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This third volume in the series draws together for the first time many of Dubus' previously uncollected stories, including work from the mid-1960s and the late 1990s. The earliest story appearing here in audiobook form for the first time is "The Cross Country Runner". The final story - the Western-themed "Sisters" - is the last piece of fiction Dubus was working on when he died suddenly in 1999 at just 63 years old.

Robert Rosenberg took over as CEO of Dunkin’ Donuts in 1963, 13 years after the first restaurant was founded by his father William. In his remarkable 35-year run, he grew the company from $10 million in sales to over $2 billion with more than 3,000 outlets. Through his tenure, Robert learned important lessons on running and scaling a family business. Rosenberg shares his insider perspective on all the dramatic highs and lows that are part of the Dunkin’ Donuts story to guide you to your own success story.

While the title novella of Dubus' Finding a Girl in America returns to the somewhat off-the-rails literary life of Hank Allison, the collection's opening story strikes a much darker tone.

First published between 1870 and 1893, Émile Zola’s 20-book cycle chronicling four generations of the Rougon-Macquarts was a shocking exposé of the decadence, degradation and moral decay of 19th-century France. It included some of his greatest novels, among them his masterpiece, Germinal. These innovative, ambitious dramas, first broadcast on Radio 4 over 24 hours in 2015-16, are a radical reimagining of Zola’s classic series, introducing us to 104-year-old matriarch, Dide, imprisoned in an asylum in southern France.

Shields and Salerno illuminate most brightly the last 56 years of Salinger’s life: a period that, until now, had remained completely dark to biographers. Provided unprecedented access to diaries, letters, legal records, and secret documents, listeners will feel they have, for the first time, gotten beyond Salinger’s meticulously built-up wall. The result is the definitive portrait of one of the most fascinating figures of the 20th century.

In this harrowing story based on authentic historical documents, we follow the career of Dr. Silas Weir, “Father of Gyno-Psychiatry,” as he ascends from professional anonymity to national renown. Humiliated by a procedure gone terribly wrong, Weir is forced to take a position at the New Jersey Asylum for Female Lunatics, where he reigns. There, he is allowed to continue his practice, unchecked for decades, making a name for himself by focusing on women who have been neglected by the state—women he subjects to the most grotesque modes of experimentation.

Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before-published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, uniting a diverse range of science fiction writers both famous and newly minted, including Max Brooks, Edward Bryant, Cecil Castellucci, James S. A. Corey, Howard Fast, Patricia Hodgell, Dan Simmons, Robert Sheckley, Adrian Tchaikovsky, Mildred Downey Broxon, and Cory Doctorow, among others.

In this harrowing story based on authentic historical documents, we follow the career of Dr. Silas Weir, “Father of Gyno-Psychiatry,” as he ascends from professional anonymity to national renown. Humiliated by a procedure gone terribly wrong, Weir is forced to take a position at the New Jersey Asylum for Female Lunatics, where he reigns. There, he is allowed to continue his practice, unchecked for decades, making a name for himself by focusing on women who have been neglected by the state—women he subjects to the most grotesque modes of experimentation.

Weird Tales magazine is known for launching a number of sub-genres of fiction—cosmic horror, swords & sorcery, dark fantasy, and others. It has also greatly added to existing genres like science fiction, horror, and—a personal favorite of editor Jonathan Maberry—weird mystery stories. Or, as they became known—occult detective tales.

These poems are thoughts, recollections, ponderings, snapshots of time, deliberations upon events, and the playing with words for the expression of emotion. But they are all meaningful to me at some level. Some are written solely in standard English, others in Ulster Scots, others in a combination of both. This is a good representation of my speech, sometimes Ulster Scots, sometimes standard English, but normally a combination.

In her second collection from Trepidatio Publishing, award-winning author Gemma Files takes her listeners on journeys out beyond safe borders—from the trackless depths of the sea, to the empty desert frontiers of the Weird West, even to the edges of cracks between worlds. Here, in these narrow spaces between the known and the unknown, behind the paper-thin curtains of reality, lurk monsters both human and ancient: selkies and avenging revenants, voodoo priestesses and pirate sorcerers, ghosts and vampires, and the most famous murderer of all time.

A brilliant young philosophy student bent on seducing her famous philosopher-mentor finds herself outmaneuvered; diabolically clever high school girls wreak a particularly apt sort of vengeance on sexual predators in their community; a woman stalked by a would-be killer may be confiding in the wrong former lover; a young woman is morbidly obsessed by her unfamiliar new role as “mother.” In the collection’s longest story, a much-praised cutting-edge writer cruelly experiments with “drafts” of his own suicide.

A brilliant young philosophy student bent on seducing her famous philosopher-mentor finds herself outmaneuvered; diabolically clever high school girls wreak a particularly apt sort of vengeance on sexual predators in their community; a woman stalked by a would-be killer may be confiding in the wrong former lover; a young woman is morbidly obsessed by her unfamiliar new role as “mother.” In the collection’s longest story, a much-praised cutting-edge writer cruelly experiments with “drafts” of his own suicide.