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For more than five decades, Twyla Tharp has been a phenomenon in American dance, a choreographer who not only broke the rules but refused to repeat her own successes. Tharp has made movies, television specials, and nearly one hundred riveting dance works. Her dance show Movin’ Out ran on Broadway for three years and won Tharp a Tony award for Best Choreography.

In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's runtime) in light of the technological changes that have taken place in the six years since its publication.

Arguably the greatest choreographer who ever lived, George Balanchine was one of the cultural titans of the twentieth century—the New York Times called him "the Shakespeare of dancing." His radical approach to choreography—and life—reinvented the art of ballet and made him a legend. Written with enormous style and artistry, and based on more than one hundred interviews and research in archives across Russia, Europe, and the Americas, Mr. B carries us through Balanchine's tumultuous and high-pitched life story and into the making of his extraordinary dances.

يذكر كتاب "أرباب بلاد الآلهة: الثيام" بثقافة منسية ومجتمعات كانت محيطة بها. والثيام هو شكل من أشكال الطقوس الدرافيدية لولاية كيرالا الهندية — البلد الخاص بالإله. إذ خصصنا هذا العمل لفناني "الثيام" الآلهة الحقيقية "للشعب من الشعب وإليه". كان لمؤلف الكتاب نعمة مذهلة تتمثل في مطاردة أنوار وصور بكاميراه أثناء أدواره الاستشارية والإدارية والتطوعية ورحلاته الاستكشافية في حوالي عشرين دولة على مدار العقود الثلاثة الماضية. وبالرغم من ذلك لم يكتشف مكانا آخر (غير كيرالا) يجتمع فيه أكثر من 500 إله على أرض واحدة وخلال موسم واحد. يقع أحد مواقع التراث العالمي لليونسكو بين س&#

Some difficult times through his childhood in South Africa did nothing to diminish Johannes Radebe's shine. Radebe has now penned his first memoir, Jojo: Finally Home, which documents some of the difficulties he faced growing up and how he got through it. We'll be talking to him about the support and care he got from the women in his life, the way homophobia has affected him, and his passion for dance and the solace it has provided. And of course, we’ll be talking about Strictly.

Valahányszor olvasom, a Táncórák letaglóz, befon, felvillanyoz.Remekmű csupa nagy betűvel. Hrabal világcipésze a fecsegés Paganinije, egy Pepin Paganini. Zubog, gurgulázik belőle a nyelv, tehát az élet öröme, vagyis a szeretet, árad fontosságunk szép fölöslegessége, amiből és amik vagyunk. Parti Nagy Lajos.

The Taylor Book is the ultimate guide to a generation-defining pop sensation, packed with all the context you need to fully immerse yourself in the Swiftiverse. From her humble beginnings as a teen country artist to her record-obliterating Eras tour, Taylor Swift is a supernova that shows no sign of burning out. The Taylor Book explores the life of an icon

Get ready to break the rules and uncover a side of Dua Lipa you've never heard of. It's time to levitate into the real world of one of the most beloved pop phenomenons to date. From humble beginnings in London to ruling the global pop scene, how did she rise so meteorically to fame? With unparalleled talent and unapologetic boldness, Dua Lipa has become an icon for a generation. DUA LIPA: The Unauthorized Biography explores the depths of her character and the whirlwind of her career to uncover what has shaped one of the most influential voices in modern music.

Dancing in Blackness is a professional dancer's personal journey over four decades, across three continents and 23 countries, and through defining moments in the story of black dance in America. In this memoir, Halifu Osumare reflects on what blackness and dance have meant to her life and international career.

John W. Bubbles was the ultimate song-and-dance man. A groundbreaking tap dancer, he provided inspiration to Fred Astaire, Eleanor Powell, and the Nicholas Brothers. His vaudeville team Buck and Bubbles captivated theater audiences for more than thirty years. Most memorably, in the role of Sportin' Life he stole the show in the original production of Gershwin's Porgy and Bess, in the process crafting a devilish alter ego that would follow him through life.

Vincent Paterson began his professional dancing career late in life. It would take an exceptional turn when he became one of the lead dancers in Michael Jackson's Beat It music video. Through hard work, he rises to the rank of choreographer and director for the world's greatest singers, but also for cinema and musical comedy. He tells with humility the fascinating universe of film sets, the rehearsal sessions where he had to orchestrate and synchronize dozens of dancers, and life backstage, where it is sometimes necessary to manage a few whims of the stars.

From its modest beginnings in the 1960s in a Harlem church basement, to its meteoric rise to international fame, the Dance Theatre of Harlem ignited the world with one simple, still-revolutionary statement: All can do ballet. Into the 21st century, as the world, and the country, continue their historical struggles and triumphs, the story of this haven for dancers of all colors and backgrounds resonates more than ever. Here is the definitive portrait of the one-of-a-kind dance company that reflected—and shaped—our times, and whose enduring principle continues to inspire the future.

A Syria-born dancer offers his deeply personal story of war, statelessness, and the pursuit of the art of dance in this inspirational memoir.

"Als gäbe es keine Schwerkraft" ist nicht nur eine Hommage an das Tanzen - sondern vor allem an das wertschätzende Führen von Menschen. Denn je mehr es, gerade in modernen digitalen Zeiten, um das Erreichen von kreativen und innovativen Spitzenleistungen geht, desto offensichtlicher werden die Parallelen zwischen Kunst als Leistungssport und Performance im Management. Ein erfolgreiches Agieren in einer sich permanent verändernden, von Technologie getriebenen Welt stellt neue Anforderungen an Führungskräfte und fordert sie mehr als je zuvor als Mensch und Persönlichkeit.

When people ask me: “Why do you practice?” I tell them: “I practice for the opportunity to be more ME!” And this is why I wrote this guide: to help you form a constructive mentality around practice and change, help you fight mental icebergs that are keeping you back, help you set up your framework, your practice, your own Tango training, and your path to becoming more YOU every day!

HowExpert publishes how to guides by everyday experts. Lauren Dillon is a multifaceted writer who has been dancing classical ballet for over two decades. She has worked as a dance instructor for children and enjoys sharing classical ballet with others. If you are thinking about taking ballet classes, have a child who is starting to dance, or want to know more about ballet, then HowExpert Guide to Ballet is for you.

When the Nicholas Brothers danced, uptown at the Cotton Club, downtown at the Roxy, in segregated movie theatres in the South, and dance halls across the country, audiences cheered, clapped, stomped their feet, and shouted out uncontrollably. In Brotherhood in Rhythm, Constance Valis Hill interweaves an intimate portrait of these great performers with a rich, detailed history of jazz music and dance, both bringing their act to life and explaining their significance through a colorful analysis of their eloquent footwork, their full-bodied expressiveness, and their changing style.

Motsi opens up about the determination, hard work and resilience it took to get to where she is today from the moment she fell in love with the glitterball world as a young child watching a dance tournament whilst on holiday. She takes us back to growing up in apartheid South Africa where she experienced exclusion and discrimination, raising money to compete in cut-throat international competitions and the huge leap of faith she took giving up her law degree, moving to Germany to be with her dance partner and throwing everything in to becoming the best dancer she could be.

Performance-studies scholar and acclaimed burlesque artist Lynn Sally offers an inside look at the history, culture, and philosophy of New York’s neo-burlesque scene. Revealing how 21st-century neo-burlesque is in constant dialogue with the classic burlesque of the 19th and 20th centuries, she considers how today’s performers use camp to comment on preconceived notions of femininity. She also explores how the striptease performer directs the audience’s gaze, putting on layers of meaning while taking off layers of clothing.

Breadth of Bodies seeks to investigate and dismantle the language and stereotypes often used to describe professional dancers with disabilities. Spearheaded by dancer/writer Emmaly Wiederholt and dance educator Silva Laukkanen, the team collected interviews with 35 professional dance artists with disabilities from 15 countries, asking about training, access, and press, as well as looking at the state of the field.