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One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.

One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.

One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.

One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.

Two adventurers discover a lost city in the Mexican jungle. One is taken over by an evil god while the other falls in love with a woman from Tlapallan. Back in the states, the possessed man begins to use magic to mutate civilians. The other walks away, but the pair must duel in the end.

"Ah, Watson, how good of you to join me. I trust I did not disturb your work at the hospital." "Not at all. We younger doctors are not exactly choc-a-block with patients." "Not yet, my dear chap. Not yet. However, I am very grateful that you are here, and I expect that you will quite enjoy recording my meeting with this fellow."

The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine to, sadly, critical disdain.

He was not much more than a child. I estimated his age at fourteen. He was a handsome boy, with the raven-black hair and deeply tanned skin color that marks a person who came from the lands under the Raj. His young body was beginning to show the signs of an emerging well-made sportsman. From his place, lying on his back on the pavement, his dark-brown eyes stared up at the morning sky ... lifeless. Behind his head was a pool of blood, now darkened and congealed.

This story was first published in The Court and Society Review, in late 1887. The main character, Lord Arthur Savile, is introduced by Lady Windermere to Mr Septimus R. Podgers, a chiromantist, who reads his palm and tells him that it is his destiny to be a murderer. Lord Arthur wants to marry, but decides he has no right to do so until he has committed the murder.

This story is more or less a story within a story. It begins with a water-rat commenting to a duck about her ducklings, who are refusing to obey her. When he mentions friendship, a linnet flies down from a tree, and begins the story, intended to explain to the water-rat what true friendship is. Hans was a little man who owned a beautiful garden, where he grew flowers of all kinds and colours which were sold in the market to make some money.

On Easter Sunday of 1919, Lady Lillian Assherton attempted to take her own life, a second time. Her first attempt was in the fall of 1917 when Her Ladyship, recently widowed, received news that both of her sons, officers in the Loyal North Lancashire Regiment, died at Passchendaele.

First published in The World in June 1887. Hughie Erskine is in love and wants to marry, but the girl's father will not allow it, since Erskine has no money. Erskine's friend Alan Trevor is a painter, and he visits him at his studio one day to find him with a pitiable beggar-the model for his painting. Erskine only has one coin, on which he depends for transportation, but he decides he can walk for a couple of weeks and gives the beggar the coin.

When a family from the United States buys Canterville Chase, they are told it is haunted by a horrible spirit, but this does not deter them in the slightest. Indeed, when they find a recurring blood stain on the floor, and hear creaking chains in the night, even seeing the ghost himself, all they do is clean up the blood and insist that the ghost oil his manacles if he is going to keep living in the house. This perturbs the ghost to no end, and he does everything he can to try to frighten the family.

Sherlock Holmes was not happy. "No, Mrs. Hudson, I will not see her now. Send her away and tell her to come back later." It was just past seven in the morning and we were enjoying an early coffee on a pleasant Sunday in the first week of June 1902, when Mrs. Hudson interrupted us. Holmes's longsuffering landlady did not leave.

Royston Giles Tamblyn III paid a visit to 221B Baker Street without a prior appointment on the morning of Saturday, 4 May 1901. He was a handsome young fellow, with flawless pale skin, well-combed hair that was blond-on-its-way-to-brown, and straight, gleaming teeth. He was dressed in a blazer and flannels, a creaseless white shirt, and an expertly tied old-school tie. In his polished boots, I could have seen my reflection had I bent over to inspect them.

"To the man who loves intellectual stimulation," remarked Sherlock Holmes, "London in August is the lowliest month on the calendar. Those with the means to do so have departed for the Algarve and the Riviera. Those without are off to Blackpool and Brighton." "And what about those," I asked, "who are left behind? You and I are still here." "You at least have your sensational accounts of my efforts to keep scribbling. I, on the other hand, am losing faith in the enterprising criminal class."

THE ENGLISH RENAISSANCE OF ART: 'The English Renaissance of Art' was delivered as a lecture for the first time in the Chickering Hall, New York, on January 9, 1882. A portion of it was reported in the New York Tribune on the following day and in other American papers subsequently. Since then this portion has been reprinted, more or less accurately, from time to time, in unauthorised editions.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. POEMS IN PROSE: One evening there came into his soul the desire to fashion an image of The Pleasure that abideth for a Moment. And he went forth into the world to look for bronze. For he could think only in bronze.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. LECTURE TO ART STUDENTS: Delivered to the Art students of the Royal Academy at their Club in Golden Square, Westminster, on June 30, 1883. The text is taken from the original manuscript. In the lecture which it is my privilege to deliver before you to-night I do not desire to give you any abstract definition of beauty at all.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. THE RISE OF HISTORICAL CRITICISM: This essay was written for the Chancellor's English Essay Prize at Oxford in 1879, the subject being 'Historical Criticism among the Ancients.' The prize was not awarded. To Professor J. W. Mackail thanks are due for revising the proofs.