検索キーワード： ナレーター "Xe Sands" すべてのカテゴリー

When Cassie Graves discovers her husband’s affair, it’s enough to chip away at the foundation of her life. But after researching her family’s Italian ancestry, it completely crumbles beneath her. Her grandmother Gia’s often-told stories about the past are a lie. Her much-romanticized great-grandfather Giovanni may not even have existed. Most alarming of all, it appears her mysterious great-grandmother Violetta died by stregoneria—witchcraft.

Vix Leonard is twelve when she meets dazzling, reckless Caitlin Somers. Invited to spend holidays on Martha's Vineyard with Caitlin and her eccentric, mysterious family, Vix is welcomed into a life totally unlike her own. As days of bold adventure give way to nights of shy discovery, she and Caitlin come together in the complications of growing up; the refuge of belonging; the pact to Never Be Ordinary . . . Until one devastating summer when a local boy changes everything.

April, her brother-in-law Oliver, and their families are reuniting in Cape Cod on an exquisite stretch of beach called Dawnland. After eleven summers of building traditions—kayaking, whale watching, bonfires, and ocean swims—this year comes with new threats both on and off the coastline.

In Motherhood, Marchiano draws from a deep well of Jungian analysis and symbolic research to present a collection of fairytales, myths, and fables that evoke the spiritual arc of raising a child from infancy through adulthood. Divided into three major segments similar to the stages of a hero's initiatory journey, (Descent, Sojourn, and Return), Motherhood charts how events like pregnancy, the calamities of childhood, and the empty-nest experience are all parts of an odyssey to which every mother receives an invitation.

Hollywood powerhouse Jo is photographed making her assistant Emma laugh on the red carpet, and just like that, the tabloids declare them a couple. The so-called scandal couldn't come at a worse time - threatening Emma's promotion and Jo's new movie. As the gossip spreads, it starts to affect all areas of their lives. Paparazzi are following them outside the office, coworkers are treating them differently, and a "source" is feeding information to the media. But their only comment is “no comment”.

Fifteen years after her troubled daughter Julie ran away from home, Beth Sawyer stumbles across a newspaper photograph of an up-and-coming teen golfer, who not only shares her last name, but also looks just like her daughter. Sky Sawyer couldn’t possibly be her granddaughter—or could she? With her sort-of-functional life sinking into a full on mulligan—and let’s not get started on her soon-to-be-married ex-husband—Beth meets Barry, a fellow golfer who she accidentally hits with her golf ball and who might just be Mr. Right.

Walt Disney is an American hero. From Mickey Mouse to Disneyland, he changed the face of American culture. His is a success story like no other: a man who developed animated film into an art form and made a massive contribution to the folklore of the world.

Euphoria is Lily King’s nationally bestselling breakout novel of three young, gifted anthropologists of the 1930s caught in a passionate love triangle that threatens their bonds, their careers, and ultimately their lives.

Thelma & Louise, the 1991 film directed by Ridley Scott and starring Susan Sarandon and Geena Davis, has been described as a road movie, a buddy movie, a feminist parable, and only incidentally as a Western. An Oscar winner for first-time screenwriter Callie Khouri, Thelma & Louise catalyzed a national conversation about women, violence, and self-determination in a Hollywood still shrugging off the West of John Wayne and in an America that still viewed women as accessories to the national mythology.

Exiled from the career she loved, former prosecutor Jessie Black feels lost. Fighting for victims and their families gave her purpose and fulfillment as a homicide prosecutor. Her new role as a criminal defense attorney only brings anxiety and doubt. Then the District Attorney, Damon Faber, is arrested on corruption charges. The city needs a new DA, and Jessie sees an opportunity—not just to return to the DA's Office, but to lead it.

When interim District Attorney Jessie Black's friend and mentor is accused of a nightmarish crime, she knows he's innocent. Jesus Rivera is a good man, a lawyer who's guided her throughout her career. But without proof, her hands are tied. She can't intervene without breaking the trust of the city that appointed her.

Joshua Park never expected to be a widower at the age of thirty. Given his solitary job, small circle of friends and family, and the social awkwardness he's always suffered from, he has no idea how to negotiate this unwanted new phase of life. But Lauren, his wife, had a plan to keep him moving forward. A plan hidden in the letters she leaves him, giving him a task for every month in the year after her death.

Sage Jeffries grew up an overachiever. She studied, excelled, and became a mechanical engineer for a firm in San Francisco. Yet, much to her family’s surprise, at age 30, she made a bold move to Los Angeles and became a bartender at The Yard.

In the title story, set five minutes in the future where you not only have a credit score but also a dating score, a woman who’s been banished from all dating apps attends a weekly help group with others who have been “banned for life,” and finds herself falling in love. In “Backwards,” a twist on Benjamin Button, a woman reconnects with her estranged father as he de-ages ten years each day they spend together. In “Welcome to Oxhead,” all the parents in a gated community “shut off” when the power goes out.

Two hours before he vanished, Mark Dixon stole a glass of wine. That's what bartender Sophie Braam told the cops when they questioned her about the customer whose mutilated body was just found. What she didn’t tell them is that she’s the one who killed him. Officer Nora Martin is new to the Bellair Police Department and when she meets Sophie, they build an uneasy camaraderie over shared frustrations. As winter slides into spring and bodies start piling up, Nora begins to suspect that something’s not quite right with the unnerving, enigmatic bartender.

In her 20s, Kara Malendar found herself at Le Cordon Bleu culinary school in Paris, thousands of miles away from the harsh media coverage of her political family. But Paris ended abruptly when she was summoned home to Los Angeles and expected to stand in again as the senator’s perfect daughter.

Maree Davenport refuses to let a tearful past rule her future. After losing her parents at the age of five, the big-hearted fabric designer is determined to embrace her feelings and find happiness no matter what. So when she literally runs over a handsome new firefighter in the produce section, the hopeless romantic is certain she’s just collided with destiny.

Still in college, Rebecca is the “responsible one.” She keeps her friends from getting too crazy—though Human Curling is kind of out there. She’s a safety valve for Joel, her foster father, and helps out at Halfmoon House, which he runs with his wife, Amanda—Rebecca’s foster mother, who makes sure her children able to protect themselves. To take care of themselves.

Anna Prushinskaya explores the deep life shifts of pregnancy, birth and motherhood in the United States, a world away from the author's Soviet homeland. Drawing from inspirations as various as midwife Ina May Gaskin, writer and activist Alice Walker, and frontierswoman Caroline Henderson, Prushinskaya captures the inherent togetherness of motherhood alongside its accompanying estrangement. She plumbs the deeper waters of compassion, memory and identity, as well as the humorous streams of motherhood as they run up against the realities of work and the ever-present eye of social media.

In the 1960s and 1970s, complaints about a "Jewish literary mafia" were everywhere. Although a conspiracy of Jews colluding to control publishing in the United States never actually existed, such accusations reflected a genuine transformation from an industry notorious for excluding Jews to one in which they arguably had become the most influential figures. Josh Lambert examines the dynamics between Jewish editors and Jewish writers; how Jewish women exposed the misogyny they faced; and how children of literary parents have struggled with and benefited from their inheritances.