検索キーワード： 著者 "Margaret Atwood" すべてのカテゴリー

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed.

After a staged terrorist attack kills the President and most of Congress, the government is deposed and taken over by the oppressive and all-controlling Republic of Gilead. Offred is a Handmaid serving in the household of the enigmatic Commander and his bitter wife. She can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name.

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. Brilliantly conceived and executed, this powerful evocation of 21st-century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.

After a violent coup in the United States overthrows the Constitution and ushers in a new government regime, the Republic of Gilead imposes subservient roles on all women. Offred, now a Handmaid tasked with the singular role of procreation in the childless household of the enigmatic Commander and his bitter wife, can remember a time when she lived with her husband and daughter and had a job, before she lost everything, even her own name.

In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game.

The One State is the perfect society, ruled over by the enlightened Benefactor. It is a city made almost entirely of glass, where surveillance is universal and life runs according to algorithmic rules to ensure perfect happiness. And D-503, the Builder, is the ideal citizen, at least until he meets I-330, who opens his eyes to new ideas of love, sex and freedom.

Adam One, the kindly leader of the God's Gardeners - a religion devoted to the melding of science and religion, the preservation of all species and the tending of the Earth - has long predicted the Waterless Flood. Now it has occurred, obliterating most human life. Two women have avoided it: the young trapeze-dancer, Ren, locked into the high-end sex club; and former SecretBurgers meat-slinger turned Gardener, Toby, barricaded into a luxurious spa. Have others survived?

Myrna, Leonie, and Chrissy meet every Thursday to sample fine cheeses, to reminisce about their former lives as professors, and lately, to muse about murder. Decades ago, a vicious cabal of male poets contrived—quite publicly and successfully—to undermine the writing career, confidence, and health of their dear friend Fern. Now, after Fern has taken a turn for the worse, her three old friends decide that it’s finally time to strike back—in secret, of course, since Fern is far too gentle to approve of a vendetta.

Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancé and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine, and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach ... The Edible Woman is a funny, engaging novel about emotional cannibalism, men and women, and desire to be consumed.

More than 15 years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third: Aunt Lydia. Her complex past and uncertain future unfold in surprising and pivotal ways.

Margaret Atwood's classic novel, The Handmaid's Tale, is about the future. Now, in Oryx and Crake, the future has changed: it's much worse. The narrator of this riveting novel calls himself Snowman. When the story opens, he's sleeping in a tree, wearing an old bedsheet, mourning the loss of his beloved Oryx and his best friend Crake, and slowly starving to death.

ESTE É UM EPISÓDIO DA OBRA "CARTA PARA O MEU JOVEM EU", DE. JANE GRAHAM, QUE APRESENTAM CARTAS PARA MARIANNE FAITHFULL E MARGARET ATWOOD E SIR ROGER MOORE MAIS JOVENS. SE QUISER LER TODAS AS CARTAS LEIA A OBRA COMPLETA. Se a viagem no tempo fosse uma possibilidade, o que você diria ao seu eu adolescente, caso o encontrasse? Em Carta Para Meu Jovem Eu, personalidades das mais diversas áreas refletem sobre o que teria sido bom saber antes. Elas também lembram aqueles momentos mágicos que gostariam de reviver. O livro inclui a participação especial de personalidades brasileiras.

Locked up at the age of 16 for the bloody murders of her employer and his housekeeper, Grace Marks was lucky not to have been hung. But the questions remain: innocent or guilty, instigator or innocent dupe? Sixteen years later, Dr Simon Jordan, an expert in amnesia, is given access to Grace, who now spends most of her days as a servant in the home of the prison Governor, befriended by the Governor's wife who believes in her innocence.

Raised by ruggedly independent, scientifically minded parents – entomologist father, dietician mother – Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: 'It sounds forlorn. It was forlorn. It gets more forlorn.’), but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape.

Raised by ruggedly independent, scientifically minded parents – entomologist father, dietician mother – Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: 'It sounds forlorn. It was forlorn. It gets more forlorn.’), but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape.

רפובליקת גלעד מציעה לשֶלְפְרֶד אופציה אחת בלבד: ללדת ילדים. אם לא תעשה זאת, היא צפויה, כמו כל מתנגדי המשטר, להיתלות על החומה או להישלח אל אחת המושבות ולמות שם מוות אטי ממחלת קרינה. אבל גם תנאי חיים דכאניים אינם יכולים למחוק את התשוקה המינית - לא שלה עצמה ולא של שני הגברים שעתידהּ תלוי בהם. סיפורה של שפחה, חזון מבריק של אמריקה במאה ה-21, כתוב באירוניה מזעזעת ונותן ביטוי מלא לכישרונה האדיר של מרגרט אטווד, לשנינותה ולכושר ההבחנה החודר שלה. זהו תרגיל מופלא במדע בדיוני כמו גם סיפור מוסר כן במיוחד.

Margaret Atwood ist überzeugt: "Die Geschichte, wie sie in der "Odyssee" erzählt wird, ist nicht wasserdicht." Hier erzählt deshalb Penelope selbst rückblickend ihre Geschichte, skeptisch und scharfsichtig betrachtet sie ihr Leben, ihren seefahrenden Gatten Odysseus, die gewiefte Cousine Helena, den dümmlichen Paris, die brutale, patriarchalische Gesellschaft der Antike. Die Mägde bilden einen Chor, der den Bericht Penelopes aus der anonymen Perspektive der Machtlosen ergänzt. Intim, leicht und dabei illusionslos beschreiben die Frauen, was sie sehen, denken und erleben.

Femten år efter "Tjenerindens fortælling" sluttede, eksisterer rædselsregimet Gilead stadig. Dog er der tegn på, at det langsomt er ved at smuldre indefra. Tre kvinder bliver afgørende for Gileads sidste dage. Dette er deres historie. "Har man læst ’Tjenerindens fortælling’ eller set HBO’s serieversion i ’The Handmaid’s Tale’, bliver man ikke skuffet over opfølgeren." - Berlingske "Fremragende." - Ekstra Bladet "Dystopisk sensation ... Pageturner-spændende." - Weekendavisen "’Gileads døtre’ er Atwood, når hun er allerbedst.

After decades of significant progress, the prospects of women and girls in Afghanistan are once again dependent on radical Islamists who reject gender equality. When the United States announced the end of their twenty-year occupation and the Taliban seized control of the country on August 15, 2021, a steep regression of social, political, and economic freedoms for women in the country began. But just because a brutal regime has taken over doesn't mean Afghan women will stand by while their rights are stripped away.

Ganadora en dos ocasiones del Premio Booker -en el año 2000 con El asesino ciego y en 2019 con Los testamentos-, un hecho insólito en la historia del máximo galardón literario de las letras anglosajonas, la aclamada autora de El cuento de la criada nos sorprende con una valiente reelaboración del mito de Penélope, esposa de Odiseo y símbolo por excelencia de la fidelidad conyugal a lo largo de los siglos.