検索キーワード： ナレーター "Maddy Withington" すべてのカテゴリー

Christina is a single mother living in the Melbourne suburbs, but to her online clients she is the esteemed Dr Ruth Carlisle, an 'executive coach and mindset expert, specialising in high-performing individuals'. Dr Ruth gains her clients' trust through her online coaching business, finds out their secrets and deepest fears, and uses this information to extort them, using the money to save for the ultimate unobtainable Australian dream: a home deposit. But when she uncovers a secret that could set her up with much more than a 2-bedroom apartment in Clifton Hill, suddenly everything is at stake.

Winifred ‘Fred’ Darling, serial dater and author of 21 Rules for Not Catching Feelings, may not have been the best choice for maid of honor at her mother’s sixth wedding. Indeed, she’s determined to do everything in her power to stop it—and she’s found a kindred spirit in the groom’s attractive son, Leo. He’s dead-set against the wedding too, and once they arrive on the island where their respective parents plan to get hitched, “Operation Break-Up” is set in motion…

Christine thought a year in South Korea would hit the pause button on her messy life. Her dad's death had left her anxious and depressed, and her career in musical theatre had reached a new low of shopping-centre kids' shows. When she found herself pulled over by the side of the road, dressed as a dinosaur and sobbing uncontrollably, it was clear something had to change. A role with an experimental theatre company based in Seoul seemed the perfect way to put off dealing with her problems, at least for a year. But she soon found there's no running away from yourself.

Chloe Bridgers, Australian food blogger in Paris, has landed an interview to write the tell-all memoir of controversial celebrity chef Carla Duris. The only catch? To nab the role, she has to compete against a group of cut-throat, world-class food writers during a weekend-long job interview at the Duris family villa on the glistening Côte d'Azur. Already feeling like a fish out of water, Chloe starts to worry that old-school French journalist Henri de la Fontaine is sabotaging her from the get-go. But is winning the only thing he has in mind?

In Darkwater, being female doesn't amount to much. But Chelsea's luckier than most. She's the young lover of the town's feared leader, which she keeps telling herself is a good thing, what with food getting scarce and the wells drying up. She's secure and safe and can almost believe she's happy. But when a stranger rides into town, gun on one hip, whip on the other, Chelsea can't look away. Especially when it turns out this stranger is a woman. Nobody can say what the stranger is there for. But she brings talk of an outside perhaps no longer so chaotic, no longer something to hide away from.

A group of school-leavers: free at last, ready to party, expectations high. Leonardo, geeky, asthmatic, shy and prone to anxiety, has landed with them. Super high-achiever Kaiya is trying to forget her frustration with her drug-addicted sister as well as dealing with pressure from the popular girls. Mason is coming to terms with his secret desire for his best mate, Jared. Jared wants a week off from his relationship with Val so he can have sex with as many girls as possible. But the party takes a dangerous turn when Val is drugged and a man is later found dead on the beach.

Amelia is no stranger to sex and death. Her job in her family’s funeral parlour, doing make-up on the dead, might be unusual, but she’s good at it. Life and warmth comes from the men she meets online - combining with someone else’s body at night in order to become something else, at least for a while. But when a sudden loss severs her ties with someone she loves, Amelia sets off on a 72-hour mission to outrun her grief - skipping out on the funeral, running away to stay with her father in Tasmania and experimenting on the local BDSM scene.

Claire has returned from London to the dust and familiarity of her childhood home, only to realise something is wrong with her partner, Maggie. Patrick is a lonely university student, until he meets Caitlin—but does she feel as connected as he does? Ana is happily married with three children. Then, one night, she falls in love with someone else. Based on three true stories, Heartsick by Jessie Stephens is a compelling narrative non-fiction account of the many lows and occasional surprising highs of heartbreak.

Noni Blake knows she wants more: more adventures, more joy, more romance, more orgasms, more pleasure...more everything. Now she just has to figure out how to get it. Noni didn’t expect to be starting over at the age of 36. But 18 months after the end of her long-term relationship, she decides it’s time to start living her life again. While an encounter with a sexy firefighter is a welcome entry back into the dating world, Noni soon realises she’s looking for more than just a series of brief, pleasurable encounters. She’s looking for more pleasure in, well, everything.

Magpie Beach is a quiet seaside town – full of small-town prejudices and small-town cliques. Meg, Rosemary and Lily are all outsiders. Meg and Lily because they came to Magpie Beach to escape their former lives, Rosemary because her upbringing was the subject of much local gossip and upturned noses. The three women come together as friends, partly because their homes are so close together on the outskirts of town – and partly because their neighbors treat them with such suspicion. When Jessie Else goes missing – it's easy to see why this small band of outcasts are first on the list of suspect.

Eighteen-year-old Brooke is the kind of friend who not only remembers everyone's birthdays, but also organizes the group present, pays for it, and politely chases others for their share. She's the helper, the doer, the guarder-of-drinks, the minder-of-bags, the maker-of-spreadsheets. She's the responsible one who always follows the rules—and she plans to keep it that way during her first year of university. Her new share house is rules-lite. But ‘no unnecessary drama' means no fights, tension, or romance between housemates.

In 1998, an apparently ordinary Australian man is arrested and charged with a series of brutal murders. The news shocks the nation, bringing both horror and resolution to the victims' families, but its impact travels even further—into the past, as the murders rewrite personal histories, and into the future, as true crime podcasts and biopics tell the story of the crimes. Highway 13 takes murder as its starting point, but it unfolds to encompass much more. Fiona McFarlane presents an unforgettable, entrancing exploration of the way stories are told and spread, and at what cost.

Anna was never going to have an easy time at her best friend's wedding. She's the bridesmaid; her ex, Joel, is a groomsman. But she's determined to get through the festivities with a smile on her face. Despite the fact that Joel is bringing his new partner, Bianca. Despite the fact she's stuck sharing a house with the newly in-love couple. And despite the fact Anna has just turned thirty and her life is not exactly where she thought it would be by now. Anna has all her feelings completely under control—right up until the moment Joel drops a bombshell that rocks her to her core.

Hair stylist Kit Cooper is at the top of her game. She does the shows in Milan and Paris, tends to pop stars and celebrities, and has styled enough campaigns and magazine covers to last a lifetime. But Kit is ambitious. Restless. She can't help asking: what's next? One day, frustrated she can't find the perfect product for a look, she wonders ... could she make it herself?

Katy Sweeney is looking for her sister. A year earlier, just three weeks into a solo vanlife trip, her free-spirited younger sister, Phoebe, vanished without a trace on the remote, achingly beautiful coastal highway in Western Australia. With no witnesses, no leads, and no DNA evidence, the case has gone cold. But Katy refuses to give up on her.

1917: America's declaration of war against Germany gives Grace Winter, a keen-eyed New York Times investigative reporter, a much sought after opportunity to make her mark on the Western Front, albeit in ways she had never expected. But by 1918 the gruesome reality of trench warfare has set in, and an invisible new enemy - The Spanish Flu - is killing allied soldiers in their droves.

When Emily's beautiful cousin Aspen goes missing somewhere in the Outback, no one seems to take it seriously, not even the police. After all, Aspen has a history of drug use and a string of broken relationships to her name. But Emily knows that her disappearance is totally out of character, so she books a flight to the Northern Territory to find her. Emily's search takes her south of Darwin to every road stop and tourist trap she can find, but the only person who turns up is the last person she expected to see, her ex-husband Ben. But there is a violent killer on the loose.

After Ana flees to Melbourne in the wake of a breakup, all she has to show for herself is an unfulfilling job and one particularly questionable dating app experience. Then she meets Evan: the old-fashioned way, at a bar. Charming, kind, and responsible, Evan is a complete deviation from her usual type. Ana tries to let their relationship unfold IRL, but she can’t resist the urge to find him online. When she discovers that his previous girlfriend died in a hit-and-run, Ana begins to worry that she’s living in the shadow of his lost love.

Eighteen-year-old Brooke is the kind of friend who not only remembers everyone’s birthdays, but also organizes the group present, pays for it, and politely chases others for their share. She’s the helper, the doer, the maker-of spreadsheets. She’s the responsible one who always follows the rules—and she plans to keep it that way during her first year of college. Her student housing only has one rule: "no unnecessary drama." Which means no fights, tension, or romance between roommates. When one of them turns out to be Jesse, her high-school nemesis, Brooke is determined she can handle it.

It's not easy getting close to people. Amelia's meeting a lot of men but once she gets the sex she wants from them, that's it for her: she can't connect further. A terrible thing happened to Daniel last year and it's stuck inside Amelia ever since, making her stuck too. Maybe being a cosmetician at her family's mortuary business isn't the best job for a young woman. It's not helping her social life. She loves her job, but she's not great at much else. Especially emotion.