検索キーワード： 著者 "Rachel Cusk" すべてのカテゴリー

"Calamity Jane Eyre" arrives at "Cold Comfort Farm" when a hapless young woman with a mysterious past takes a job with an eccentric family of British gentry; a brilliant comedy of manners and identity by a Whitbread-winning young author. Stella Benson, eager to change her life, answers a classified ad and arrives in a tiny Sussex village that's home to a family slightly larger than life. Stella's hopes for the Maddens may be high, but her station among them--as au pair to their irascible son Martin--is undeniably low.

In the wake of her family’s collapse, a writer and her two young sons move to London. The process of this upheaval is the catalyst for a number of transitions—personal, moral, artistic, and practical—as she endeavors to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life.

The experience of motherhood is an experience in contradiction. It is commonplace and it is impossible to imagine. It is prosaic and it is mysterious. It is at once banal, bizarre, compelling, tedious, comic, and catastrophic. To become a mother is to become the chief actor in a drama of human existence to which no one turns up. It is the process by which an ordinary life is transformed unseen into a story of strange and powerful passions, of love and servitude, of confinement and compassion.

A woman writer visits a Europe in flux, where questions of personal and political identity are rising to the surface and the trauma of change is opening up new possibilities of loss and renewal. Within the rituals of literary culture, Faye finds the human story in disarray amid differing attitudes toward the public performance of the creative persona. She begins to identify among the people she meets a tension between truth and representation, a fissure that accrues great dramatic force as Kudos reaches a profound and beautiful climax.

Ralph Loman is working in an unsatisfying job at a free London newspaper when Francine Snaith, a temporary secretary for a corporate finance firm, unexpectedly crosses his path at a party. Her beauty ignites a blaze of excitement in his troubled heart. But Francine is ravenous for attention, driven by a thirst for conquest, and when Ralph tries politely to extricate himself, he finds he is bound by chains of consequence from which it seems there is no escape. In The Temporary, Rachel Cusk paints a merciless portrait of the cut and thrust of modern romance, work, and life.

Chronically confused, terminally middle class, hopelessly romantic, Agnes Day lives with her two best friends in the London suburbs and works at an obscure trade magazine. Life and love seem to go on without her. But she gives a convincing performance that everything is alright--that is, until she learns that her roommates and her boyfriend are keeping secrets from her, and that her boss is quitting and leaving her in charge. In great despair, she decides to make it her business to set things straight.

A woman on a plane listens to the stranger in the seat next to hers telling her the story of his life: his work, his marriage, and the harrowing night he has just spent burying the family dog. That woman is Faye, who is on her way to Europe to promote the book she has just published. Once she reaches her destination, the conversations she has with the people she meets - about art, about family, about politics, about love, about sorrow and joy, about justice and injustice - include the most far-reaching questions human beings ask.

Efter den kritikerroste Faye-trilogi er Rachel Cusk aktuel med Det andet sted, endnu en knivskarp roman fra Cusks hånd, spækket med hendes syleskarpe sprog og observationer over ægteskab, forældreskab, begær og det at blive ældre.

A man and a woman are seated next to each other on a plane. They get to talking - about their destination, their careers, their families. Grievances are aired, family tragedies discussed, marriages and divorces analyzed. An intimacy is established as two strangers contrast their own fictions about their lives. Outline is a novel in 10 conversations. Spare and stark, it follows a novelist teaching a course in creative writing during one oppressively hot summer in Athens.

Casting off a northern winter and an orderly life, a family decides to sell everything and go to Italy to search for art and its meanings, for freedom from routine, for a different path into the future. The award-winning writer Rachel Cusk describes a three-month journey around the Italy of Raphael and rented villas, of the Piero della Francesca Trail and the tourist furnace of Amalfi, of soccer and the simple glories of pasta and gelato.

Set over the course of one rainy day in an ordinary English suburb, Arlington Park is a viciously funny portrait of a group of young mothers, each bound to their families, each straining for some kind of independence: Juliet, enraged at the victory of men over women in family life; Amanda, warding off thoughts of death with obsessive housework; Solly, about to give birth to her fourth child; Maisie, struggling to accept provincial life; and Christine, the optimist and host of a dinner party where the neighbors come together.

In the winter of 2009, Rachel Cusk’s marriage of 10 years came to an end. Candid and revelatory, Aftermath chronicles the perilous journey as the author redefines herself and creates a new version of family life for her daughters. She discovers previously unknown strengths and freedoms, but also finds herself suddenly vulnerable to outsiders, unwelcome advice, social displacement, and the absence of a clear authority. The pressure to reconstruct a “normal” life for her daughters competes with the sense that nothing feels normal at all.

Thomas Bradshaw and Tonie Swann are experiencing the classic symptoms of marriage in its middle years: comfortable house, happy enough daughter, and an eerie sense that life might be happening elsewhere. Then Tonie accepts a big promotion at work and Thomas agrees to become a stay-at-home dad. While Thomas is suddenly faced with the daily silence of an empty house, Tonie finds herself alive to previously unimagined possibilities. And at the head of the family, the aging Bradshaw parents continue their marital dynamic of bickering and petty undermining.

I 2009 gennemgår Rachel Cusk en skilsmisse, og i efterdønningerne står en kvinde med sine to døtre. Hun er ramt, rasende og sårbar, og samtidig må hun definere rollen som kvinde, mor og menneske på ny. Og hun må forholde sig til egne bristede drømme og illusioner såvel som omverdenens forestillinger og konventioner. Som fraskilt føler hun sig kastet ud af fællesskabet af mere vellykkede kernefamilier og gifte venner, der trænger sig på med velmenende råd.

A woman invites a famous artist to use her guesthouse in the remote coastal landscape where she lives with her family. Powerfully drawn to his paintings, she believes his vision might penetrate the mystery at the center of her life. But as a long, dry summer sets in, his provocative presence itself becomes an enigma - and disrupts the calm of her secluded household. Second Place, Rachel Cusk’s electrifying new novel, is a study of female fate and male privilege, the geometries of human relationships, and the moral questions that animate our lives.

Outline is a novel in 10 conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her student in storytelling exercises. She meets other writers for dinner. She goes swimming in the Ionian Sea with her seatmate from the place. The people she encounters speak volubly about themselves, their fantasies, anxieties, pet theories, regrets and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face great a great loss.

A woman invites a famed artist to visit the remote coastal region where she lives, in the belief that his vision will penetrate the mystery of her life and landscape. Over the course of one hot summer, his provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships and of the struggle to live morally between our internal and external worlds.

Stella Benson sets off for Hilltop, a tiny Sussex village housing a family that is somewhat larger than life. Her hopes for the Maddens may be high, but her station among them, as au pair to their irascible son, Martin - is undeniably low. What could possibly have driven her to leave her home, job and life in London for such rural ignominy? Why has she severed all contact with her parents? Why is she so reluctant to talk about her past?

Agnes Day - subeditor, suburbanite, failure extraordinaire - has discovered disconcerting gaps in her general understanding of the world. Terminally middle class and incurably romantic, Agnes finds herself chronically confused by the most basic interactions. Life and love go on without her, but with a little façade she can pass herself off as a success. Beneath the fiction, however, the burden of truth becomes harder to bear.

In the wake of her family's collapse, a writer and her two young sons move to London. The upheaval is the catalyst for a number of transitions - personal, moral, artistic and practical - as she endeavours to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to and believe in life.