検索キーワード： 著者 "Wilkie Collins" すべてのカテゴリー

Mary and George love each other in early childhood, but George's father tears them apart, not believing that Mary, a bailiff's daughter, will be a fit match for his son. The family travel to America to pursue the father's dream of wealth. During George's absence, Mary moves to Scotland and, in order to survive, is forced into a marriage of convenience. George returns after 10 years to search for his promised bride and becomes obsessed and infatuated with a Mrs Van Brandt. Is the pursuit beginning to affect his sanity?

Mr. Reuben Wray, a retired actor who has had little public success, flees Stratford-upon-Avon fearing pursuit by the police. He arrives in Tidbury in the Marsh and sets up shop teaching elocution. Two local villains notice he carries a rather large cash box and attempt to steal the contents. When their plans come to naught and they exact their revenge Mr. Wray is left devastated and it takes Annie, his granddaughter, and her intended, Martin, to rectify the situation.

Richard Wardour leaves England on a voyage to the African coast under the impression he is engaged to delicate orphan Clara Burnham. Despite sending him a letter stating the contrary Clara is anxious for her honour. She is aware that he may not have received the missive and is now betrothed to another, Frank Aldersley. When Richard returns and is refused, he immediately sets sail on an expedition to the Arctic, unaware that in the same party is Clara's accepted lover.

Charles Dickens once again gathers his favourite storytellers around him and 'conducts' the story of 'The Wreck of the Golden Mary'. Dickens leads, Percy Fitzgerald, Harriet Parr, Adelaide Anne Procter, and others follow....

On Christmas Eve, a party of friends descends on a purportedly haunted country retreat, charged with the task of discovering evidence of the supernatural. Sequestered in their rooms for the holiday, the friends reconvene on Twelfth Night at a great feast and share their stories of spectral encounters.

Upon inheriting the Moonstone, a huge and priceless diamond, Rachel Verinder's delight turns to dismay when the gem suddenly disappears. But this is no ordinary theft. Sergeant Cuff of Scotland Yard is called in and immediately suspects an intricate plot. However, not even his powers of detection can penetrate fully the mysteries surrounding the diamond.

The human form is familiar to all of us. We like limbs connected to bodies. Writers of the dark and macabre are not too concerned if that remains the case. Indeed limbs, or rather pieces of the body, sometimes are best written about when not connected. It’s one of our greatest fears. It quite rightly riddles us with a very unsettling feeling. So why then do we turn the page? We’re about to find out.

We love control. The ability to predict and organise our lives as we want them. As we desire them. It’s quite a shock, then, when phantoms, ghouls and ghosts play their part, too. They don’t play by our rules. Our welfare is not their concern. They will do as they wish. And they have very vivid imaginations - way beyond the dictionary definition: Phantom. Noun. Something apparently seen, heard or sensed but having no physical reality. An image that appears only in the mind; an illusion. A model, especially a transparent one, of the human body or of any of its parts.

We sit. We lie. We wait. We are examined. We are left alone. Emotions fritter. The door reopens. The face. Is it tinged with sadness or reassuring and open? The words. Are they easy to comprehend? Is it good news or bad? We can answer that. It’s bad. Undeniably bad. None of our authors have good news for you. The diagnosis? You already know that. Death.

Our greatest fears are of the unknown. Usually we think those fears are in front of us...or behind us. But perhaps the human body itself holds the greatest horror. What happens after death? Do our bodies have a new existence either in whole...or part? Will others seek to claim them and do unspeakable things? We don’t know. But our authors do. And they have the talents and wits to make these diabolical stories vehicles for horror, for terror, for the unimaginable....

A series of BBC Radio short stories, comprised of classic and period dramas featuring four female sleuths to rival Sherlock Holmes himself. 'The Redhill Sisterhood' by Catherine Louisa Pirkis, 'Mr Bovey’s Unexpected Will' by L. T. Meade and Robert Eustace, 'The Golden Slipper' by Anna Katharine Green and 'The Law and the Lady' by Wilkie Collins. Starring Gayanne Potter as Loveday Brooke, Elizabeth Conboy as Florence Cusack, Teresa Gallagher as Violet Strange and Abigail Docherty as Valeria Woodville.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?

An excellent ghost story; ancient prophecy and the unburied dead.

In this haunting tale, Gerald Roylake returns home after his father's death. He becomes reacquainted with Christal Toller, the millkeeper's daughter, but is challenged at every turn by the man who is known only as the Lodger.

In this fast-paced novella, we encounter attempted murder, a clandestine marriage, and fraud.

Secrets, mistaken identities, surprise revelations, amnesia, locked rooms and locked asylums, and an unorthodox villain made this mystery thriller an instant success when it first appeared in 1860, and it has continued to enthrall ever since. From the hero's foreboding before his arrival at Limmeridge House to the nefarious plot concerning the beautiful Laura, the breathtaking tension of Collins's narrative created a new literary genre of suspense fiction, which profoundly shaped the course of English popular writing.

When the Countess Narona meets Agnes Lockwood, the woman jilted by her husband-to-be, she feels a great sense of foreboding. After the marriage, she moves with her husband, Lord Montbarry, to Venice. As much as Agnes tries to forget the episode of her broken engagement, her fate and that of the Countess seem to be inextricably woven. Both are relentlessly drawn to the Palace Hotel in Venice for a final and dramatic encounter, in the room where more than past emotions resurface to haunt them.

Settling himself in front of the station fire, a young policeman is little prepared for the account of bloody murder that will be relayed that night. For it seems that Mrs Crosscapel's lodging-house is a place of dark secrets and buried passions - emotions that will soon cloud even his own judgement. Who Killed Zebedee? is a brilliant and highly original tale of horror and the macabre.

In this late romantic novel, the author explores the powers of telepathy while telling a skilful tale that interweaves suspense with the familiar ingredients of Victorian melodrama.