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This is a beloved poem that feature young love brought low by an early death. Love stands even in death. Love grounds the author when others wish him to move on. This is a poem that shows passion for the one you love can be more than any temporary feeling.

The complicated relationship between the poets Elizabeth Bishop and Robert Lowell is revealed in nearly 30 years' worth of correspondence. Taken from their exchange of letters, Dear Elizabeth is a study in friendship, intimacy, and the power of words.

In her last days, Sylvia Plath struggled to break out from the control of the towering figure of her husband Ted Hughes. In the antique mythology of his retinue, she had become the gorgon threatening to bring down the House of Hughes. Drawing on recently available court records, archives, and interviews, and reevaluating the memoirs of the formidable Hughes contingent who treated Plath as a female hysteric, Carl Rollyson rehabilitates the image of a woman too often viewed solely within the confines of what Hughes and his collaborators wanted to be written.

A brief biographical sketch of Franklin's life, followed by a collection (published in 1899) of 670 aphorisms, apothegms, or proverbs—short, pithy, instructive sayings—that were scattered throughout the pages of his Poor Richard's Almanack over its 25 years of once-a-year publication (1732-1758). Many of these sayings are familiar to all . . . "a penny saved is a penny earned" . . . "a bird in the hand is worth two in the bush" . . . but there are many more for you to laugh at, ponder over and learn from!

For decades — in China and in San Francisco — Winnie Louie and Helen Kwong have kept each other's confidences, but those secrets are about to be revealed. Convinced that she is dying, Helen decides to celebrate the Chinese New Year by unburdening herself of hidden truths — not only hers, but those of Winnie and of Winnie's daughter, Pearl.

John Anthony Ciardi (June 24, 1916-March 30, 1986) was an American poet, translator, and etymologist. While primarily known as a poet, Ciardi pursued etymology, contributed to the Saturday Review as a columnist and long-time poetry editor, directed the Bread Loaf Writers' Conference in Vermont, and recorded commentaries for National Public Radio. In the following recordings, Ciardi reads "And They Lived Happily Ever After For Awhile," “To Judith, I,” “Happiness,” and “The Lamb.”

William Morris Meredith Jr. (January 9, 1919-May 30, 2007), born in New York City, was an American poet and educator. He was Poet Laureate Consultant in Poetry to the Library of Congress from 1978 to 1980, and the recipient of the 1988 Pulitzer Prize for Poetry. In the following recordings Mederdith reads his poems "The Wreck of the Thresher," "Parents From The Cheer," "The Illiterate," and "Crossing Over."

Lawrence Monsanto Ferlinghetti, born in Yonkers, NY, was an American poet, painter, social activist, and co-founder of City Lights Booksellers & Publishers. An author of poetry, translations, fiction, theatre, art criticism, and film narration, Ferlinghetti was best known for his second collection of poems, A Coney Island of the Mind (1958), which has been translated into nine languages and sold over a million copies. The following recording includes Ferlinghetti reading the poems, Baseball Canto, Travels in America Deserta, See It Was Like This When, and Underwear.

The Poetry of Law is a collection of 25 narrative poems about the human experience of an international lawyer. In a general sense, such a practice deals with laws applying to the movement of people and goods and services across national boundaries. The title seems an apparent oxymoron, but the poetry is in the people. The poetry is in the author’s journey from a wilderness log cabin beginning as the Northernmost lawyer in Michigan at the dawn of the Internet and ending with a practice in Manhattan.

Crystal has worked as a Registered Nurse in the city for more than 30 years, caring for many of the homeless during her career. She has written this collection of small poems to share in snippets, the complexities and consequences of homelessness.

This marvelous collection opens with the practical wisdom and unforgettable wit of the poet’s grandmother, who said (among other things) “Turmeric can heal anything / but a broken heart” and “Read that to me at / my funeral, boy, right now my show is on.” From the foundation of the matriarchal, Majmudar turns to the impact of women as lovers and partners, exploring the contours of passionate, romantic, and married love; he and his wife are “two fireflies/ scooped out of the same evening” to meet in the jar where their constancy contains and sustains them.

A decade into the Depression, Millicent Green is a 25-year-old "old maid" living with her marriage-obsessed mother and domineering older brother in the stiflingly small Jewish community of New Bern, North Carolina. Smart and prickly, she’s struggling to find her place in the world following the loss of her beloved younger brother, and with him, her dreams for the future. One humid August day, Millie is sent to run an errand and discovers a young woman unconscious on the ground. This mystery woman, mute and without identification, will upend Millie’s life.

When Ingram is forced by overwhelming poverty and spiritual exhaustion to walk away from his home, he leaves behind a neglectful childhood on a dirt farm on a dead-end road. With no family, no resources, and no practical understanding of the world, Ingram’s only compass is the daily fight to survive and the narrow dream of one day owning a truck.

How did truth become an endangered species? This decline began decades ago, and in The Death of Truth, former New York Times critic Michiko Kakutani takes a penetrating look at the cultural forces that contributed to this gathering storm. In social media and literature, television, academia, and political campaigns, Kakutani identifies the trends - originating on both the right and the left - that have combined to elevate subjectivity over factuality, science and common values. And she returns us to the words of the great critics of authoritarianism, writers like George Orwell and Hannah Arendt, whose work is newly and eerily relevant.

Elizabeth Zhang is well aware of her place in the world. She’s in the tenth percentile for likability, the seventieth percentile for attractiveness, and the ninety-ninth percentile for academics. While she’s never been the most beautiful or the most liked, she knows she has the intelligence and ambition to achieve her greatest dream: Harvard Law School. But when Harvard rejects Elizabeth for not standing out enough—which she knows means she's just another boring Asian female—her carefully constructed life falls apart.

Though most of the virtues that interest Carl Dennis in Earthly Virtues have traditional names, they are provided with contexts that give them fresh implications, moving us in two directions at once, toward a recognition of limits and a recognition of possibilities. On one hand, they confront what it means to lack the knowledge and power we need to make our lives as consequential as we may want them to be. On the other, they reach out to widen the circle of our concern, suggesting a kinship of the local with the distant, enlarging the passing moment with history and prophecy.

Mass-murdering authors. Writers at the head of a football-hooligan ring. A pilot who crafts his poetry in the sky. A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of pan-American writers who espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. Terrifyingly witty and remarkably inventive, Nazi Literature in the Americas is the virtuosic, one-of-a-kind masterpiece that brought Bolaño fame throughout the Spanish-speaking world.

Before Ellie Spencer came to Sims Chapel and caught Jack Bennett’s eye, Sara Coffee had been the brightest star in his universe. Having grown up together, Sara and Jack were best friends, their bond as deep as the river that formed the lake where they spent countless summer days fishing and sharing dreams. But then Ellie Spencer happened, and everything changed. Desperate to keep Jack’s attention, Sara takes matters into her own hands, ending the blossoming romance before it has a chance to fully bloom. Twelve years later, Sara appears to have it all—including Jack.

In There is No Humor in Heaven, Dwayne Eutsey challenges the persistent view of Twain as a hostile critic of religion by placing him within the prevailing liberal religious ethos of his time. Eutsey contends Twain’s vocation as a humorist was rooted in his frustrated youthful ambition to become a preacher of the Gospel. Throughout his life, his friendships with several influential liberal ministers, each of them espousing various forms of the era’s diverse progressive theology, informed not only Twain’s evolving religious worldview but his lecture performances and literary output.

As she nears the end of her life, Addie Bundren wants nothing more than to be buried in her native Jefferson, Mississippi, far from the miserable backwater surroundings of her married life. A captivating and stylistically innovative work, the narrative revolves around the grim, yet darkly humorous, pilgrimage as the Bundren family sets out to fulfill her last wish.