検索キーワード： 著者 "JUNE" すべてのカテゴリー

Zach Garrett is home from war, haunted by PTSD, trying to fit in to what has become an alien world. With the holidays fast approaching, his uncle Big Jim Garrett offers him a place on the family ranch. Zach isn't sure he's up for a noisy, boisterous Garrett Christmas...until he meets beautiful Stephanie Gale, and all his protests go up in flames. Firefighter and EMT Stephanie Gale is ready for anything. She's got her life under control...until she locks eyes with Zack and realizes her heart's in a whole new kind of danger.

Beau Garrett may look rough around the edges, but under that exterior beats a heart of gold - a heart that was broken when his high school sweetheart disappeared days before graduation. Years have passed, but Beau's never forgotten the fiery-haired girl who left him high and dry.

Eldest son Colt Garrett is the biggest, strongest, and steadiest of the Garrett brothers. Colt accepts his responsibilities, knowing his future is tied to the land. Colt has stayed centered - but when he falls in love, he falls hard. He is mesmerized by Misty Dalton, the younger sister of one of his brother's friends.

Cowboy musician Tyler Garrett has a once-in-a-lifetime chance to put aside his rough-and-tumble rancher's lifestyle and realize his dream. He's on the road to Dallas to record a demo when that dream gets kicked sideways by a beautiful woman on the run. Leah Benson will do whatever it takes to keep her daughter safe. But when her dangerous past catches up with her, she needs a hero - and luckily for her, Tyler Garrett was born and bred for the role.

One: We’re alive, for now. Two: Gavriel’s totally lost control. Three: Santobello is hunting us. Four: Someone will die.

Summer Bright is just a name on a tombstone. A whispered mystery on the long-forgotten Woodbury Lane. Her ghost teases me with fear and perfection. She knows I'm not strong enough to do what I should've done years ago. The Bullets are united once more, bonded by their demand for blood. There's a vulnerability in their friendship though. Gavriel craves control. Blaise fears losing me. Ryker fights his guilt. Callum's moral compass will get us killed. Chesterbrook may be where the old me died, but it's also where I learned that hell isn't a place.

In 1942 two young women give birth in a home for unmarried mothers. One of them hopes they will never meet again. Thirteen years later Dorothy Wilson is a successful actress, offered her first major part in a feature film. But accepting the role would mean spending time apart from her policeman boyfriend, Sam. Should Dorothy stay in Liverpool and become a full-time wife and mother, giving up her dream of stardom?

At the age of 53, Tony walks away from a life of journalism and into an unknown future dogged by self-doubt and financial worry. June is 48 years old then, a writer and a teacher, and over the following nine years she watches as her husband gradually changes - in interests, goals, and behavior - until Tony has a sudden fall, ending their life as they have known it.

When handsome town Sheriff Derrick Shelton meets Angelique Guillory and her young daughter at the Garrett ranch, he is immediately drawn to the woman who seems to desperately need a true family Christmas. Determined to erase the shadows from her eyes, he decides to give her the best holiday she's ever had. Angelique Guillory is a woman with a past, haunted by violence and searching for the family she never knew. When she and her little daughter find their way to the Garrett family and meet Derrick, she hopes to have finally found a safe haven.

Spunky young grandma Cealie Gunther tries to avoid her hunky sometimes-ex lover Gil Thurman so she can rediscover herself. She also wants to avoid relatives so she won't become dependent on them. But a cousin who antagonized her in childhood pleads for Cealie to come to Gatlinburg, TN, needing Cealie's help or she'll face dire consequences. And Gil couldn't be opening another of his Cajun Delights restaurants there - could he? Torn between flying off for her planned exotic vacation or landing in the hills of Tennessee, Cealie knows where she must go. She can't believe what she finds once she gets there....

Cealie Gunther avoids things that bind - like control-top pantyhose and Gil Thurman. Widowed Cealie thinks she wants to avoid her hunky ex-lover Gil as she travels while trying to rediscover herself. But he opens Cajun restaurants in many cities, and Cealie's not great at avoiding temptation. She tries to avoid family members so she won't become dependant, but since her family is most important, constantly winds up around them. Murder is always involved.

Southampton 1920. Phoebe Collins rose to the challenge of running the family fruit and veg stall when her father did not return from the front. The work outside in Kingsland market in all weathers can be hard, but with her mother and younger brother Tim to support, she's determined that it continue to be a success.

He was Disney's Haunted Mansion Ghost Host, Boris Badenov, Professor Ludwig von Drake, Pillsbury Dougboy, Toucan Sam, the Green Lama, and thousands of voices you have heard on records, radio, and television and in films. He was voice acting genius Paul Frees.

In July 2003, the International Animated Film Society, ASIFA-Hollywood, invited members to discover the many talents of a person who became an icon in animation and inspired an entire generation of voice actors: Daws Butler.

"The intersectional feminist anthology we all need to read" (Bustle), edited by a remarkable and inspiring 19-year-old activist whom the BBC named one of 100 "inspirational and influential women" of 2016. Why is it difficult for so many women to fully identify with the word feminist? How do our personal histories and identities affect our relationship to feminism? Why is intersectionality so important? Can a feminist movement that doesn't take other identities like race, religion, or socioeconomic class into account even be considered feminism?

1800, Joseon (Korea). Homesick and orphaned 16-year-old Seol is living out the ancient curse: "May you live in interesting times." Indentured to the police bureau, she's been tasked with assisting a well-respected young inspector with the investigation into the politically charged murder of a noblewoman.

Why do some women struggle to identify as feminists, despite their commitment to gender equality? How do other aspects of our identities - such as race, religion, sexuality, gender identity, and more - impact how we relate to feminism? Why is intersectionality so important? In challenging, incisive, and fearless essays - all of which appear here for the first time - 17 writers from diverse backgrounds wrestle with these questions, and more. Can We All Be Feminists? offers the tools and perspective we need to create a 21st century feminism that is truly for all.

Ashlyn Zanotti has big plans for the summer. She's just spent a year at boarding school and can't wait to get home. But when Ashlyn's father is arrested for tax evasion and her mother enters a rehab facility for "exhaustion", a.k.a. depression, her life is turned upside down. The cherry on top? Ashlyn's father sends her to work with a cousin she doesn't even know at a rustic team-building retreat center in the middle of nowhere. A self-proclaimed "indoor girl", not even Ash's habit of leaving breadcrumb quotes - inspirational sayings she scribbles everywhere - can help her cope.

The best educated and most prosperous have the most stable families, while working class families have seen the greatest increase in relationship instability. Why? The book provides the answer: greater economic inequality has profoundly changed marriage markets, the way men and women match up when they search for a life partner. It has produced a larger group of high-income men than women; written off the men at the bottom; and left a larger group of women with a smaller group of comparable men...

A young Australian woman searches for her grandfather's dictionary, the key to halting a mining company from destroying her family's home and ancestral land in this exquisitely written, heartbreaking, yet hopeful novel of culture, language, tradition, suffering, and empowerment in the tradition of Louise Erdrich, Sandra Cisneros, and Amy Harmon.