検索キーワード： ナレーター "Bronwen Price" すべてのカテゴリー

My husband, Marcus, and I used to be so in love. But now, after ten years together, we barely talk. I've seen so many of our friends marriages end in divorce, and I'm prepared to do whatever it takes to stop that from happening to us. And then I meet Erin. She tells me all about her perfect marriage to Kieran, and I'm shocked when she reveals the secret to their marital bliss they have an open marriage. My heart starts to race as I consider it for me and Marcus. Could we really do this?

Claire is excited to drop off a surprise workday lunch for her fiancé, Noah. It’s their anniversary, after all. But when the receptionist tells her that no one with Noah’s name works there, Claire thinks there must be a mistake. Noah isn’t picking up her calls. Her texts go unanswered. It turns out Noah has a different life . . . one with a beautiful girlfriend, a beautiful house. Claire was never really in the picture.

For Lou, it was always Dylan. She loved him from the moment they first met across a cadaver in the dissection room at medical school. The most gorgeous man she'd ever laid eyes on, with more Welsh charm than you could shake a stick at; she was a goner. But Lou, despite her beauty, was just too extroverted to interest Dylan, who was convinced that a quiet, shy girl, like Lou's best friend Frankie, was much more his style.

For decades Emma Bowen has hoped she and her mother, Margaret, might find a way back into each other’s lives. Even as a child, her strongest connection to her mother was a painting Margaret created before Emma was born, of a little girl lost in a maze. So when Margaret dies, gifting the painting to a total stranger, Emma is consumed by grief—for her mother, the little girl, and the relationship they never had.

Everybody loves Katie. With her bubbly personality, her beauty, her never-ending supply of care and support for her patients and friends, and her huge sense of fun, there's very little to dislike. Yes, she's a bit scatty, she tends not to sweat the small stuff (like an engine light on her dashboard—that is, until her Mini won't start anymore), and she can talk the hind legs off a donkey, but none of that stops most people from thinking she's pretty damn adorable. Well, most people, other than Sam, that is.

The past reaches out to the unlikely investigative team of Angus Brodie and Mikaela Forsythe when a man she was once engaged to marry seeks her assistance to find his young runaway son. However, a simple case of following the clues left behind becomes far more as the search unravels her former fiancé’s secrets. Mikaela is determined to find the answers.

It’s the hottest day of the 1976 heatwave and there’s not a breath of fresh air in the labour ward at Lincoln County Hospital. Michelle is having her fourth child, a girl, while beloved husband Dean is sipping a cold pint in the pub. Their little house is already bursting at the seams, but Michelle is sure they’ll find a way to stretch their budget and continue life as a blissfully chaotic happy family. They name their new baby Donna.

Arriving on the doorstep of her new cliffside cottage with its craggy, white-washed walls and chipped blue door, Jude Fitzgerald closes her eyes and listens to the cries of oystercatchers and the crash of waves in the cove below. As she steps over the threshold into the rundown old cottage, Jude feels like she’s come home. Ever since the death of her husband, Alex, she’s longed to return to the island of Anglesey, which they visited for their honeymoon only a few years before.

From the dragon-filled Temeraire series and the gothic magical halls of the Scholomance trilogy, through the realms next door to Spinning Silver and Uprooted, this stunning collection takes us from fairy tale to fantasy, myth to history, and mystery to science fiction as we travel through Naomi Novik’s most beloved stories.

From the dragon-filled Temeraire series and the magical gothic halls of the Scholomance trilogy to the fairy tale worlds of Spinning Silver and Uprooted, this stunning collection takes us from fairy tale to fantasy, myth to history, and mystery to science fiction as we travel through Naomi Novik's most beloved worlds. Within this anthology, we move from ancient Greece and Rome, through the Middle Ages and the Black Death, and into the modern era.

Two-year-old Abigail is fast asleep in the back of the car, clutching her little red lion. Tony, her father, steps out onto the pavement. The man he’s meeting punches him in the face, knocking him to the ground. Before it all goes black, Tony sees his car speed away—with his little girl inside. When he finally gets home after the worst day of his life, the house is empty. His wife is gone too. The place is ransacked and the kitchen is streaked with blood. Someone out there has Tony’s little girl. And his wife may already be dead.

The pretty little streets of Montmartre are abuzz with a rumour. Apparently a mystery matchmaker, known only as ‘Paris Cupid’, has somehow helped the city’s most famous bachelor find love. But old-fashioned romantic Lilou is staying very quiet. She’d just wanted to set up her best friend, and to get on with her life selling whimsical old love letters, in Paris’s famous St. Ouen market. She hadn’t imagined her little Paris Cupid project could ever have attracted so many people looking for true, heartfelt romance.

Two-year-old Abigail is fast asleep in the back of the car, clutching her little red lion. Tony, her father, steps out onto the pavement. The man he’s meeting punches him in the face, knocking him to the ground. Before it all goes black, Tony sees his car speed away—with his little girl inside. When he finally gets home after the worst day of his life, the house is empty. His wife is gone too. The place is ransacked and the kitchen is streaked with blood.

When the family receives a second photograph of their daughter, who is quite obviously dead, their simple inquiry becomes a murder investigation. But this is no routine investigation as another photograph is received, and another body is found. As more bodies turn up, and with no known motive, Brodie and Mikaela must confront the fact that the murderer is brilliant, disturbingly talented, and quite possibly insane. What drives this cold-blooded killer to capture the last moments of their victims with such haunting clarity?