the listener’s point of view, drawing attention to the art and craft of Bush’s songwriting, production and sound design.