New Books in Sound Studies

著者: New Books Network
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  • Interviews with scholars of sound about their new books. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
    New Books Network
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  • Voice of Yoko
    2024/09/30
    Today, Phantom Power‘s Amy Skjerseth brings us the story of perhaps the most famous vocal performance artist and avant-garde musician whose actual work probably doesn’t get the attention it deserves: Yoko Ono. Collaborator with the Fluxus group in the early 60s, creator of performances such as Cut Piece and her Bed In with John Lennon in the late 1960s, director of experimental films such as 1970’s Fly, and recording artist of experimental pop albums such as that Fly’s soundtrack… Despite this large body of work, her most famous role was that of wife to that guy in that band—a performance that made her the target of misogynous and racist criticism that persists to this day. As Amy points out, much of this criticism centered on the sound of Yoko Ono’s voice. Of course, as we’ve explored on this show before, listening to the other with a racist or sexist ear is nothing new. But in Ono’s case, this prejudicial listening is compounded by the fact that, years before the emergence of punk rock, she was pushing the boundaries of acceptable vocal expression for anyone, let alone a woman—moaning, wailing, chortling, and screaming. The vast majority of listeners immediately dismissed these sounds as a punchline. On today’s show, we’re going to actually listen. What is the purpose and meaning and effect of Ono’s vocal artistry? We’re exploring it in her recorded work, in her feminist and pacifist political agenda, and most of all, in her film Fly, in which she uses her voice to destroy boundaries between sound and touch, human and animal, self and other. This episode includes elements from an audio essay Amy published at [in]Transition: Journal of Videographic Film & Moving Image Studies. Music by Yoko Ono, John Lennon, John Cage, Tanya Tagaq, and Graeme Gibson, as well as “Crickets, Birds, Summer Ambient” by Nikodemus Christian. You can hear most of the music again on this Phantom Power Spotify Playlist. You can hear Yoko Ono’s Twitter response to Trump (November 11, 2016) here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    38 分
  • Jason Weiss, "Listenings" (Spuyten Duyvil, 2023)
    2024/09/29
    Listenings (Spuyten Duyvil, 2023) is a collection of meditations on the art of experiencing sound. The writings reflect Jason Weiss's passion for illuminating details, momentary experiences, and the most subtle and brief of auditory stimulations to consider their role in thought and emotion. The chapter-sections, each on a particular subtheme, invite us to visit concerts, to analyze music, to interpret sounds far and near, from friends, parents, relatives, and strangers, and to appreciate and esteem them as a key part of the human condition. Listenings summons readers to reflect but also to consider listening as an artform, a dialogue, and a locus of experiences – to make music by listening. Jason Weiss adroitly argues that to listen is not merely to perceive sound as a stimulus but to interpret, to participate, to reflect, to engage in an activity that can shift from a passive one toward a new creative beginning. This conversation includes Jason Weiss, Jeffrey Herlihy-Mera and Jorge Rodríguez Acevedo of the Departamento de Humanidades at the Universidad de Puerto Rico-Mayagüez (UPR-M). They discuss listening as a creative resource; the importance of listening in memory; Weiss’s precise and harmonious approach to linking language, sound and listening; the role of technology how we interpret sound; and the role of listening in the author’s life, experiences and creative process. This interview, our podcast, and the Instituto Nuevos Horizontes were made possible by generous support from the Mellon Foundation. This is our second episode on Listenings - the first, on New Books Network en español, is available here. Topics discussed in the interview: Listening in translingual environments. Music, performance, concerts. Travel, distance, and new language contexts. Technology and sound. When Jason Weiss met Jorge Luis Borges in Paris. The circumstances surrounding Roland Barthes’s death. Jason Weiss’s book The Lights of Home: A Century of Latin American Literature in Paris and our podcast episode on that title. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    1 時間 7 分
  • Forest Listening Rooms
    2024/09/23
    What would happen if you took red state rural voters on a walk into the woods with left-wing environmental activists and experimental music fans? Our guest this episode knows the answer. BRIAN HARNETTY is a composer and an interdisciplinary artist using sound and listening to foster social change. While Brian studied composition at the Royal Academy of Music, London, one of his teachers, Michael Finnissy, suggested he look for musical inspiration in his home state of Ohio. Brian took that advice and the result has been eight internationally acclaimed albums. Brian’s music combines archival recordings of interviews and singing—often from the Berea College Appalachian Sound Archives—with his original compositions. For the past decade, Brian has focused on the myth, history, ecology, and economy of Shawnee, a small Appalachian town in Ohio. His 2019 album Shawnee, Ohio was praised by the BBC, the Wire, and named 2019 Underground Album of the Year by MOJO. The album engages with the social and environmental impacts felt by the town and nearby Wayne National Forest in their long history with extractive industries from timber to coal mining to fracking. But Brian doesn’t just document Shawnee’s narrative—he intervenes in it. He’s an environmental activist of a gentle kind, one who gets area residents of different political stripes to walk in the woods together to listen—to one another and to the forest. All in service of protecting and healing the land. In this episode, we are thrilled to present an audio documentary that Brian Harnetty has produced for Phantom Power about this quietly radical experiment, called Forest Listening Rooms. And afterwards I’ll speak to Brian about his project. Learn more: Visit Brian Harnetty’s studio in Ohio. Check out his Bandcamp page. Visit his website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    41 分

あらすじ・解説

Interviews with scholars of sound about their new books. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
New Books Network

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