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Haunted by scandal and secrets, Lillian Baptiste fled Dominica when she was 14, after discovering she was the daughter of Iris, the half-crazy woman whose life was told of in chanté mas songs sung during Carnival - songs about a village on a mountaintop littered with secrets, masquerades that supposedly fly and wreak havoc, and a man who suddenly and mysteriously dropped dead.

The crayons are ready to tell the thrilling tale of Frankencrayon. The costumes are made, the roles are cast, the pages are all set - but then disaster strikes. Someone has scribbled on the page! Hideous! Horrifying! The story can't go on! Try as they might, the crayons can't erase the scribble, and this picture book must be canceled. Until the crayons playing the title role of Frankencrayon think of a solution, that is.

The New York Times lauds Russell Banks as "the most compassionate fiction writer working today," and hails him as a novelist who delivers, "wrenching, panoramic visions of American moral life." Long celebrated for his unflinching, empathetic works that explore the unspoken but hard realities of contemporary culture, Banks now turns his keen intelligence and emotional acuity on perhaps his most complex subject yet: the shape of family in its many forms.

It is True Dickinson's 43rd birthday, and her best friends have gathered on this snowy night in Cape Cod at a trendy neighborhood restaurant to celebrate. True has never felt more alone.

Arrah is a young woman from a long line of the most powerful witch doctors in the land. But she fails at magic, fails to call upon the ancestors and can't even cast the simplest curse. Shame and disappointment dog her. When strange premonitions befall her family and children in the kingdom begin to disappear, Arrah undergoes the dangerous and scorned process of selling years of her life for magic. This borrowed power reveals a nightmarish betrayal and a danger beyond what she could have imagined.

From its modest beginnings in the 1960s in a Harlem church basement, to its meteoric rise to international fame, the Dance Theatre of Harlem ignited the world with one simple, still-revolutionary statement: All can do ballet. Into the 21st century, as the world, and the country, continue their historical struggles and triumphs, the story of this haven for dancers of all colors and backgrounds resonates more than ever. Here is the definitive portrait of the one-of-a-kind dance company that reflected—and shaped—our times, and whose enduring principle continues to inspire the future.

Listeners will be fascinated by this young adult adaptation of the New York Times bestselling nonfiction work as they follow masterful narratives about real people that reveal an insidious phenomenon in the United States: a hidden caste system. Caste is not only about race or class; it is about power—which groups have it and which do not. Isabel Wilkerson explores historical social hierarchies, including those in India and Nazi Germany, and explains how perpetuating these rankings dehumanizes vast sections of society.

This is a great book and a must-listen for anyone who wants to understand the young people who are now or will soon join the workforce. It's one of the most useful value-added books about the millennial generation.

Yetunde awakens aboard a slave ship en route to the United States with the spirit of her dead sister as her only companion. Desperate to survive the hell that awaits her at their destination, Yetunde finds help in an unexpected form—the Devil himself. The Devil, seeking a way to reenter the pearly gates of heaven, decides to prove himself to an indifferent God by protecting Yetunde and granting her a piece of his supernatural power. In return, Yetunde makes an incredible sacrifice.

The acclaimed author of the “stirring, definitive, and engrossing” (NPR) The Woman’s Hour returns with the story of four activists whose audacious plan to restore voting rights to Black Americans laid the groundwork for the Civil Rights Movement.

On her second birthday in 1967, Bernice McFadden died. She was in a car crash on the motorway turnoff to Detroit. For a few minutes, she was clinically dead. From the moment of her resuscitation, we follow a remarkable life, all the way up to the publication of her first novel, Sugar. Bernice’s family story begins in Sandersville, Georgia, with freedwoman Louisa Vicey Wilson in 1870. Her descendants survived Reconstruction, Jim Crow, joined the ‘great migration’, cried when Dr King was assassinated. Wisdom, secrets, and fierce love are passed down through generations of women.

Reclaiming Venus: The Many Lives of Alvenia Bridges chronicles the remarkable journey of Alvenia Bridges from segregated Kansas to the heights of fashion and rock 'n' roll, breaking barriers and rubbing shoulders with legends. It is a powerful testament to resilience and the pursuit of dreams against all odds.

In Teaching Critical Thinking, renowned cultural critic and progressive educator Bell Hooks addresses some of the most compelling issues facing teachers in and out of the classroom today. In a series of short, accessible, and enlightening essays, Hooks explores the confounding and sometimes controversial topics that teachers and students have urged her to address since the publication of the previous best-selling volumes in her Teaching series, Teaching to Transgress and Teaching Community.

Ten years ago, Bell Hooks astonished readers/listeners with Teaching to Transgress: Education as the Practice of Freedom. Now comes Teaching Community: A Pedagogy of Hope - a powerful, visionary work that will enrich our teaching and our lives. Combining critical thinking about education with autobiographical narratives, hooks invites listeners to extend the discourse of race, gender, class and nationality beyond the classroom into everyday situations of learning. Bell Hooks writes candidly about her own experiences.

In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all. W. E. B. Du Bois, the founder of The Crisis, is not only Jessie’s boss, he’s her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart.

Mireille Duval Jameson is living a fairy tale. The youngest daughter of one of Haiti’s richest sons, she has an adoring husband, a precocious infant son, by all appearances a perfect life. The fairy tale ends one day when Mireille is kidnapped in broad daylight by a gang of heavily armed men, in front of her father’s Port au Prince estate. Held captive by a man who calls himself The Commander, Mireille waits for her father to pay her ransom. As it becomes clear her father intends to resist the kidnappers, Mireille must endure the torments of a man who resents everything she represents.

Fifteen-year-old Marisol is the daughter of a soucouyant. Every new moon, she sheds her skin like the many women before her, shifting into a fireball witch who must fly into the night and slowly sip from the lives of others to sustain her own. But Brooklyn is no place for fireball witches with all its bright lights, shut windows, and bolt-locked doors.… While Marisol hoped they would leave their old traditions behind when they emigrated from the islands, she knows this will never happen while she remains ensnared by the one person who keeps her chained to her magical past—her mother.

"When women get together and talk about men, the news is almost always bad news," writes bell hooks. "If the topic gets specific and the focus is on black men, the news is even worse." In this powerful new book, bell hooks arrests our attention from the first minute. Her title--WeReal Cool; her subject--the way in which both white society and weak black leaders are failing black men and youth. Her subject is taboo: "this is a culture that does not love black males:" "they are not loved by white men, white women, black women, girls or boys.

In this second edition of We Can't Talk about That at Work!, bestselling author Mary-Frances Winters and new coauthor Mareisha N. Reese of The Winters Group, Inc., provide fresh examples, updated research, and compelling insights. Featuring a new chapter on how two organizations have actualized the model for Bold, Inclusive Conversations as well as a discussion guide, this modern classic offers step-by-step guidance for conducting structured conversations around polarizing topics.

As climate disasters wreak havoc, a sister and brother take opposing sides on the fate of the human race. Syrah Carthan wants to save it. A tour guide for the Sequoia National Park, Syrah has an affinity for the millennia-old giants that extends to Rhiza, a subterranean world as ancient as Earth itself. Syrah is the reluctant heir apparent as its Keeper. Her duty is to maintain a balance between nature and humans. But Syrah’s greatest adversary has his duty as well.