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Rose Macaulay was a fascinating and influential British writer, known for her wit and intellect. Crewe Train was published in 1926 and follows the story of Denham Dobie, a young woman in her early thirties, who lives a rather uneventful life in London. She is an independent and intelligent woman working as a scriptwriter for a film studio. Feeling dissatisfied with her mundane existence, Denham decides to embark on a journey to visit her eccentric and wealthy father in Crewe. Throughout her journey, Denham encounters a variety of intriguing characters and unexpected events.

Rose Macaulay was a fascinating and influential British writer, known for her wit and intellect. First published in 1920, Potterism is a powerful satire about the Potter newspaper empire, and the ways in which journalists struggled during the First World War and the 1920s to balance the truth and what would sell. While Jane and Johnny Potter are at Oxford they learn to despise their father’s popular newspapers, though they still end up working for the family business. But Jane is greedy and wants more than society will let her have.

Simon Bovey is an established writer and director who has penned numerous compelling dramas for BBC Radio. Collected here are four of his sensational sci-fi tales, packed with mystery, suspense and terror...

When Mr. Collins dies after just four years of marriage, Charlotte is lost. While not exactly heartbroken, she will soon have to quit the parsonage that has become her home. In desperate need of support, she writes to her best friend, Lizzie. Unable to leave Pemberley, Lizzie sends her sister Mary Bennet in her stead. To Charlotte’s surprise, Mary Bennet is nothing like she remembers. Mary’s discovery of academia and her interest in botany (as well as getting out from under her mother’s thumb) have caused her to flourish. Before long, Charlotte is enraptured.

In space, something can hear you scream. And that something is coming. On her first adventure in outer space, Ruby learns that the universe is bigger, more colourful, and crazier than she could ever have imagined. She also learns that even the Doctor can feel afraid – and that certain nightmares are all too real…

Lydia imagines her new job running a Senior Citizen's Social Club three afternoons a week will involve drinking tea while playing gentle games of cards, listening to The Beatles and reminiscing about food rationing and The Blitz. She does not expect to find a failed actor addicted to shoplifting, a woman who's been hiding from a mysterious and very chequered past, and a prolific yarn-bomber. After a tragic accident means the council threatens to sell the community centre, the Social Club, aided by their friends in the nursery next door and a geriatric orphaned mongrel, set out to save it.

Following an intense chance meeting Mark leaves his wife to begin a new life with Cleo. What starts as a fairytale swiftly turns into a black comedy. Under the illusion she knows everything about the loveable rogue she has fallen for, Cleo is shocked to discover that he may not be so lovable after all. By the time realisation kicks in, Mark and Cleo are in the grips of a bad, mad love affair that neither of them seem able to walk away from.

As the seasons change, so do the lives of those who call the farm home. Bustling with activity in anticipation of a busy Spring, it’s all go with Jess and Riley's wedding on the horizon and Renweneth Manor’s restoration in full swing. But while the farm business flourishes, Jess and Ivy need to learn to navigate unforeseen challenges – financial worries, two disgruntled locals, and even a blast from Riley's past… In the midst of it all can Ivy juggle a new and unexpected arrival with her booming business, and can Jess keep track of her perfect day?

July, 1997. Matilda is killed in a tragic accident on the Dorset rocks, leaving her best friend Sophie alone, wracked with guilt. Decades later, Sophie is back for the first time since that terrible summer, to sell her family's old beach hut and bury the memories forever. But on clearing out the hut, she finds evidence that Matilda's death was no accident. What really happened the night she died? As Sophie edges closer to the truth, the past starts to close in on the present.

When 15-year-old Margot and her three sisters arrive at Applecote Manor in June 1959, they expect a quiet English country summer. Instead they find their aunt and uncle still reeling from the disappearance of their daughter, Audrey, five years before. As the sisters become divided by new tensions when two handsome neighbors drop by, Margot finds herself drawn into the life Audrey left behind. When the summer takes a deadly turn, the girls must unite behind an unthinkable choice or find themselves torn apart forever.

BBC Radio adaptations of Nick Payne's finest works, brought together on audio for the first time—plus bonus features. Nick Payne is a world-renowned playwright and screenwriter. He won the George Devine Award for his first major play If There Is I Haven't Found It Yet, and Constellations won the Evening Standard Award for Best Play. This collection contains Constellations and Elegy, his two acclaimed plays exploring science, time and love, with new introductions by Nick Payne himself. Also included are three dramas specially written for BBC Radio.

Award-winning author Jill Paton Walsh was well known for her four Lord Peter Wimsey novels that continued and completed Dorothy L. Sayers's much-loved series. These two cosy crime dramas introduce her own sparkling creation, Imogen Quy, a college nurse and amateur sleuth who investigates foul play in academia.

One of Britain's leading contemporary playwrights, Howard Brenton is well known for his controversial state-of-the-nation plays, dark comedies and powerful political satires. He has written over 50 works for the theatre and numerous screenplays, including 13 episodes of the hit TV series Spooks. Included here are some of his most acclaimed dramas, including the award-winning Pravda, co-written with David Hare.

Bird is a woman on the run. One minute, she's in a meeting in her office in Birmingham - the next, she's walking out on her job, her home, her life. It's a day she thought might come, and one she's prepared for - but nothing could prepare her for what will happen next. As she flees north using multiple disguises, Bird has to work out who exactly is on her trail, and who - if anyone - she can trust. Like many people, she has fantasised about escape for a long time, but now it's actually happening. Is her greatest fear that she will be hunted down, or that she will never be found?

When Maggie accepts one last commission before retiring from journalism, she’s given twenty-four hours on a remote tropical island to interview former Hollywood heart-throb Ed Cavanagh. There are just two problems: firstly, Ed doesn’t want anything to do with Maggie’s exclusive, and secondly, he’s the only man who ever broke her heart…

For Kate, having a newborn baby means she is almost never alone. But that doesn't mean she isn't lonely. The move from London to Somerset with her husband Jay was supposed be the start of an exciting new chapter. But sometimes she can't help but wonder if she turned the pages too soon. Phoebe needs help. As a mental health nurse serving her community, the wellbeing of her patients has always come before her own. Yet there's only so long she can pour from an empty cup.

When a promising young dancer collapses during the opening tango of the festival, Lily Richmond, dance legend, teacher and one-time world champion, is convinced that murder is afoot. There’s only one person who can help her delve into the mystery: her former student and private detective, Susie Cooper. But Susie vowed she’d never return to the ballroom – let alone go undercover as a professional dancer when there’s a killer on the loose.

The clock is ticking for Superintendent Jo Hamilton, who is just days from retirement from Sussex Police when the discovery of the bones of a young woman takes her back to a tragic unsolved case she worked on as WPC in the 1970s: the disappearance of a teenage girl from a notorious local children's home, not long after another young resident died in suspicious circumstances. Jo is determined track down the victim's sister, convinced that re-opening the hushed-up wrongs of the past will uncover the truth of the girls' deaths. But will the trail lead her disturbingly close to home?

Normal Women is a radical retelling of our nation’s story – not of the rise and fall of kings and the occasional queen – but of social and cultural change, powered by the determination, persistence and effectiveness of women – from 1066 to modern times. Did women really do nothing to shape England’s culture and traditions in nine centuries of turmoil, plague, famine, religious reform and the rise of empire and industry?

Antonia and Bea are sisters, and doting mothers to their sons. But that is where their similarities end. Antonia had her son tested to make sure he didn't possess the "violent" M gene. Bea refuses to let her son take the test. His life should not be determined by a positive or negative result. These women will go to any length to protect their sons. But one of them is hiding a monster. And there will be fatal consequences for everybody.