検索キーワード： 詩

The Magic Border is the debut book from Mercury Prize-winning musician and poet Arlo Parks, combining never-before-seen poetry, song lyrics and beautiful, intimate images from collaborator, photographer Daniyel Lowden. Featuring twenty original poems, alongside an exclusive artist’s statement and the complete lyrics from her sophomore album My Soft Machine, this vital collection explores the queer experience, blackness, grief, trauma and love through the eyes of the remarkable young musician.

From Tiktok phenomenon Whitney Hanson comes a revised edition of her bestselling Home, now with a new introduction and more than a dozen new poems. Resonant, raw, and vibrant, Home is a lyrical map to navigating heartbreak. Tracing the stages of healing—from the despair that comes with the end of a relationship to the eventual light and liberation that comes with time—the poems in Home provide comfort and solace, while revitalizing your soul—and helping you make peace with your bees.

The mystics who coined the phrase "the way of affirmation" understood the apocalyptic nature of the word yes, the way it can lead out of one life and into another. Moving among the languages of Christian conversion, Classical metamorphosis, seasonal transformation, and gender transition, Luke Hathaway tells the story of the love that rewired his being, asking each of us to experience the transfiguration that can follow upon saying yes—with all one’s heart, with all one’s soul, with all one’s mind, with all one’s strength ... and with all one’s body, too.

Lauded for the power of her writing and having attracted an online fan base of millions for her extraordinary spoken-word performances, Olivia Gatwood now weaves together her own coming-of-age with an investigation into our culture’s romanticization of violence against women. At times blistering and riotous, at times soulful and exuberant, Life of the Party explores the boundary between what is real and what is imagined in a life saturated with fear. Gatwood asks, How does a girl grow into a woman in a world racked by violence? Where is the line between perpetrator and victim?

“You are told to believe in one paradise / and then there is the paradise you come to know,” begins Rick Barot. What follows is an account of the rich and thorny valley between those poles. Moving the Bones dwells in liminal spaces—of love and memory, the pandemic’s singular domesticity, a serene cemetery of ancestral plots, dawn. In precise and tender verse, Barot captures the particularities of being in the middle of one’s life, reflecting on the joys and sorrows of the past and confronting the inevitabilities that lie ahead.

A collection of poetry focusing on the fall, being thankful, and remembering why you should say I love you everyday. Soft poetry hoping to heal, do you remember to tell your loved ones I love you everyday?

When Rickey Laurentiis debuted in 2015 with Boy With Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. “Call Rickey Laurentiis’ stylistic range virtuosity or call it correctly, necessity,” Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lived. This staggering, irreverent, gentle and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis’ poetics.

“What Breaks Us” by Megan Davis is a cathartic collection of poetry that channels pain and angst into strength for healing and self-discovery. This poetry collection is a candid reflection on heartache, loss, and the difficult work of self-examination to uncover unhealed wounds. With topics ranging from love to spirituality, grief to psychology, Davis’s poetry is an outpouring of emotion that balances the deeply personal with the universality of the human experience.

Love in the Void: Reflections, Affirmations, and Prayers maps the author's journey through longing, self-exploration, and connection. Each piece began as a journal entry or poem written over the course of three years, capturing moments of clarity, frustration, hope, and surrender.

In the thick of winter 2020, when so many books were buried beneath the catastrophe of the COVID-19 news cycle, one unlikely debut seemed to cut through the noise. Jamie Hood’s How to Be a Good Girl was an inventive and hybrid work of self-making, mingling diary entries, poetry, literary criticism, and love letters to interrogate the archetype of the “good girl,” and the ideas of femininity, passivity, desire, and trauma that come with it.

Winner of the 2023 Trio Award, Christian Gullette's critically acclaimed Coachella Elegy explores the queer promised lands and poolside utopias of the American West even as they are threatened by environmental destruction. With precision and clarity, Gullette's poems wander the desert landscape of California, reveling in its beauties and challenging its sacred myths. His speaker seamlessly transports us from a hospital room where his husband battles cancer to the Palm Springs oasis where the vacationing couple celebrates survival.

Queerness, family, magic and Indiana weather combine in These Indiana Winters, B. T. Roen's debut chapbook. Their imagination skips across Seussian animals, fantastical characters, and the struggles of being a queer pastor's kid in the Midwest. Roen's wit and wonder reveals a spark of magic hidden in the everyday.

Shannon O'Connor brings you a collection of poems inspired by past loves and lovers. Goodbye Lovers is comprised of pieces that explore her journey being bisexual. An open letter to the men and women shes lost. She writes over 150 poems about her relationships as a bisexual woman.

Intimate and uncompromising, Rev. Julián Jamaica Soto’s debut collection Spilling the Light, is a luminous offering to their communities and a defiant declaration of their worth in a world hostile to their queer, disabled, and brown being.

Shekhinah Speaks is an effort to give voice to the Shekhinah, described in mystical Jewish tradition as the immanent, feminine aspect of God who dwells with human beings and shares our feelings and experiences. Tradition imagines the Shekhinah as a passive, mostly silent presence. These poems tune in to a Shekhinah who never stops talking. Her language is sampled from chapters of the Book of Isaiah and Cosmopolitan articles whose content resonates with one another (the source texts are indicated by the epigraphs).

In Dead Girl Cameo, m. mick powell closely examines the experiences of Aaliyah Haughton, Lisa “Left Eye” Lopes, Whitney Houston, and other notable superstars who died tragically too soon. How did these starlets challenge conventional representations of Black femininity and friendship, and forever transform the musical landscape? How were the artistries and addictions of these women of color impacted from surviving in the limelight and, often, in the very same industry as their abusers?

Honest, poignant, and relatable, Climate is a journey in embracing change both internally and externally. It guides us through all the weather we may face, from the stormy heartbreak to the foggy mental space to the sunny other side. Climate reminds us to embrace it all. The only constant in life is change, and that is a beautiful thing.

Secrets Unfolded: And Not a Care Was Given illustrates the experience of an unapologetic person that chooses to capitalize on the private innerworkings of their life to make money.

In the early 1990s, eight people living in a small conservative Florida town alleged that Dr. David Acer, their dentist, infected them with HIV. David's gayness, along with his sickly appearance from his own AIDS-related illness, made him the perfect scapegoat and victim of mob mentality. In these early years of the AIDS epidemic, when transmission was little understood, and homophobia rampant, people like David were villainized. Accuser Kimberly Bergalis landed a People magazine cover story, while others went on talk shows and made front page news.

Part expression, part confession, part question, it is an intimate look at the impact of mental illness, trauma, and neglect. A critical dissection of the interconnected roles that family, religion, society, education, and government play, as well as their impacts upon an individual. A commentary on current affairs, historical trends, and the bleak potential of our collective future, Can’t Quite Express is also both an example of, and an encouragement for, writing therapy.