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  • Voice of Yoko
    2024/09/30
    Today, Phantom Power‘s Amy Skjerseth brings us the story of perhaps the most famous vocal performance artist and avant-garde musician whose actual work probably doesn’t get the attention it deserves: Yoko Ono. Collaborator with the Fluxus group in the early 60s, creator of performances such as Cut Piece and her Bed In with John Lennon in the late 1960s, director of experimental films such as 1970’s Fly, and recording artist of experimental pop albums such as that Fly’s soundtrack… Despite this large body of work, her most famous role was that of wife to that guy in that band—a performance that made her the target of misogynous and racist criticism that persists to this day. As Amy points out, much of this criticism centered on the sound of Yoko Ono’s voice. Of course, as we’ve explored on this show before, listening to the other with a racist or sexist ear is nothing new. But in Ono’s case, this prejudicial listening is compounded by the fact that, years before the emergence of punk rock, she was pushing the boundaries of acceptable vocal expression for anyone, let alone a woman—moaning, wailing, chortling, and screaming. The vast majority of listeners immediately dismissed these sounds as a punchline. On today’s show, we’re going to actually listen. What is the purpose and meaning and effect of Ono’s vocal artistry? We’re exploring it in her recorded work, in her feminist and pacifist political agenda, and most of all, in her film Fly, in which she uses her voice to destroy boundaries between sound and touch, human and animal, self and other. This episode includes elements from an audio essay Amy published at [in]Transition: Journal of Videographic Film & Moving Image Studies. Music by Yoko Ono, John Lennon, John Cage, Tanya Tagaq, and Graeme Gibson, as well as “Crickets, Birds, Summer Ambient” by Nikodemus Christian. You can hear most of the music again on this Phantom Power Spotify Playlist. You can hear Yoko Ono’s Twitter response to Trump (November 11, 2016) here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    38 分
  • Jason Weiss, "Listenings" (Spuyten Duyvil, 2023)
    2024/09/29
    Listenings (Spuyten Duyvil, 2023) is a collection of meditations on the art of experiencing sound. The writings reflect Jason Weiss's passion for illuminating details, momentary experiences, and the most subtle and brief of auditory stimulations to consider their role in thought and emotion. The chapter-sections, each on a particular subtheme, invite us to visit concerts, to analyze music, to interpret sounds far and near, from friends, parents, relatives, and strangers, and to appreciate and esteem them as a key part of the human condition. Listenings summons readers to reflect but also to consider listening as an artform, a dialogue, and a locus of experiences – to make music by listening. Jason Weiss adroitly argues that to listen is not merely to perceive sound as a stimulus but to interpret, to participate, to reflect, to engage in an activity that can shift from a passive one toward a new creative beginning. This conversation includes Jason Weiss, Jeffrey Herlihy-Mera and Jorge Rodríguez Acevedo of the Departamento de Humanidades at the Universidad de Puerto Rico-Mayagüez (UPR-M). They discuss listening as a creative resource; the importance of listening in memory; Weiss’s precise and harmonious approach to linking language, sound and listening; the role of technology how we interpret sound; and the role of listening in the author’s life, experiences and creative process. This interview, our podcast, and the Instituto Nuevos Horizontes were made possible by generous support from the Mellon Foundation. This is our second episode on Listenings - the first, on New Books Network en español, is available here. Topics discussed in the interview: Listening in translingual environments. Music, performance, concerts. Travel, distance, and new language contexts. Technology and sound. When Jason Weiss met Jorge Luis Borges in Paris. The circumstances surrounding Roland Barthes’s death. Jason Weiss’s book The Lights of Home: A Century of Latin American Literature in Paris and our podcast episode on that title. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    1 時間 7 分
  • Forest Listening Rooms
    2024/09/23
    What would happen if you took red state rural voters on a walk into the woods with left-wing environmental activists and experimental music fans? Our guest this episode knows the answer. BRIAN HARNETTY is a composer and an interdisciplinary artist using sound and listening to foster social change. While Brian studied composition at the Royal Academy of Music, London, one of his teachers, Michael Finnissy, suggested he look for musical inspiration in his home state of Ohio. Brian took that advice and the result has been eight internationally acclaimed albums. Brian’s music combines archival recordings of interviews and singing—often from the Berea College Appalachian Sound Archives—with his original compositions. For the past decade, Brian has focused on the myth, history, ecology, and economy of Shawnee, a small Appalachian town in Ohio. His 2019 album Shawnee, Ohio was praised by the BBC, the Wire, and named 2019 Underground Album of the Year by MOJO. The album engages with the social and environmental impacts felt by the town and nearby Wayne National Forest in their long history with extractive industries from timber to coal mining to fracking. But Brian doesn’t just document Shawnee’s narrative—he intervenes in it. He’s an environmental activist of a gentle kind, one who gets area residents of different political stripes to walk in the woods together to listen—to one another and to the forest. All in service of protecting and healing the land. In this episode, we are thrilled to present an audio documentary that Brian Harnetty has produced for Phantom Power about this quietly radical experiment, called Forest Listening Rooms. And afterwards I’ll speak to Brian about his project. Learn more: Visit Brian Harnetty’s studio in Ohio. Check out his Bandcamp page. Visit his website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    41 分
  • Hey, Robot!
    2024/09/16
    Today, we’re playing with voice assistants and thinking about the role of voices in gaming with our guest, game designer and NYU professor Frank Lantz. Over the past nightmare year of the coronavirus, many of us have been hunkered down, trying to figure out how to pass the time with our families. Board game sales on Amazon were up 4,000% percent in March, when Americans began sheltering in place. And, of course, we’ve also spent way more time interacting with digital technology. These two things have come together in a weird and delightful way in Lantz’s game Hey Robot. Created by Lantz’s family-owned company Everybody House Games, Hey Robot is a guessing game you play with a group of friends—including your voice assistant or smart speaker. The premise is simple: Make Google Home or Alexa utter the words written in a deck of cards. The questions it raises are complex: What are these digital entities that many of us interact with daily? How have web searches and voice-based computing changed the way we talk? And what does this reveal about language itself? Hey Robot is available in a free online Quarantine Edition that you can play remotely with your friends. The board game edition is available on Amazon. Today’s show was written and edited by Mack Hagood. Fake Cumbia music by Mack Hagood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    29 分
  • A Life Based on an Experiment
    2024/09/09
    Episode 21 presents a portrait of Iranian experimental composer Siavash Amini. His music, which moves seamlessly between contemplative ambience, menacing dissonance, and spacious melodicism, has been released on experimental imprints such as Umor Rex and Room40. His latest, A Mimesis of Nothingness, just came out on the Swiss label Hallow Ground. Siavash tells host Mack Hagood that his entire life is based on an experiment and he doesn’t yet know what its outcome will be. This episode traces the contours of that story, from his boyhood as a metalhead in a small Iranian port town to his role in the development of Tehran’s lauded experimental music scene. Along the way, we drill down on the international and internal politics that add danger and difficulty to the life of this outspoken leftest composer. Amini is forced to navigate not only the authoritarianism of Iranian government censorship, but also the authoritarianism of western tastemakers, who sometimes want him to make the “Middle Eastern music” they hear in their own heads. Steadfast in his individuality, Siavash makes sounds that resist these authorities–the defiant anthems of an imaginary land, population: one. Most of the music in this episode is by Siavash Amini–listen to it again in this Spotify playlist and check out this great introduction to his music on Bandcamp. This episode was edited by Mack Hagood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    51 分
  • What is Radio Art?
    2024/09/02
    What is radio art? It’s a rather unfamiliar term in the United States, but in other countries, it’s a something of an artistic tradition. Today’s guest, Dr. Colin Black is an internationally acclaimed and award-winning radio artist and composer. He speaks to us about his practice as a radio artist and the influence the Australian radio program The Listening Room had on Australia’s sonic avant garde. We then listen to his piece Out Of Thin Air: Radio Art Essay #1, which both explores and exemplifies the possibilities of radio art. It’s both informative and a total treat for the ears! The piece was originally commissioned by the Dreamlands commissions for Radio Arts, funded by the Arts Council England and Kent County Council. Out Of Thin Air: Radio Art Essay #1 is a meta-referencing poetic reflection and meditation on radio art underpinned by an artistic treatment of dislocation, transmission, reception and place as a thematic underscore. The work is in the form of an abstract song cycle that chiefly oscillates between “songs” originating from High Frequency (HR) radio static/broadcasts between 3 and 30 MHz and those from interviewees replying to questions relating to radio art. Location recordings, sound effect and musical composition weave this originating material together to form a sonic confluence and juxtaposition of elements to stimulate the listener’s imagination while offering an insight into the work’s subject matter. Interviewees (in order of appearance): Armeno Alberts, Tom Roe, Jean-Philippe Renoult, Gregory Whitehead, Götz Naleppa, Andrew McLennan, Elisabeth Zimmermann, Heidi Grundmann, Andreas Hagelüken, Teri Rueb and Kaye Mortley Producer and Composer: Colin Black High Frequency (HR) radio receiver operator: Dimitri Papagianakis Music for this episode is by Blue the Fifth. We also hear a brief excerpt of Things Change,Things Stay the Same by Rik Rue. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    44 分
  • The Sounds of Silents
    2024/08/19
    What did going to the movies sound like back in the “silent film” era? The answer takes us on a strange journey through Vaudeville, roaming Chautauqua lectures, penny arcades, nickelodeons, and grand movie palaces. As our guest In today’s episode, pioneering scholar of film sound, Rick Altman, tells us, the silent era has a lot to teach us about why sound works the way it does at the movies today. And as our other guest, sound and film historian Eric Dienstfrey tells us, “What we think of today as standard practice is far from inevitable.” In fact, some of the practices we’ll hear about are downright wacky. Audiences today give little thought to the relationship between sound and images at the movies. When we hear a character’s footsteps or inner thoughts or hear a rousing orchestral score that the character can’t hear, it all seems natural. Yet these are all conventions that had to be developed by filmmakers and accepted by audiences. And as Altman and Dienstfrey show us, the use of sound at the movies could have developed very differently. Dr. Rick Altman is Professor Emeritus of Cinema and Comparative Literature in the Department of Cinema and Comparative Literature, University of Iowa. Altman is known for his work on genre theory, the musical, media sound, and video pedagogy. He is the author of Silent Film Sound (New York: Columbia University Press, 2004), Film/Genre (Bloomsbury, 1999), and A Theory of Narrative (New York: Columbia University Press, 2008). Dr. Eric Dienstfrey is Postdoctoral Fellow in American Music at the University of Texas at Austin. Eric is a historian of sound, cinema, and media technology. His paper “The Myth of the Speakers: A Critical Reexamination of Dolby History” won the Society of Cinema and Media Studies’ Katherine Singer Kovács Essay Award for best article of the year in 2016. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    47 分
  • Soar and Chill
    2024/08/12
    Why do certain musical sounds move us while others leave us cold? Are musical trends simply that—or do they contain insights into the culture at large? Our guest is a musicologist who studies pop and electronic dance music. She’s fascinated by the way EDM privileges timbral and rhythmic complexity over the chord changes and harmonic complexities of the blues-based rock and pop music of yore. However, Robin James is also a philosopher and she connects these musical structures to social and economic structures, not to mention structural racism and sexism. In this episode, cris and Mack have a lengthy, freeform interview and listening session with Robin in which she breaks down the sounds of EDM, pop, hip hop, “chill” playlists, and industrial techno, conceiving them as varied responses to neoliberalism’s intensification of capitalism. Her analysis includes lyrical content, but her main focus is the soars, stutters, breaks, and drops that mimic the socio-economic environment of the 21st century. It’s an environment that demands resilience from all of us—and especially from women and people of color. Robin James’s books include: · Resilience & Melancholy: pop music, feminism, neoliberalism (Zer0 Books, 2015). · The Sonic Episteme: acoustic resonance & biopolitics (Duke, 2019). · The Conjectural Body: Gender, Race, & the Philosophy of Music (Lexington Books, 2010). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    1 時間 5 分