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Gil Bailie examines Herman Melville's last novel as a case study of how the Christian gospels are gradually undermining the legitimacy of the scapegoating mechanisms upon which cultures depend. The race between the message of the Gospel and the effects of the Gospel has begun. Will it end in repentance or apocalypse?

Gil Bailie's exploration of Herman Melville's epic American tale. Emphasizing the anthropological uniqueness of the Judeo-Christian tradition and the unparalleled historical significance of the Christian Gospel, the Cornerstone Forum is a 501 (c) 3 nonprofit organization working to foster and intellectually compelling and theologically orthodox Christian response tot he contemporary cultural and spiritual crisis.

The author of the Gospel of Luke and the Acts of the Apostles, St. Luke, is traditionally known as a sophisticated non-Jew Hellenist and perhaps a physician. He was an early convert to the Christian faith, most likely through the preaching of St. Paul. But as Gil Bailie points out in this presentation, Luke is above all a gifted teller of tales - or rather a re-teller of tales.

Gil Bailie explores the choice between a sacrifice and a sacrament as depicted in Flannery O'Connor's The Displaced Person and Isak Dinesen's "Babette's Feast".

Troilus and Cressida reveals William Shakespeare in a dark mood. Written shortly after his play Julius Caesar, it reveals another episode of a culture under stress - this time by way of Homer's epic story of the war between the Greeks and Trojans. Using the insights of René Girard's mimetic theory, Gil Bailie brings the inner dynamics of Shakespeare's play to life. "Would you see Shakespeare's mind unfettered, read Troilus and Cressida." (Goethe)

Even though the poet Allen Tate called our era "[T]he age of Eliot", Eliot's poetry has been little assimilated by the 20th and early 21st century as was Dante's by the 14th and 15th. In this presentation, Gil Bailie explores what many believe to be Eliot's poetic masterpiece.

Gil Bailie examines William Shakespeare's Julius Caesar through the lens of René Girard's mimetic theory to reveal the dynamics of the volatile transition from Republican Rome to Imperial Rome.