検索キーワード： 著者 "A. Leon" すべてのカテゴリー

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Amo y Criado de León Tolstói, es un poderoso relato sobre el ego, la ambición y la transformación espiritual a través del sacrificio. En una fría noche de invierno, un comerciante ambicioso llamado Vasili Andréich emprende un viaje con su sirviente Nicolai para cerrar un negocio, ignorando las advertencias del clima. Lo que comienza como un simple trayecto se convierte en una lucha por la supervivencia en medio de una tormenta de nieve.

Historia de un caballo es una parábola sobre la humildad, el valor interior y la libertad espiritual. Desde un enfoque de autoayuda, nos invita a vivir con autenticidad, a no permitir que los juicios externos definan nuestro camino, y a encontrar dignidad incluso en los momentos más silenciosos de nuestra existencia.

Schlummerlexikon ist dein deutschsprachiger Podcast zum Abschalten und Wegdösen. Wir lesen jede Woche 20‑40 Minuten lang ruhige Wikipedia‑Artikel über Natur, Wissenschaft und andere entspannende Themen vor – sanft vertont mit einer gleichmäßigen Stimme. Einfach zurücklehnen, lauschen, Neues lernen und entspannt einschlafen. Gute Nacht 🌙

En este breve ensayo, ¿Qué es el Dinero?, Tolstói analiza el dinero no solo como herramienta económica, sino como símbolo de poder y desigualdad. Sostiene que el dinero permite a unos pocos vivir a expensas del trabajo de muchos, y que su acumulación casi siempre implica injusticia. Para él, el sistema económico moderno es inmoral porque legitima la explotación y aleja al ser humano de una vida sencilla y justa.

PREMIER LIVRE DE PRÉPARATION ENTIÈREMENT CONSACRÉ AUX CONCOURS DE DIRECTEUR D'HÔPITAL et DIRECTEUR D'ÉTABLISSEMENT DE SANTÉ, SOINS et MÉDICO-SOCIAL (D3S).

Una voz de conciencia, paz y transformación personal. Publicado en sus últimos años, No me puedo callar es uno de los ensayos más intensos y radicales de León Tolstói. En él, el autor ya viejo y desencantado con la sociedad de su tiempo, hace una profunda crítica al Estado, a la Iglesia y a la violencia estructural. Pero más allá de su dimensión política o espiritual, este texto es, ante todo, un acto de coherencia interior.

Mastering Life and Health Insurance can open a stable, rewarding career—while helping others protect their future. From fundamental insurance principles like risk, hazard, and underwriting to complex policy types such as term life, whole life, universal life, and disability income coverage—this guide breaks down complicated concepts into easy-to-understand language.

En una novela generacional centrada en los inciertos años noventa, cuando en el Perú vivíamos bajo un gobierno autoritario que buscaba atornillarse en el poder, con los crecientes tentáculos de su corrupción los rezagos del terror y la promesa de una modernización a cualquier costo. En medio del desencanto y la frustración, los jóvenes de entonces también encontraban evasiones y refugios como la juerga como la amistad. Y todo eso era parte de una desesperada carrera hacia adelante, de una búsqueda imprescindible del futuro.

Venetian Commissario Guido Brunetti’s hopes of escaping the sweltering heat of Venice in August for a refreshing family holiday in the mountains are dashed when a gruesome discovery is made in a field in Marghera—a body so badly beaten the face is completely unrecognizable. Brunetti searches Venice for someone who can identify the corpse, but he is met with a wall of silence. Then he receives a phone call promising tantalizing information, provided he meets with the caller under a bridge outside of town in the middle of the night.

Late one night, Brunetti is called away from dinner to investigate the death of a widow in her modest apartment. Though there are some signs of a struggle, the medical examiner rules that she died of a heart attack. It seems there is nothing for Brunetti to investigate. But he can’t shake the feeling that something or someone may have triggered her heart attack, that perhaps the woman was threatened. Conversations with the woman’s son, her upstairs neighbor, and the nun in charge of the old-age home where she volunteered do little to satisfy Brunetti’s nagging curiosity.

Internationally praised for her Commissario Guido Brunetti series, Donna Leon’s first standalone novel features a widely different but equally compelling sleuth, Caterina Pellegrini. Caterina is a native Venetian, and like so many of them, she’s had to leave home to pursue her career. With a doctorate in baroque opera from Vienna, she lands in Manchester, England. Manchester, however, is no Venice. When Caterina gets word of a position back home, she jumps at the opportunity. The job is an unusual one.

Mystery lovers everywhere are addicted to Donna Leon’s ever-honorable Commissario Guido Brunetti and her portrayal of Venice’s beautiful but sinister byways and canals. In Willful Behavior, Brunetti is approached for a favor by one of his wife’s students. Intelligent and serious, Claudia Leonardo asks for his help in obtaining a pardon for a crime once committed by her now-dead grandfather. Brunetti thinks little of it—until Claudia is found dead. Soon, another corpse and an extraordinary art collection lead Brunetti to secrets of Nazi collaboration and the exploitation of Italian Jews.

When the body of a man is found in a canal, damaged by the tides, carrying no wallet, and wearing only one shoe, Commissario Guido Brunetti has little to work with. No local has filed a missing-person report, and no hotel guests have disappeared. With Inspector Vianello, Brunetti canvasses shoe stores, and winds up on the mainland in Mestre, outside his usual sphere, where they learn that the man had a kindly way with animals. Meanwhile, animal rights and meat consumption are quickly becoming preoccupying issues at the Venice Questura, as well as in Brunetti’s home.

In The Golden Egg, as the first leaves of autumn begin to fall, Commissario Guido Brunetti’s wife Paola comes to him with a request. The mentally handicapped man who worked at their dry cleaners has suffered a fatal sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing or helping him. To please her, Brunetti investigates the death and is surprised to find nothing on the man: no birth certificate, no driver’s license, no credit cards. As far as the Italian government is concerned, he never existed. And yet, there is a body.

On a cold Venetian night shortly before Christmas, a street vendor is killed in a scuffle in Campo San Stefano. The closest witnesses to the event are the tourists who had been browsing the fake designer handbags that the man was selling. The dead man is one of the many African immigrants purveying goods outside normal shop hours and trading without a work permit. Like everybody involved, Commissario Brunetti wonders why anyone would kill an illegal immigrant. But once Brunetti begins to investigate this unfamiliar Venetian underworld, he discovers that matters of great value are at stake.

In Death and Judgment, the fourth novel in Donna Leon's bestselling Commissario Guido Brunetti series, a truck crashes and spills its dangerous cargo on a treacherous road in the Italian Dolomite Mountains. Meanwhile, a prominent international lawyer is found dead aboard an intercity train bound for Venice. Brunetti suspects a connection between the two tragedies. Digging deep for an answer, he stumbles upon a seedy Venetian bar that holds the key to a crime network that reaches far beyond the laguna.

Venetian detective Commissario Guido Brunetti is called to investigate the death of a young cadet. The boy has been found hanged, a presumed suicide, in Venice's elite military academy. Brunetti's sorrow for the boy, so close in age to his own son, is rivaled only by his contempt for a community that is more concerned with protecting the reputation of the school, and its privileged students, than understanding this tragedy. The young man is the son of a doctor and former politician, a man of an impeccable integrity all too rare in Italian politics.

When the body of a wealthy elderly woman is found, brutally murdered in her Venetian flat, the police suspect her maid, who has disappeared. As the runaway maid’s train is leaving Italy for Romania, she is approached by the border police, runs away, and is killed as she crosses the tracks in front of an oncoming train. She has a considerable sum of money on her and her papers are obviously fake. Case closed. But when the old woman’s neighbor returns from a business trip in London, it becomes clear that the maid could not have committed the crime.

When a friend of Commissario Guido Brunetti’s brother, a priest recently returned from years of missionary work in Africa, calls on him with a request, Brunetti suspects the man has hidden motives. An American-style Christian group has begun meeting in private homes in the city, and it’s possible the priest is merely wary of the competition. Brunetti and his wife, Paola, decide to go undercover. But when a girl’s body is found floating in a canal, Brunetti must put everything aside to investigate the secretive world of her people, the gypsies, who exist on the fringes of Italian society.