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Irish newsreader Isolde Malone has a face many would recognise; in fact, she can’t walk through the streets of Dublin without bumping into a hoard of fans, all of whom want their picture taken with the darling of broadcast journalism. She’s living a dream life and has never been happier. Until the night everything changes.

Haunted by a past trauma, Cathy yearns for sanctuary away from city life. She finds it with her boyfriend Alfie, at Blacksheep Farm, a haven in the Peaks of Derbyshire. But their peace is blighted by Bertha, the cold-hearted matriarch of Alfie’s family, who is hell-bent on keeping control of the farm—and her children. When a collection of hidden portraits is found by Alfie, Cathy is drawn to their mysterious beauty and embarks on a quest to return them to their owner. But her journey threatens to unearth long-buried secrets and tear her new life apart.

Late one night on a Yorkshire farm, in the midst of an illegal rave, a young man is nearly bludgeoned to death with a solid gold bar. An ambitious young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic newspaper columnist, and a radical anarchist movement that has taken up residence on the farm. She solves the mystery, but her viral exposé raises more questions than it answers.

Freya, Callum, Mischa, and Victoria have nothing in common—well, except for one thing: they’ve each experienced a deep personal loss that has led them to an unconventional group meeting, every Tuesday night at seven. A meeting they’ve been particularly selected for that will help them finally move on. At least, that's the claim. As they warily eye one another and their unnervingly observant group leader, one question hangs over them: why were they chosen?

Detective Lauren Pengelly and her partner Matt Price are called to investigate a grisly murder outside Penzance. They quickly identify the victim as Carmel Driscoll, a former police officer, and find a cryptic note reading “Ten Green Bottles” next to her body–words from an old English nursery rhyme. When a second former officer is found murdered with the note “Nine Green Bottles” nearby, Lauren and Matt realise they could be dealing with a serial killer.

Celia Fremlin's classic Gothic story collection is a masterpiece of psychological horror, mining the darkest elements of marriage, childhood, and ageing; probing paranoia, grief and toxic relationships; inviting the ghosts of the past into our present; and exploring the nightmarish secret impulses and supernatural forces lurking beneath suburban Britain.

Julie Tudor is 49 and has it all: a fantastic job (well-maintained spreadsheets are the lynchpin of an efficient office), a beautiful house (some may wonder how she got the money for it, but nothing has been proved) and the man of her dreams. Sean is 25 and the love of Julie's life. The only problem is, he thinks he's in love with someone else.- But Julie has found herself in a similar situation before. And if there's one thing Julie knows, it's how to get rid of the competition...

Rose Macaulay was a fascinating and influential British writer, known for her wit and intellect. Crewe Train was published in 1926 and follows the story of Denham Dobie, a young woman in her early thirties, who lives a rather uneventful life in London. She is an independent and intelligent woman working as a scriptwriter for a film studio. Feeling dissatisfied with her mundane existence, Denham decides to embark on a journey to visit her eccentric and wealthy father in Crewe. Throughout her journey, Denham encounters a variety of intriguing characters and unexpected events.

Rose Macaulay was a fascinating and influential British writer, known for her wit and intellect. First published in 1920, Potterism is a powerful satire about the Potter newspaper empire, and the ways in which journalists struggled during the First World War and the 1920s to balance the truth and what would sell. While Jane and Johnny Potter are at Oxford they learn to despise their father’s popular newspapers, though they still end up working for the family business. But Jane is greedy and wants more than society will let her have.

Simon Bovey is an established writer and director who has penned numerous compelling dramas for BBC Radio. Collected here are four of his sensational sci-fi tales, packed with mystery, suspense and terror...

When Mr. Collins dies after just four years of marriage, Charlotte is lost. While not exactly heartbroken, she will soon have to quit the parsonage that has become her home. In desperate need of support, she writes to her best friend, Lizzie. Unable to leave Pemberley, Lizzie sends her sister Mary Bennet in her stead. To Charlotte’s surprise, Mary Bennet is nothing like she remembers. Mary’s discovery of academia and her interest in botany (as well as getting out from under her mother’s thumb) have caused her to flourish. Before long, Charlotte is enraptured.

In space, something can hear you scream. And that something is coming. On her first adventure in outer space, Ruby learns that the universe is bigger, more colourful, and crazier than she could ever have imagined. She also learns that even the Doctor can feel afraid – and that certain nightmares are all too real…

Lydia imagines her new job running a Senior Citizen's Social Club three afternoons a week will involve drinking tea while playing gentle games of cards, listening to The Beatles and reminiscing about food rationing and The Blitz. She does not expect to find a failed actor addicted to shoplifting, a woman who's been hiding from a mysterious and very chequered past, and a prolific yarn-bomber. After a tragic accident means the council threatens to sell the community centre, the Social Club, aided by their friends in the nursery next door and a geriatric orphaned mongrel, set out to save it.

My life was simple until Vincent Cove, an (annoyingly hot) American billionaire, arrived. He wants to convert the English country mansion where I live and work into a glitzy hotel. Over my dead body. I’m just a small-town waitress, up against Vincent’s goliath fortune, but I won’t go down without a fight. I'm taking on this billionaire bulldozer.

As the seasons change, so do the lives of those who call the farm home. Bustling with activity in anticipation of a busy Spring, it’s all go with Jess and Riley's wedding on the horizon and Renweneth Manor’s restoration in full swing. But while the farm business flourishes, Jess and Ivy need to learn to navigate unforeseen challenges – financial worries, two disgruntled locals, and even a blast from Riley's past… In the midst of it all can Ivy juggle a new and unexpected arrival with her booming business, and can Jess keep track of her perfect day?

Milly Barnes has just arrived in the seaside town of Seacliffe. Between windswept walks on the beach, she settles into lodgings and finds work as a Daily Help. Except this isn't her real name - 'Milly' is on the run from her past life, escaping a nightmare marriage. Abandoned by her first husband for another woman, she took revenge by marrying Gilbert: but this proved a terrible mistake. Trapped in a London basement flat, she became a victim of his increasingly paranoid delusions.

When an esteemed criminology professor is found lifeless at an international conference, it's up to DCI Whitney Walker and forensic psychologist Dr. Georgina Cavendish to unravel the mystery. The professor had unveiled Death's Shadow—a ground-breaking but unsettling theory that could redefine the understanding of serial killers. The theory captivated yet unnerved scholars, leaving a lingering air of dread within the conference halls. When another delegate meets a gruesome end, it becomes horrifyingly clear: the conference has become a hunting ground.

Eddie Winston is 90 years old. He has lived and he has loved, but he has never been kissed. A true gentleman and incurable romantic, Eddie spends his days volunteering at a charity shop, where he sorts through the donations of the living and the dead, preserving letters and tokens of love along the way. And it is here that he meets Bella, a troubled young woman who, at twenty-four years old, has just lost the love of her life. When Bella learns that Eddie is yet to have his first kiss, she resolves to help him finally find love.

The satirical novel What Not was published in 1918. Foreshadowing Orwell’s 1984, it is set in a futuristic England where a government agency, known as the Ministry of Brains, is responsible for regulating and controlling relationships and marriages based on intelligence and eugenics.

Louise would give anything - anything - for a good night's sleep. Forget the girls running errant in the garden and bothering the neighbours. Forget her husband who seems oblivious to it all. If the baby would just stop crying, everything would be fine. Or would it? What if Louise's growing fears about the family's new lodger, who seems to share all of her husband's interests, are real? What could she do, and would anyone even believe her? Maybe, if she could get just get some rest, she'd be able to think straight . . .