検索キーワード： ナレーター "Dawn Harvey" すべてのカテゴリー

In a world that requires knowledge and wisdom to address developing crises around us, The Gatherings shows how Indigenous and non-Indigenous peoples can come together to create meaningful and lasting relationships.

For decades, bestselling author J. R. Alastor, king of the murder mystery, has hidden in the shadows. His novels adorn countless bookshelves across the world, but no one knows his real name. One day, event coordinator Mila del Angél gets a message: Alastor wants her help to host a murder mystery retreat on his private island. It’s the perfect cover for Mila to finally carry out her long-held plans for revenge on one of the authors, a ghost from her past. But when a different guest turns up dead, she finds herself in a lethal game she didn’t plan for.

Susan Swan has never fit inside the boxes that other people have made for her—the daughter box, the wife box, the mother box, the femininity box. Instead, throughout her richly lived, independent decades, she has carved her own path and lived with the consequences. In this revealing and revelatory memoir, Swan shares the key moments of her life.

In twelve luminous stories set across three centuries, The History of Sound examines the unexpected ways the past returns to us and how love and loss are entwined and transformed over generations. In Ben Shattuck's ingenious collection, each story has a companion story, which contains a revelation about the previous, paired story. Mysteries and murders are revealed, history is refracted, and deep emotional connections are woven through characters and families.

When renowned anonymous author J. R. Alastor hires former aspiring writer Mila del Angél to host a writing retreat at his private manor off the coast of Maine, she jumps at the chance—particularly since she has an axe to grind with one of the invitees. The guest list? Six thriller authors, all masters of deceit, misdirection, and mayhem. Alastor and Mila have masterminded a week of games, trope-fueled riddles, and maybe a jump scare or two—the perfect cover for Mila to plot a murder of her own.

With sex and intimacy seeming more like a memory than a reality, Diana decides to rediscover the deeply feeling woman she once was. She begins interviewing other women, painting their portraits as they speak, giving voice to their secret desires as she captures their deepest fantasies. But as her new secret life brings her the excitement she's been lacking, her marriage to Oliver starts to crumble. What if connecting to her own desires means dissolving the safe life she’s so carefully cultivated?

Katherine, an attentive mother to her teenagers, comfortably married to her strapping provider of a husband, longs to overcome her dark thoughts and intermittent fears of sexual intimacy. This brisk, mesmerizing version of her life is told in alternating short chapters by Truitt, Star, and Smooshed Bug—her inner children, each with their particular strategy for coping with Katherine’s past at the hands of a hopeless mother and a terrifying, seductive father.

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred.

Sebastian Pana is a sin-eater, a shaman-like figure who can absolve the dead of their transgressions before they move on to the afterlife. But when a tear in the fabric of reality allows hideous beasts to invade the small arctic town he calls home, Sebastian must wage battle with them the only way he knows how: by unleashing the power of sin itself. Thus, the stage is set for an epic confrontation between the forces of good and evil, in which a mother monster strives to save the dying land around her.

Iris Flynn is an acerbic, self-sufficient seventy-three-year-old widow with a minor past as a B-list actress and a streamlined kitchen inspired by Marie Kondo. But her composed and simplified existence is disrupted when her son Frank lands on her doorstep after his rental home is destroyed in a wildfire, the latest in a string of personal setbacks for Frank. He arrives with Logan, his young and handsome boyfriend, a featured extra on a teen soap opera with a loyal Instagram following.

Diana Wood has a job she likes and a husband, Oliver, she loves. Together, they have a daughter they adore. She and Oliver spend so much time together that they even carpool to work in the same office. They’re in married love, which isn’t exactly the same as love love, but it’s fine. Or is it? Is fine good enough?