検索キーワード： ナレーター "Hanako Footman" すべてのカテゴリー

Gourmet cook Manako Kajii sits in the Tokyo Detention House convicted of the serial murders of lonely businessmen, whom she is said to have seduced with her delicious home cooking. The case has captured the nation’s imagination, but Kajii refuses to speak with the press, entertaining no visitors. That is until journalist Rika Machida writes a letter asking for her recipe for beef stew, and Kajii can’t resist writing back.

Gourmet cook Manako Kajii sits in Tokyo Detention Centre convicted of the serial murders of lonely businessmen, who she is said to have seduced with her delicious home cooking. The case has captured the nation’s imagination but Kajii refuses to speak with the press, entertaining no visitors. That is, until journalist Rika Machida writes a letter asking for her recipe for beef stew and Kajii can’t resist writing back.

Follow the bank of the Koitogawa river until you reach the beach. From there a path of white seashells will lead you to the Chibineko Kitchen. Step inside, they'll be expecting you. These are the directions Kotoko has been given. She arrives at the tiny restaurant, perched right by the water, early in the morning. Still reeling from the sudden death of her brother, she's been promised that the food served there will bring him back to her, for one last time.

A golden summer, and six talented teenagers are looking forward to the brightest of futures—until a daredevil game goes horribly wrong, leaving three strangers dead. 18-year-old Megan takes the blame for the crime, leaving her friends to get on with their lives. In return, they each agree to a 'favour', payable on her release from prison. Twenty years later Megan is free. It is payback time. And her friends start disappearing, one by one . . .

'What are you looking for?' asks Tokyo's most enigmatic librarian, Sayuri Komachi. She is no ordinary librarian. Naturally, she has read every book on her shelf, but she also has the unique ability to read the souls of anyone who walks through her door. Sensing exactly what they're looking for in life, she provides just the book recommendation they never knew they needed to help them find it.

In a cosy photography studio in the mountains between this world and the next, someone is waking up as if from a dream. A kind man will hand them a hot cup of tea and gently explain that, having reached the end of their life, they have one final task. There is a stack of photos on their lap, one for every day of their life, and now they must choose the pictures that capture their most treasured memories, which will be placed in a beautiful lantern. Once completed, it will be set spinning, and their cherished moments will flash before their eyes, guiding them to another world.

An astonishing and evocative debut from a new voice in crime fiction. Holly Blain wants to cover real news. The entertainment beat - pop stars and teen trends - was not why she moved to Tokyo. When she meets Inspector Tetsu Tanaka, head of Tokyo’s Metropolitan Police’s Gaikoku-jin unit, it might just be her big break. Tanaka isn’t so sure. Always one to do things by the book, he’s hesitant about bringing this headstrong reporter into his carefully controlled investigation. But young women keep disappearing, and Tanaka is given no choice.

Asa tries to give her classmate a biscuit. Nami evades her classmates' playground game of acorn-throwing. Happy decides she's not interested in doing anything other than lying down on her sofa. Each of these three stories begins in a reasonable place-but by the end you'll find yourself in another world altogether.

When Hirase, a young woman from Tokyo, arranges an appointment with the Go-Between, she doesn't expect a teenager to show up. Dressed preppy-style in a duffel coat and carrying a notebook, he invites the dead back into the real world - at least, this is what Hirase has pieced together from his website page. Ushered into a luxury hotel to await her meeting, the Go-Between lays down the ground-rules: the reunion lasts one evening under a full moon; the dead person cannot be called back by anyone else, and may refuse to meet.

Fourteen-year-old Maya cannot believe she has to spend the summer with her grandmother, helping out at the family cosmetics firm. But things get much more exciting when she meets a community of activists who are campaigning against the dumping of chemical waste. Getting closer to one boy in particular, Bear, Maya is dared into joining one of their protest missions, but doesn't know that her grandmother's business is the target. Someone has been lying about their environmentally friendly products, and as danger threatens, Maya must uncover the truth or betray her family forever.

Holly Blain and Inspector Tanaka are back on the case. Despite their tumultuous relationship when taking down the Otaku killer, the unlikely pair find themselves teaming up once more to stop a new murderer who is plaguing Tokyo. Recently, there has been an increase in poisonings from the delicacy fugu. But with strict preparation guidelines for the toxic fish, Blain and Tanaka fear these are more than just accidents.

What will the future hold for those who are left? Koli has come a long way since being exiled from his small village of Mythen Rood. In his search for the fabled tech of the Old Times, he knew he'd be battling shunned men, strange beasts and trees that move as fast as whips. But he has already encountered so much more than he bargained for. Now that Koli and his companions have found the source of the signal they've been following - the mysterious "Sword of Albion" - there is hope that their perilous journey will finally be worth something.

An immeasurably influential female voice in post-war Japanese literature, Kono writes with a strange and disorienting beauty: her tales are marked by disquieting scenes; her characters all teetering on the brink of self-destruction. In the famous title story, the protagonist loathes young girls but compulsively buys expensive clothes for little boys so that she can watch them dress and undress. Taeko Kono's detached gaze at these events is transfixing: what are we hunting for? And why?

In this ground-breaking history Elinor Cleghorn unpacks the roots of the perpetual misunderstanding, mystification and misdiagnosis of women's bodies, illness and pain. From the 'wandering womb' of ancient Greece to today's shifting understanding of hormones, menstruation and menopause, Unwell Women is the revolutionary story of women who have suffered, challenged and rewritten medical misogyny. Drawing on Elinor's own experience as an unwell woman, this is a powerful and timely exposé of the medical world and woman's place within it.

Elinor Cleghorn became an unwell woman 10 years ago. She was diagnosed with an autoimmune disease after a long period of being told her symptoms were anything from psychosomatic to a possible pregnancy. As Elinor learned to live with her unpredictable disease, she turned to history for answers, and found an enraging legacy of suffering, mystification, and misdiagnosis. In Unwell Women, Elinor Cleghorn traces the almost unbelievable history of how medicine has failed women by treating their bodies as alien and other, often to perilous effect.

Each generation, a competition is held to find the next empress of Honoku. The rules are simple. Survive the palace’s enchanted seasonal rooms. Conquer Winter, Spring, Summer, and Fall. Marry the prince. All are eligible to compete—all except yōkai, supernatural monsters and spirits whom the human emperor is determined to enslave and destroy. Mari has spent a lifetime training to become empress. Winning should be easy. And it would be, if she weren't hiding a dangerous secret. Mari is a yōkai with the ability to transform into a terrifying monster.

In each generation, a competition is held to find the next empress of Honoku. The rules are simple. Survive the palace's enchanted seasonal rooms. Conquer Winter, Spring, Summer and Fall, and you can marry the prince. All are eligible to compete - all except yokai, supernatural monsters and spirits whom the human Emperor is determined to enslave and destroy. Mari has spent a lifetime training to become Empress. Winning should be easy. And it would be, if she weren't hiding a dangerous secret.

Within the Tokyo underworld there is an industry which exists to break up marriages. It is known today as 'wakaresaseya' - agents who, for a fee, can be hired by one spouse to seduce the other and provide grounds for divorce on favourable terms. Inspired by a real case, this is the story of Kaitaro Nakamura, a wakaresaseya agent, who is hired by a man to seduce his wife. Kaitaro falls in love with his target, Rina, and after the divorce she moves in with him, unaware of his role in the demise of her marriage.

Tunuva Melim is a sister of the Priory. For fifty years, she has trained to slay wyrms – but none have appeared since the Nameless One, and the younger generation is starting to question the Priory's purpose. To the north, in the Queendom of Inys, Sabran the Ambitious has married the new King of Hróth, narrowly saving both realms from ruin. Their daughter, Glorian, trails in their shadow – exactly where she wants to be. The dragons of the East have slept for centuries. Dumai has spent her life in a Seiikinese mountain temple, trying to wake the gods from their long slumber.

Frozen Out is set to be a TV sensation. In the harshest Arctic conditions, eight contestants will push their bodies and minds to breaking point for a £100,000 prize. The temperatures might be well below freezing, but the stakes couldn't be higher. And camerawoman Dee will be there to capture every second. But as rumours spread of corner-cutting and safety risks, tempers among the cast and crew start to fray. When one of the contestants is found dead, it seems in keeping with the bad luck that has dogged the show. But Dee is not convinced this death was natural.