検索キーワード： 著者 "G. K. Chesterton" すべてのカテゴリー

In 1910, when the industrialists and intelligentsia both promised only “progress,” G. K. Chesterton was among the few in the West who could see the brewing ideological storms that would soon make landfall, not just in the form of world wars and totalitarianism but in the pervasive modern dehumanization that consumes us to this day. More than a century ago, Chesterton perceived the beginnings of “woke capital” and how it aligns with and promotes social progressivism. There is an unspoken alliance between big business and progressives, he explains.

The Complete G.K. Chesterton Collection brings together all of Chesterton's major works, including all five volumes of the beloved Father Brown stories, ten other novels or short story collections, 7 works of non-fiction, including his famous writings on politics, religion, and philosophy, and a selection of his best poetry (including The Ballad of the White Horse).

Father Brown: The Essential Stories brings together the finest tales of the beloved amateur detective, Father Brown - a small, unassuming priest with a remarkable knack for solving the most baffling crimes. With his quiet wisdom, sharp intuition, and deep understanding of human nature, Father Brown solves cases that baffle even the most seasoned detectives.

The Sherlock Holmes & Father Brown Collection, read by Jonathan Keeble (as Sherlock) and Nicholas Boulton (as Father Brown), includes unabridged recordings of the complete short stories featuring two of the most iconic amateur detectives in literature - Father Brown and Sherlock Holmes.

The G.K. Chesterton Fiction Collection brings together thirteen of Chesterton's major novels and short story collections, including the complete compendium of his beloved Father Brown stories. This collection takes you from his first published novel, The Napoleon of Notting Hill (often cited as inspiration for 1984) to stories of his monocled amateur sleuth, Father Brown, and all the way through to his final novel, the high satire The Return of Don Quixote.

The Complete Father Brown Collection: Books 1-5, read by the outstanding Nicholas Boulton, includes unabridged recordings of the complete works of Father Brown—G. K. Chesterton's beloved amateur sleuth.

The G.K. Chesterton Faith Collection brings together six of Chesterton's major works on faith and religion, including his seminal early work on moral theology, Heretics, all the way to his late-life writings on Saint Thomas Aquinas. This collection takes you through the broad breadth of Chesterton's thinking—from his early full-throated philosophy on everything from war to morality, to his later focus on the Church and his conversion from high church Anglicanism to Catholicism.

Mystery, murder, deception, obsession, and vendetta abound in Chesterton's third collection of eight adventures for the unassuming but insightful Father Brown; including a happily temporary demise for the little priest himself; a millionaire killed with an arrow from heaven; another disappeared from a sealed room; a maniac determined to possess a precious relic; and a decaying family and a mysterious portrait.

"The Queer Feet" deals with Flambeau wanting to steal the silverware of the members of the Twelve True Fishermen having their annual club dinner at Vernon Hotel. The Vernon Hotel is an exclusive hotel and a "topsy-turvy product" (Chesterton 1994, p. 51).

The tenth story in The Innocence of Father Brown is entitled "The Eye of Apollo." At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.

"The Blue Cross" is a short story by G. K. Chesterton. It was the first Father Brown short story and also introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. It was first published on 23 July 1910, under the title "Valentin Follows a Curious Trail", in the Saturday Evening Post, Philadelphia. Re-titled as "The Blue Cross", publication in London followed, in The Story-Teller magazine of September 1910.

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October, 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arch, begun in The Blue Cross.

"The Sign of the Broken Sword" is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. In the centre of a story is a mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals to us the mystery of General St. Clare.

Father Brown (Chesterton's sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown's constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn't go well. Sure, Flambeau gets some good fishing in, but there's also a duel with rapiers, a couple murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

"The Flying Stars" is one of Chesterton's mysteries featuring Father Brown. It's actually the first of these short stories I've read and I picked it up more because it's a Christmas mystery than to meet Father Brown, even though he is a character I'd like to read more of. The story takes place at an English manor home on Boxing Day. A young lady and the young man who lives next door are present, as is the girl's father, Colonel Adams, a newly arrived uncle and a quite rich godfather.

"The Hammer of God," readers are surprised to learn from Father Brown that the murderer is not a violent madman but rather a very respected member of the community. The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.