検索キーワード： ナレーター "Anna Cordell" すべてのカテゴリー

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Dr. Liz O'Riordan is a breast cancer surgeon who has battled against social, physical and mental challenges to practice at the top of her field. Under the Knife charts Liz's incredible highs: performing like a couture dressmaker as she molded and reshaped women's breasts, while saving their lives; to the heart-breaking lows of telling ten women a day that they had cancer. But this memoir is more than just an eye-opening look at the realities of training to be a female surgeon in a man's world

Tracey Curtis-Taylor has created headlines around the world with three epic flights in a 1942 Boeing Stearman biplane. Paying homage to two historic female aviators, she flew from Cape Town to Goodwood in 2013, from London to Australia in 2015 and, two years later, completed a transcontinental flight across the USA, after surviving a plane crash during the expedition. But her daring exploits came at a huge personal cost. Tracey tells, in breathtaking detail, the remarkable story of how she overcame extreme adversity to complete her three epic journeys.

The land, sea and skyscapes of the UK are constantly shifting. Species, landmarks and ways of life slip in and out of existence, and firm ground is often just out of reach. Weaving together stories drawn from literature, local history and her own family heritage, Oxford professor Fiona Stafford leads us along coastlines and through forests and fens, revealing the forces, both natural and human, which leave places unrecognisably changed.

Sergeant Belinda 'Billy' Kidd is driving home from the airport, jet-lagged and ready to resign from a career that has left her traumatised. Menopause has robbed her confidence too - now she's a traffic cop who's afraid to drive. When brake lights haemorrhage up the motorway, the cars grind to a halt. Moments later she finds a dead driver in a black sedan. He has a metal skewer in his neck. But how? The killer can't have left the scene without being spotted by the dozens of witnesses - so he must still be there, among them.

It's 1913 and a young, carefree and recklessly innocent girl, Mina, goes out into the forest on the edge of the Baltic sea and meets a gang of rowdy young men with revolution on their minds. It sounds like a fairy tale but it's life.

A biography of the remarkable, and in her time scandalous, seventeenth-century writer Margaret Cavendish, Duchess of Newcastle.

A letter and a hand-drawn map arrive at the police station for the attention of Detective Bethany Smith: Dear Police, I did a vile thing. There's a body at the dot. Have fun working out where that is. Watch your step when you get there. From, Me. The map leads them to Shadwell Hill. They search the area and find a human-sized mound of dirt. DS Wilkins recognizes the unearthed victim. It's sixty-five-year-old Margaret Allthrop, a minor royal and local celebrity. But her burial was anything but regal . . .

Ellie White is found dead at the bottom of her own garden, propped up against a stone fountain. Detective Inspector Bethany Smith arrives at the scene of the crime still dressed in her funeral attire. Her head thick with emotion. Her colleagues think she's mad. But she wants to be there. She needs to be there. Even if what she sees makes her skin crawl. The next day another body is discovered. The victim has suffered a similar gruesome fate. Left for dead at the bottom of his garden where the creepy-crawlies can get to him.

A letter and a hand-drawn map arrive at the police station for the attention of Detective Bethany Smith. The map leads them to Shadwell Hill. They search the area and find a human-sized mound of dirt. DS Wilkins recognizes the unearthed victim. It's sixty-five-year-old Margaret Allthrop, a minor royal and local celebrity. But her burial was anything but regal.

Detective Inspector Bethany Smith arrives at the scene of the crime still dressed in her funeral attire. Her head thick with emotion. Her colleagues think she's mad. But she wants to be there. She needs to be there. Even if what she sees makes her skin crawl. The next day another body is discovered. The victim has suffered a similar gruesome fate. Left for dead at the bottom of his garden where the creepy-crawlies can get to him.

This cold call is murder. Detective Bethany Smith is called out to 21 Bladen Avenue, the home of Jason and Georgia Holt. It's one of the worst murder scenes she's ever seen.

Kitty Cox is adjusting to a new life alone. She’s spent several years caring for her ailing husband but now she’s having to adjust to a life without him.When Kitty’s old friend Vee reappears in the village in desperate need of a place to stay, Kitty quickly sees an obvious solution to both their dilemmas. She invites Vee, her new partner Raf and young son Bear to move in with her for the summer.

In North London, Claudia Rubin is in her heyday. Wife, mother, rabbi – and sometimes moral voice of the nation – everyone wants to be with her at her son Leo's glorious wedding. That is, until Leo jilts his bride, and the gleaming bubble surrounding the Rubins threatens to burst. Frances – Claudia's calm, mature, married daughter – tries to hold the nucleus of the family together, but the stress forces her to re-examine her own life, leading her to make a decision as shocking as Leo's choice to bolt.

Detective Bethany Smith is called out to 21 Bladen Avenue, the home of Jason and Georgia Holt. It's one of the worst murder scenes she's ever seen. In the middle of the living room, Jason lies motionless in front of the fireplace. He's been opened up like a can of tuna. His innards have been removed. His face is pulp. Jason's wife found him. No one should ever have to see their spouse like that. Days later, in another home across the city, a young woman answers the phone: "How does it feel to have killed someone while you're in the process of removing their baby?"