検索キーワード： 著者 "E. Forster" すべてのカテゴリー

When attractive, impulsive English widow Lilia takes a holiday in Italy, she causes a scandal by marrying Gino, a dashing and highly unsuitable Italian 12 years her junior. Her prim, snobbish in-laws make no attempt to hide their disapproval, and when Lilia's decision eventually brings disaster, her English relatives embark on an expedition to face the uncouth foreigner.

In this searching tragicomedy of manners, personalities, and world views, E.M. Forster explores the "idea of England" he would later develop in Howards End. Bookish, sensitive, and given to wild enthusiasms, Rickie Elliot is virtually made for a life at Cambridge, where he can subsist on a regimen of biscuits and philosophical debate.

A Room with a View portrays the love of a British woman for an expatriate living in Italy, a country which to Forster represents the forces of true passion. Caught up in a world of social snobbery, Forster's heroine, Lucy Honeychurch, finds herself constrained by the claustrophobic influence of her British guardians, who encourage her to take up with a well-connected boor.

E. M. Forster’s first novel explores the comic and tragic effects of culture clash between insular, provincial British personalities and sensual Italian culture and atmosphere. Lilia Herriton, an impulsive 33-year-old widow from London, travels to Tuscany, where she falls in love with both Italy and the handsome, carefree Gino Carelli, a dentist’s son 12 years her junior. When news reaches the snobbish Herriton family that Lilia intends to marry again, this time to an unsuitable Italian, the domineering Mrs. Herriton sends her son, Philip, to prevent the catastrophe - but he arrives too late.

The story revolves around three disparate families: the idealistic Schlegels (consisting of Margaret, Helen and brother Tibby), the wealthy Wilcox family (parents Henry and Ruth and their children) and the impoverished Basts (Leonard and his wife Jacky). When the Wilcox family moves to London and discover they are living close to their new acquaintances the Schlegels, a friendship is kindled between the infirm Ruth Wilcox and Margaret Schlegel. Ruth - who has a strong attachment to her country house called Howards End - pens a note leaving the house to Margaret.

The most romantic literary lovers in history: Anne Elliot and Captain Wentworth. Lucy Honeychurch and George Emerson. Helen Graham and Gilbert Markham. Now, all three of their classic stories are collected in one volume: the Classic Romance Collection - Volume III featuring Jane Austen's "Persuasion," E.M. Forster's "A Room With a View," and Anne Brontë's "The Tenant of Wildfell Hall."

One of E.M. Forster's most beloved and critically-acclaimed works, "A Room With a View" follows the journeys—both abroad and romantically—of young Lucy Honeychurch, a British girl during the Edwardian era with a distinctly independent nature. On a trip to Italy, with her chaperone Miss Charlotte Bartlett in tow, Lucy encounters a Mr. Emerson and his son George.

Representing every phase of E. M. Forster's career as a writer, the fourteen stories in this book span six decades–from 1903-1957 or even later. Only two were published in his lifetime. Most of the remaining stories remained unpublished because of their overtly homosexual themes; instead they were shown to an appreciative circle of friends and fellow writers, including Christopher Isherwood, Siegfried Sassoon, Lytton Strachey and T. E. Lawrence.

A Passage to India hauntingly evokes India at the peak of the British colonial era, portraying the racial tension that underscores every aspect of daily life. In this setting, we meet Adela Quested and Mrs. Moor, British visitors to Chandrapore who, despite their strong ties to the colonial community there, are eager for a more "authentic" taste of India. But when their fates tangle with those of Cecil Fielding and his local friend, Dr. Aziz, at the nearby Marabar Caves, the community of Chandrapore is split wide open and everyone’s life—British and Indian alike—is forever altered.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist - all these narratives intersect at an estate called Howards End. The fate of this country home symbolizes the future of England in an exploration of social, economic, and philosophical trends during the post-Victorian era.

The best literary analysis of novels ever written.

First published in 1910, this classic tale of three very different and socially distant families, whose lives intertwine through chance encounter, still has the power to move and entertain us. The passionate and artistic Schlegels, with their idealism and compassion find themselves inextricably linked with the pragmatic and capable Wilcox family, through a series of events which change the course of their lives forever.

The Machine Stops is a short science fiction story. It describes a world in which almost all humans have lost the ability to live on the surface of the Earth. Each individual lives in isolation in a 'cell', with all bodily and spiritual needs met by the omnipotent, global Machine. Most humans welcome this development, as they are skeptical and fearful of first-hand experience. People forget that humans created the Machine, and treat it as a mystical entity whose needs supersede their own. Those who do not accept the deity of the Machine are viewed as 'unmechanical' and are threatened with "...

A Room with a View is a romance that makes use of the convention of the marriage plot, but it is also a comedy parodying British tourism in Italy. Forster had spent one year travelling in Italy between 1901 and 1902, and the people and situations he observed during his visit greatly influenced the novel. Lucy’s visit to Northern Italy references the 18th-century Grand Tour, the trip across southern Europe, which was seen as a necessary way for young gentlemen to complete their education. In Forster’s novel, Lucy and her cousin travel to Florence to see the ‘real Italy’ but stay in a ...

Aspects of the Novel is compiled from a series of lectures delivered in 1927 by E. M. Forster at Trinity College, Cambridge, in which he discussed the English language novel. By using examples from classic texts, he explores the seven universal aspects of the novel: story, characters, plot, fantasy, prophecy, pattern, and rhythm.

First given as a series of lectures at Cambridge University, Aspects of the Novel is Forster's analysis of this great literary form. Here he rejects the 'pseudoscholarship' of historical criticism - 'that great demon of chronology' - that considers writers in terms of the period in which they wrote and instead asks us to imagine the great novelists working together in a single room. He discusses aspects of people, plot, fantasy and rhythm, making illuminating comparisons between novelists, the features shared by their books and the ways in which they differ.

This collection of short stories from E. M. Forster contains six tales that were initially written between 1903 and 1912. Many of these stories, including the modern classic 'The Machine Stops' - which is set in a world where humanity lives underground and relies on a giant machine to provide its needs - deal with science fiction and supernatural themes.

A dystopian classic, The Eternal Moment is the titular title in Forster's classic collection of short stories, The Eternal Moment and Other Stories. It follows Ms Raby, Colonel Leyland, and Eustace on their journey through the Alps as spirits, animals, and sprites guide the reader on a journey through ideas of nature, freedom, and transformation.

When the young English widow Lilia Herriton takes off on the grand tour and along the way marries a penniless Italian, her in-laws are far from amused. That the marriage should fail and poor Lilia die tragically are only to be expected. But that Lilia should have had a baby - and that the baby should be raised as an Italian - are matters of grave concern to Philip Herriton, his dour sister Harriet, and their well-meaning friend Miss Abbott.

Lucy has her rigid middle-class life mapped out for her, until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George. Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse.